's 1644 edition of
Areopagitica, in it he argued forcefully against the Licensing Order of 1643. The abolition of the Star Chamber and the severe 1637
Star Chamber Decree, however, did not indicate Parliament's intention to permit freedom of speech and of the press; rather it indicated a desire on the part of Parliament to replace the royal censorship machinery with its own. Motivated by a desire to eliminate chaos and piracy in the printing industry, protect parliamentary activities and proceedings from its opponents, suppress royalist propaganda and check the widening currency of various sects’ radical ideas, Parliament instituted a new state-controlled censoring apparatus in
An Ordinance for the Regulating of Printing of 14 June 1643. The Licensing Order reintroduced almost all of the stringent censorship machinery of the 1637 Star Chamber Decree, including: • pre-publication licensing. • registration of all printing materials with the names of author, printer and publisher in the Register at Stationers’ Hall. • search, seizure, and
destruction of any books offensive to the government. • arrest and imprisonment of any offensive writers, printers and publishers. The Stationers' Company was given the responsibility of acting as censor, in return for a monopoly of the printing trade.
Resistance and unlicensed printing The Licensing Order of 1643, while aimed at controlling the press and curbing dissent, inadvertently fuelled the growth of an underground printing network. Radical
Puritans and sectarian groups, finding their voices stifled by the strict censorship, turned to clandestine presses to disseminate their ideas. Figures like
Richard Overton, in collaboration with individuals like Nicholas Tew, established secret printing operations to circumvent the restrictions. This resistance highlighted the inherent tension between the desire for control and the urge for free expression, even amidst the turmoil of the
English Civil Wars. ==Milton's
Areopagitica==