Although having established herself as a performer with a string of club hits in the US and a large
gay following, Jones had only achieved very modest commercial success with her first three
disco albums. For
Warm Leatherette, Jones went through a musical and visual reinvention. The singer teamed up with producers
Chris Blackwell and
Alex Sadkin, and
Sly and Robbie,
Wally Badarou,
Barry Reynolds,
Mikey Chung and
Uziah "Sticky" Thompson, aka the
Compass Point Allstars, for a record that would be a total departure from disco and an exploration of
new wave music, blending
reggae and
rock. In her 2015 memoir, Grace looked back at this time period as one of reinvention. She commented "Disco was squeezing me into a room that was looking tackier and tackier, and I was worried I was going to be trapped. Meeting
Jean-Paul and Chris Blackwell helped me follow my own route". Grace felt that her first three albums produced by
Tom Moulton –
Portfolio (1977),
Fame (1978) and
Muse (1979) – were "becoming his vision more than mine" and "all followed the same formula". David Bowie influences were also noted by Joe Muggs of
Fact. The album includes
covers of songs by
The Normal,
The Pretenders,
Roxy Music,
Smokey Robinson,
Tom Petty and the Heartbreakers and
Jacques Higelin. Blackwell intended to make a record with "a harsh sound that was heavy with Jamaican rhythm". For Jones's version of "
Breakdown",
Tom Petty specially wrote a third verse for the song. The album also includes one song co-written by Jones, "
A Rolling Stone", and one French track, "Pars" (French for "Leave"), a reggae re-imagining of
Jacques Higelin's song. "Bullshit" is an original by
Barry Reynolds. Reynolds would later write or co-write several tracks for Jones: "
Art Groupie", "
I've Seen That Face Before (Libertango)", the entire B-side of the
Living My Life album, and "
Well Well Well". "
Pull Up to the Bumper" was also recorded during the sessions for
Warm Leatherette, but its
R&B sound was found not fitting in the rest of the material and so it appeared on Jones's next album,
Nightclubbing in 1981. The vinyl LP release of the album included shorter versions of some of the songs, due to limited capacity of the vinyl format. Most compact disc editions included extended 12" mixes of selected tracks that had originally appeared on the single-sided chrome audio cassette. ==Artwork==