, 1916 The story was picked up and expanded in the late 13th-century
Lohengrin by a certain "Nouhusius" or "Nouhuwius", who changed the character's name and tied the romance's Grail and Swan Knight elements into the history of the
Holy Roman Empire. The story follows Wolfram’s closely but adds certain details – notably, Princess Elsa's questioning of her husband occurs only after prodding by an antagonist who spreads rumors that Lohengrin is not of noble blood – that extends the material into a full
romance. In expanding the material, the author drew on several other medieval German literary works, including the
Sächsische Weltchronik, the
Jüngerer Titurel, and the
Wartburgkrieg. In the 15th century, the story was taken up again for the anonymous
Lorengel. This version does not include the taboo against asking the protagonist about his mysterious origin and Lorengel and his princess can live happily ever after. (1910) In 1848,
Richard Wagner, drawing on the contemporary work of
Ludwig Lucas, adapted the tale into his popular
opera Lohengrin, arguably the work through which Lohengrin's story is best known today. While King
Henry the Fowler tries to assemble forces in Brabant to combat the
Hungarian invasions, Lohengrin appears on the
Scheldt River to defend Princess Elsa from the false accusation of killing her younger brother Gottfried (who turns out to be alive and returns at the end of the opera). According to Wagner, the Grail imbues the Knight of the Swan with mystical powers that can only be maintained if their nature is kept secret; hence the danger of Elsa's question. The most famous piece from
Lohengrin is the "
Bridal Chorus" ("Here Comes the Bride"), still played at many Western weddings. Wagner's
Lohengrin was parodied in
Victor Herbert's 1906
burlesque The Magic Knight, and was reworked into
Salvatore Sciarrino's 1982 opera
Lohengrin, which reduces the narrative to a manic hallucination. ==References==