Early years In early 1975, the rock producer
Kim Fowley had an idea for assembling an
all-female band at a time when, according to guitarist
Joan Jett, "There were no young girls at all playing guitar or any sort of instruments." Fowley met lyricist Kari Krome at a party held for
Alice Cooper, put her on salary, and had her begin looking for female performers. Krome met Joan Jett and brought her to Fowley. Jett successfully auditioned for Fowley by playing
ukulele to a
Sweet album, and picked up guitar as her instrument. Soon afterward, in the parking lot of the
Rainbow Bar and Grill, Fowley met
Sandy West, who agreed to play drums. Fowley had Jett rehearse with West at the latter's home in
Huntington Beach, and auditioned the pair on the telephone to music journalist
Ritchie Yorke. He then turned to two radio stations to advertise for further auditions, which brought lead vocalist/bassist
Micki Steele (later of
the Bangles). The Runaways were formed in August 1975. Fowley touted the new group the Runaways as "an all-girl answer to
Grand Funk," and the band signed to Kim Fowley Productions for management in September 1975. The lineup of Jett, West, and Steele made its live debut playing the
Whisky a Go Go September 28–29, opening for Fowley's previous conceptual band the
Hollywood Stars (then billed as "The Stars"). On October 30, Steele left due to creative differences. In November, bassist Peggy Foster joined, as well as
Lita Ford as lead guitarist, allowing Jett to focus on rhythm guitar. Fowley and Jett discovered
Cherie Currie at the teen nightclub The Sugar Shack and brought her in as
lead vocalist for the group. The band recorded their debut album
The Runaways in January 1976 and released it in March through Mercury. The album debuted at number 188 on the
Cash Box top albums chart, received favorable reviews, and was promoted through numerous radio ads, achieving sales of 70,000 units in 1976. For their stage performance, the 2004 documentary
Edgeplay: A Film About the Runaways (directed by former Runaway bassist
Vicki Blue) revealed each girl patterned herself after their musical idol: Currie on
David Bowie, Jett on
Suzi Quatro, Ford on a cross between
Jeff Beck and
Ritchie Blackmore, West on
Roger Taylor, and Fox on
Gene Simmons. The Runaways were the subject of a writeup in
People magazine in September 1976. A week later, Fowley severed his ties with the band and forfeited his rights, titles, claims, and merchandising ownership to Mercury Records. Mercury refused to accept Fowley's stakehold in the band and turned it back to him the following week. The album was released on January 7, 1977. The Runaways performed a world tour in support of
Queens of Noise. The band quickly became lumped in with the growing punk rock movement. The band (already fixtures on the West Coast punk scene) formed alliances with mostly male punk bands such as the
Ramones and
the Dead Boys (via New York City's
CBGB) as well as the British punk scene by hanging out with the likes of
the Damned,
Generation X and the
Sex Pistols. In the summer of 1977, booking agent
David Libert secured dates in Japan, where they played a string of sold-out shows. They were unprepared for the onslaught of fans that greeted them at the airport. Jett later described the mass hysteria as "just like
Beatlemania". While in Japan, the Runaways had a TV special, made numerous television appearances, and released the album
Live in Japan, which went gold. Jackie Fox left mid-tour and was replaced by bassist Vicki Blue when the group returned to America. Cherie Currie left the band on August 9, 1977. Fowley recorded the Runaways' third LP, ''
Waitin' for the Night,'' at
Larrabee Studios the same month, with the band as a four-piece and with Joan Jett on vocals. The album was released on October 17, 1977, and was the final album that Fowley would record with the group.
Dissolution Due to disagreements over money and the management of the band, the Runaways and Kim Fowley parted ways in 1977. The group quickly hired Toby Mamis, who worked for
Blondie and
Suzi Quatro. When the group split from Fowley, they also parted with their record label Mercury/
PolyGram, to which their deal was tied. In the
Edgeplay documentary, members of the group (especially Fox and Currie) as well as the parents of Currie and West, have accused Fowley and others assigned to look after the band of broken promises as to schooling and other care, using divide and conquer tactics to keep control of the band, along with the verbal taunting of band members. The band reportedly spent much time enjoying the excesses of the rock 'n' roll lifestyle during this time. They partnered with
Thin Lizzy producer John Alcock, after Jett's future partner
Kenny Laguna turned down the job, to record their last album
And Now... The Runaways. Blue left the group due to medical problems and was briefly replaced by Laurie McAllister in November 1978. McAllister was referred to the band by her neighbor, Duane Hitchings, who played keyboards on
And Now... The Runaways. Before joining the Runaways, McAllister played with Baby Roulette and the Rave Ons, who had one song released on a Kim Fowley compilation LP called
Vampires From Outer Space. McAllister appeared onstage with the Runaways at their final shows in California in December 1978 and quit in January 1979. Disagreement among band members included the musical style; Jett wanted the band to make a musical change, shifting towards
punk rock/
glam rock while Ford and West wanted to continue playing
hard rock/
heavy metal music. Neither would accept the other's point of view. The band played their last concert on New Year's Eve 1978 at the
Cow Palace and officially broke up in April 1979.
Potential reunion In 2010, Jett and Currie reunited to re-record the song "Cherry Bomb" for the video game
Guitar Hero: Warriors of Rock. In a 2015 interview with
WHMH-FM, Ford said that she decided against a possible reunion in the early 1990s because "
Nirvana was just kicking in, and it was really bad timing; it wouldn't have worked. People would have just turned their nose up at it." In December 2018, Ford said that a Runaways reunion would never happen. On May 12, 2021, Currie was asked about a reunion, to which she responded,I've played with all the girls individually; I've played with all of them—with Lita, with Joan, and, of course, with Sandy; I never did a show without her before she passed away. So I'm the only one that's actually played with all the members. Lita and Joan have a little bit of an issue, and that just seems to be the problem. Lita doesn't like Kenny. I wish they would get over it, honestly, but I don't think so. Kenny was my manager during the early stages of making
Blvds Of Splendor. We were very good friends for 20 years. But then, unfortunately, with the record, with them holding up
Blvds Of Splendor for 10 years, that kind of eroded my friendship with him a bit. ==After the breakup==