Since the material being carved has no
directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts. Lino is generally much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material's lack of rigidity. Because of its ease of use, linocut is widely used in schools to introduce children to the art of printmaking, allowing them to complete many tasks in the art lesson rather than reaching for the pencil and eraser. Similarly, non-professional artists often cut lino rather than wood for printing. Nevertheless, in the contemporary art world, the linocut is an established professional print medium because of its extensive use by artists of the
Expressionist art movement, the Grosvenor School, and by Pablo Picasso and
Henri Matisse. == Emergence of the technique in America ==