Maxwell made her first film appearances in 1946, appearing (uncredited) in the British films
A Matter of Life and Death (directed by
Powell and Pressburger) and
Spring Song. It was at this time that she changed her surname from Hooker to Maxwell, a name borrowed from a
ballet dancer friend. The rest of her family also took this name. Moving to
Hollywood at the age of 20, Maxwell won the actress
Golden Globe Award for Most Promising Newcomer for her role in the
Shirley Temple-
Ronald Reagan drama
That Hagen Girl (1947). In 1949, she participated in a later famous
Life magazine photo layout, in which she posed with other up-and-coming actresses,
Marilyn Monroe,
Cathy Downs,
Suzanne Dalbert,
Enrica Soma,
Laurette Luez and
Jane Nigh. Despite her early acclaim, most of Maxwell's subsequent work consisted of minor roles in
B films. There she made a series of films, and at one point became an amateur race driver. In 1963 Maxwell played a machine gun-firing nurse in the series
The Avengers (episode "The Little Wonders", which was first aired on 11 January 1964). She had a guest appearance in an episode of the
ITC series
The Baron ("Something for a Rainy Day", 1965), as an insurance investigator.
Role as Miss Moneypenny Maxwell lobbied for a role in the
James Bond film
Dr. No (1962), after her husband had suffered a heart attack, and they needed the money. Director
Terence Young, who had turned her down on the grounds that she "looked like she smelled of soap", offered her either Miss Moneypenny or Bond's girlfriend,
Sylvia Trench, but Maxwell was uncomfortable with the idea of a
revealing scene outlined in the screenplay. The role as
M's secretary guaranteed just two days' work at a rate of £100 per day, and Maxwell supplied her own clothes for the filming. Moneypenny's undercover policewoman's cap disguises the hair Maxwell had already dyed in preparation for another part. According to author
Tom Lisanti, Maxwell's Moneypenny was seen as an "anchor", and her flirtatious relationship with Bond provided the films with dramatic
realism and
humanism; for Moneypenny, Bond was "unobtainable", freeing the characters to make outrageous sexual
double entendres. == Later life ==