List of masses, passions and oratorios by Johann Sebastian Bach

Mass with all usual sections • BWV 232 – Mass in B minor Kyrie–Gloria masses • BWV 232I, early version – Missa in B minor for the Dresden court (1733), re-used as part I of the Mass in B minor • BWV 233 – Missa in F major • BWV 234 – Missa in A major • BWV 235 – Missa in G minor • BWV 236 – Missa in G major Cantata based on BWV 232I • BWV 191 – Cantata Gloria in excelsis Deo Separate mass movements • BWV 232II, early version – Credo in G major (1748–49?) • BWV 232III, early version – Sanctus for six vocal parts (1724) • BWV 233a – (early version of Kyrie from BWV 233) • BWV 237 – Sanctus in C major • BWV 238 – Sanctus in D major • BWV 239 – Sanctus in D minor (based on the first section of the Gloria of Antonio Caldara's Missa Providentiae) • BWV 240 – Sanctus in G major (spurious, unknown composer) • BWV 241 – Sanctus in D major (arrangement of Sanctus from Johann Caspar Kerll's Missa superba) • BWV 242 – Christe eleison in G minor (composed by Bach for a mass by Francesco Durante, BWW Anh. 26) Latin Magnificat • BWV 243 – Magnificat in D major • BWV 243a – Magnificat in E-flat major, early version of BWV 243, containing four Latin and German interpolations related to Christmas German Magnificat cantatas • BWV 10 – Meine Seel erhebt den Herren (German Magnificat) • BWV 189 – Meine Seele rühmt und preist on a German paraphrase of the Magnificat text, attributed to Melchior Hoffmann. • BWV Anh. 21 – Meine Seel erhebt den Herren, a.k.a. Kleine Magnificat (small Magnificat), Magnificat in A minor, by Melchior Hoffmann. Other • BWV 1081 – Credo intonation in F major for a Mass by Giovanni Battista Bassani, BDW • BWV 1082 – Bach's copy of the Suscepit Israel of Antonio Caldara's Magnificat in C major. • BWV 1083 – Tilge, Höchster, meine Sünden, Bach's adaptation of Pergolesi's Stabat Mater. • BWV Anh. 24 – Kyrie and Gloria in A minor from "Missa Sancti Lamberti" by Johann Christoph Pez; Bach copied its Kyrie in Weimar, adding a line different from the original continuo; Its Gloria was copied without modification in Leipzig. • BWV Anh. 25 – Kyrie–Gloria Mass in C major copied & performed by J. S. Bach 1740-1742). • BWV Anh. 26 – (by Francesco Durante; see above Christe eleison in G minor, BWV 242) • BWV Anh. 27 – Sanctus in F major by Johann Ludwig Krebs. • BWV Anh. 30 – Magnificat in C major for SSAATTBB choir and orchestra attributed to Antonio Lotti, and later to Pietro Torri (copied by Bach around 1742) • BWV Anh. 166 – Missa super cantilena "Allein Gott in der Höh sei Ehr": Kyrie–Gloria Mass in E minor composed in 1716 by Johann Ludwig Bach, previously attributed to Johann Nicolaus Bach, with part scores written out by J. S. Bach and others for performance in 1729, and a small addition (5 bars) by J. S. Bach at the beginning of the Gloria. Published and performed as J. S. Bach's in 1805. • BWV Anh. 168 – Kyrie (and German Gloria) composed by Wilhelm Friedemann Bach, BDW • BWV deest – Bach's transposition from D minor to E minor and colla parte orchestration for the first two movements of Palestrina's Missa Sine nomine a 6, to be performed in Leipzig in the early 1740s as a Kyrie–Gloria Mass for SSATTB choir, and an orchestra consisting of cornets, trombones and continuo. ==Passions and oratorios==