After viewing one of Temple's
Frolics of Youth films,
Fox Film Corporation songwriter
Jay Gorney saw her dancing in the theater lobby. Recognizing her from the screen, Gorney arranged a
screen test for Temple for the film
Stand Up and Cheer! (1934). Temple auditioned on December 7, 1933, and won the part. She was signed to a $150-per-week contract that was guaranteed for two weeks by Fox. The role was a breakthrough performance for Temple. Her charm was evident to Fox executives, and she was ushered into corporate offices almost immediately after finishing "Baby, Take a Bow", a song-and-dance number that she performed with
James Dunn.
Roles Biographer John Kasson argues: Biographer Anne Edwards wrote about the tone and tenor of Temple's films: President
Franklin D. Roosevelt praised her performances, saying, "It is a splendid thing that for just 15 cents, an American can go to a movie and look at the smiling face of a baby and forget his troubles."
Finances in
Bright Eyes (1934) On December 21, 1933, Temple's contract was extended to one year at the same $150 per week () with a seven-year option, and her mother Gertrude was hired at $25 per week () as her hairdresser and personal coach. Released in May 1934,
Stand Up and Cheer! became Shirley's breakthrough film. She performed in a short skit in the film alongside popular Fox star
James Dunn, singing and
tap dancing. Fox executives rushed her into another film with Dunn,
Baby Take a Bow (named after their song in
Stand Up and Cheer!). Temple's third film, also with Dunn, was
Bright Eyes (1934), a movie written specifically for her. After the success of her first three films, Temple's parents realized that she was not being paid sufficiently. Her image also began to appear on numerous commercial products without her legal authorization and without compensation. To regain control over the use of her image and to negotiate with Fox, Temple's parents hired lawyer
Loyd Wright to represent them. On July 18, 1934, Temple's contractual salary was raised to $1,000 per week (), and her mother's salary was raised to $250 per week (), with an additional $15,000 () bonus for each finished film. Cease-and-desist letters were sent to many companies and authorized corporate licenses began to be issued.
Bright Eyes, written with her acting style in mind, was released in 1934 The film included the song "
On the Good Ship Lollipop", which is considered to be her
signature song. She was awarded a miniature
Juvenile Oscar in 1935.
1935–1937 Temple's quota of films in each calendar year was increased from three to four in the contract that her parents signed in July 1934.
Now and Forever starring
Gary Cooper and
Carole Lombard (with Temple billed third with her name above the title beneath Cooper's and Lombard's),
The Little Colonel,
Our Little Girl,
Curly Top (with the signature song "
Animal Crackers in My Soup") and
The Littlest Rebel were released after the contract was signed.
Curly Top was Temple's last film before the merger between 20th Century Pictures and the Fox Film Corporation. Temple's salary was $2,500 per week () by the end of 1935. Elaborate sets were built for the production at the famed
Iverson Movie Ranch in
Chatsworth, where a rock feature at the heavily filmed location ranch was eventually named Shirley Temple Rock.
Heidi was the only other Temple film released in 1937. Midway through shooting of the movie, the dream sequence was added to the script. Temple herself reportedly was behind the dream sequence and she had enthusiastically pushed for it, but in her autobiography, she vehemently denied this. Her contract gave neither her parents nor her any creative control over her movies. She saw this as Zanuck's refusal to make any serious attempt at building upon the success of her dramatic role in
Wee Willie Winkie. One of the many examples of how Temple was permeating popular culture at the time is the references to her in the 1937 film
Stand-In; newly minted film studio honcho Atterbury Dodd (played by
Leslie Howard) has never heard of Temple, much to the shock and disbelief of former child star Lester Plum (played by
Joan Blondell), who describes herself as "the Shirley Temple of my day", and performs "
On the Good Ship Lollipop" for him.
1938–1940 The Independent Theatre Owners Association paid for an advertisement in
The Hollywood Reporter in May 1938 that included Temple on a list of actors who deserved their salaries while
others' (including Katharine Hepburn and Joan Crawford) "box-office draw is nil". In 1939, she was the subject of the
Salvador Dalí painting
Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time, and she was animated with
Donald Duck in
The Autograph Hound. In 1940, Lester Cowan, an independent film producer, bought the screen rights to
F. Scott Fitzgerald's
Babylon Revisited for $80. Fitzgerald thought his screenwriting days were over, and with some hesitation, accepted Cowan's offer to write the screenplay titled "Cosmopolitan" based on the short story. After finishing the screenplay, Fitzgerald was told by Cowan that he would not do the film unless Temple starred in the lead role of the youngster Honoria. Fitzgerald objected, saying that at age 12, the actress was too worldly for the part and would detract from the aura of innocence otherwise framed by Honoria's character. After meeting Temple in July, Fitzgerald changed his mind, and tried to persuade her mother to let her star in the film. However, her mother demurred. In any case, the Cowan project was shelved by the producer. Fitzgerald was later credited with the use of the original story for
The Last Time I Saw Paris starring
Elizabeth Taylor. As her contract with 20th Century-Fox was coming to a close, Temple's mother applied her for entrance into the
Westlake School for Girls in September 1939. There, Temple would enroll as a
seventh-grader. Temple noted that she had difficulty adapting to a school environment after having spent much of her youth with adults and private tutors. However, her classmate
June Lockhart described her as having "integrated herself right away" and seeming "delighted to be there". Temple frequently attended school dances and extracurricular activities, and according to Lockhart, "students did not treat her differently despite her successful film career." Temple graduated from the school in May 1945.
1941–1950: Final films and retirement After leaving 20th Century-Fox, Temple signed a contract with
Metro-Goldwyn-Mayer . However, upon meeting with MGM producer
Arthur Freed for a preliminary interview, he allegedly exposed his genitals to her. According to Temple, when she responded with nervous giggles, Freed threw her out of his office and ended their contract before any films were produced. The next idea was teaming Temple with
Mickey Rooney and
Judy Garland for the musical
Babes on Broadway. Fearing that either of those two could easily upstage Temple, MGM replaced her with
Virginia Weidler. As a result, Temple's only film for MGM was the unsuccessful film
Kathleen, released in December 1941.
Miss Annie Rooney (1942) distributed by
United Artists, was also unsuccessful.
The Bachelor and the Bobby-Soxer (1947) starring
Cary Grant and
Fort Apache (1948) starring
John Wayne and
Henry Fonda were two of her few hit films in the 1940s. Her then-husband
John Agar also appeared in
Fort Apache. She and future U.S. president
Ronald Reagan were both in
That Hagen Girl (1947)
. Temple formally announced her retirement from films in 1950. ==Radio career==