Pre-production {{Multiple image A film adaptation of the Broadway musical
Wicked was announced in 2012, with scheduled release dates of December 20, 2019, December 22, 2021, December 25, 2024, and November 27, 2024. After numerous delays, the first film was released on November 22, 2024. In April 2022, director
Jon M. Chu announced that the adaptation would be split in two parts, saying: Stephen Schwartz echoed Chu's sentiment in June, while also confirming that a new song was in the works for one of the two films: In November 2022, Schwartz said the film would include two new songs "to meet the demands of the storytelling". In December 2024, Chu said the film would have a darker tone and that the character of Dorothy Gale would have a more prominent role compared to the musical. Filming resumed and concluded in January 2024. The song vocals were recorded live on set at the insistence of Erivo and Grande, with production sound mixer
Simon Hayes using a variation of the same recording techniques he implemented on
Les Misérables. Christopher Scott choreographed the musical numbers. Chu cited
Steven Spielberg's 1991 film
Hook as inspiration for the large-scale sets and practical effects, including nine million colorful tulips planted on location to surround the
Munchkinland set and a
yellow brick road paved with real mud. Many sets from
Wicked were repurposed in
Wicked: For Good, such as the life-sized train to
Emerald City doubling as Glinda's personal locomotive, and the Governor's Mansion in Munchkinland using elements of Shiz University's library and Madame Morrible's office. Chu also cited the 1998 films
Pleasantville and
The Truman Show as influences on how
Wicked and
Wicked: For Good thematically portray the Land of Oz, saying, "It helps create this idea of the rebelliousness that this new younger generation are discovering... How far will that take everybody in Oz throughout the course of the whole story of both movies? It's an awakening of a generation. You start to see the truth about things that maybe you were taught differently." Boq's transformation into the Tin Man was a collaboration between production designer
Nathan Crowley, costume designer
Paul Tazewell, and prosthetic makeup designer
Mark Coulier. The eleven-piece prosthetic set took four hours to apply to
Ethan Slater's face and was designed in homage to
Jack Haley's portrayal of the Tin Man in
The Wizard of Oz (1939), with minimal VFX work used to simulate the Tin Man's joints. The design of the Scarecrow, in contrast, deviates from
Ray Bolger's portrayal in
The Wizard of Oz by retaining much of
Jonathan Bailey's likeness, including the removal of his blue eye contacts as Fiyero in favor of his natural brown eye color.
Post-production and visual effects Industrial Light & Magic (ILM) and
Framestore provided the
visual effects for
Wicked: For Good, with
Pablo Helman serving as the production visual effects supervisor. On February 6, 2024, it was confirmed that post-production work was in progress, with Chu working remotely with editor
Myron Kerstein via the newly released
Apple Vision Pro. Editing was paused during most of 2024, so that Chu could finish post-production on
Wicked and figure out how
Wicked: For Good would continue the story. Post-production resumed in November 2024, following the press tour and release of
Wicked, with editing done through
Avid Media Composer. On December 16, 2024, the title was revealed as
Wicked: For Good, sharing its subtitle with the name of
the musical's penultimate song. Chu defended the title as always having been the right choice over the working title,
Wicked: Part Two, though the latter was retained on certain international releases.
Music (pictured in 2008) co-composed the incidental underscore with Stephen Schwartz. The soundtrack album for
Wicked: For Good was released on November 21, 2025, through
Republic and
Verve Records. The score album was released on December 5, 2025. As with
Wicked, Schwartz composed the score alongside
John Powell, who conducted the score cues with
Gavin Greenaway.
Jeff Atmajian updated
William David Brohn's original orchestrations for the songs and enlarged the orchestra from the stage version's original 23 musicians to 125. The song cues were conducted by original music director
Stephen Oremus. Schwartz, Oremus, and
Greg Wells served as the soundtrack's producers. In January 2025, Wells revealed that he and Atmajian were in the process of recording live instrumentals, with recording scheduled to happen in May or June 2025 with the orchestra at
AIR Studios, followed by
mixing over the subsequent months. Later that month, a home studio belonging to Wells was destroyed in the
2025 Palisades Fire, halting production.
Main musical numbers • "Every Day More Wicked" – Ozians, Madame Morrible, Elphaba and Glinda • "Thank Goodness/I Couldn't Be Happier" – Glinda, Morrible, Fiyero and Ozians • "
No Place Like Home" – Elphaba • "The Wicked Witch of the East" – Nessarose, Elphaba and Boq • "Wonderful" – The Wizard, Glinda and Elphaba • "I'm Not That Girl" (Reprise) – Glinda • "
As Long as You're Mine" – Elphaba and Fiyero • "
No Good Deed" – Elphaba • "March of the Witch Hunters" – Boq and Ozians • "
The Girl in the Bubble" – Glinda • "
For Good" – Elphaba and Glinda • "A Wicked Good Finale" – Glinda, Elphaba and Ozians "Every Day More Wicked" is a reprise of "
No One Mourns the Wicked" that also interpolates several songs from the first act and film, such as "
The Wizard and I", "What Is This Feeling?", and "
Popular". "
No Place Like Home" and "
The Girl in the Bubble" were written for the film, with the former written in collaboration with Erivo. "A Wicked Good Finale", adapted from the original "Finale" track from the stage musical, appears on the score album as opposed to the soundtrack album. ==Differences from the musical==