By the 17th century, permanent shops with more regular trading hours were beginning to supplant markets and fairs as the main retail outlet. Provincial shopkeepers were active in almost every English market town. These shopkeepers sold general merchandise, much like a contemporary convenience store or a general store. For example, William Allen, a mercer in Tamworth who died in 1604, sold spices alongside furs and fabrics. William Stout of Lancaster retailed sugar, tobacco, nails, and prunes at both his shop and at the central markets. His autobiography reveals that he spent most of his time preparing products for sale at the central market, which brought an influx of customers into town. As the number of shops grew, they also changed. The trappings of a modern shop, which had been absent from the sixteenth- and early seventeenth-century store, gradually made way for store interiors and shopfronts that are more familiar to modern shoppers. Before the eighteenth century, the typical retail store had no counter, display cases, chairs, mirrors, changing rooms, etc. However, the opportunity for the customer to browse merchandise, and touch and feel products began to be available, with retail innovations from the late 17th and early 18th centuries. For example, glazing was widely used from the early 18th century. English commentators pointed to the speed at which glazing was installed,
Daniel Defoe, writing in 1726, noted that "Never was there such painting and gildings, such sashing's and looking-glasses as the shopkeepers as there is now." Outside the major metropolitan cities, few stores could afford to serve one type of clientele exclusively. However, gradually retail shops introduced innovations that would allow them to separate wealthier customers from the "riff-raff." One technique was to have a window opening out onto the street from which customers could be served. This allowed the sale of goods to the common people, without encouraging them to come inside. Another solution, that came into vogue from the late sixteenth century was to invite favored customers into a backroom of the store, where goods were permanently on display. Yet another technique that emerged around the same time was to hold a showcase of goods in the shopkeeper's private home for the benefit of wealthier clients. Samuel Pepys, for example, writing in 1660, describes being invited to the home of a retailer to view a wooden jack. The eighteenth-century English entrepreneurs,
Josiah Wedgewood and
Matthew Boulton, both staged expansive showcases of their wares in their private residences or rented halls. Savitt has argued that by the eighteenth century, American merchants, who had been operating as importers and exporters, began specialising in wholesale or retail roles. They tended not to specialize in particular types of merchandise, often trading as general merchants, selling a diverse range of product types. These merchants were concentrated in the larger cities. They often provided high levels of credit financing for retail transactions. By the late eighteenth century, grand shopping arcades began to emerge across Europe and in the Antipodes. A shopping arcade refers to a multiple-vendor space, operating under a covered roof. Typically, the roof was constructed of glass to allow for natural light and to reduce the need for candles or electric lighting. Some of the earliest examples of shopping arcades appeared in Paris, due to its lack of pavement for pedestrians. Retailers, eager to attract window shoppers by providing a shopping environment away from the filthy streets, began to construct rudimentary arcades. Opening in 1771, the
Coliseé, situated on the Champs-Élysées, consisted of three arcades, each with ten shops, all running off a central ballroom. For Parisians, the location was seen as too remote, and the arcade closed within two years of opening. Inspired by the souks of Arabia, the Galerie de Bois, a series of wooden shops linked to the ends of the Palais Royal, opened in 1786 and became a central part of Parisian social life. The architect,
Bertrand Lemoine, described the period, 1786 to 1935, as
l’Ère des passages couverts (the Arcade Era). Shopping arcades became popular in European capitals during the early 19th century. The
Palais Royal in Paris, which opened in 1784, Passage de Feydeau in Paris, which opened in 1791, and Passage du Claire, which opened in 1799, were among the most famous shopping arcades that spread across the continent during this time. Designed to attract the genteel middle class, arcade retailers sold luxury goods at relatively high prices. However, prices were never a deterrent, as these new arcades came to be the place to shop and to be seen. Arcades offered shoppers the promise of an enclosed space away from the chaos that characterised the noisy, dirty streets; a warm, dry space away from the elements, and a safe haven where people could socialise and spend their leisure time. As thousands of glass- covered arcades spread across Europe, they became grander and more ornately decorated. By the mid-nineteenth century, they had become prominent centres of fashion and social life. Promenading in these arcades became a popular nineteenth-century pass-time for the emerging middle classes. The
Illustrated Guide to Paris of 1852 summarized the appeal of arcades in the following description: : "In speaking of the inner boulevards, we have made mention again and again of the arcades which open onto them. These arcades, a recent invention of industrial luxury, are glass-roofed, marble-paneled corridors extending through whole blocks of buildings, whose owners have joined together for such enterprises. Lining both sides of these corridors, which get their light from above, are the most elegant shops so that the arcade is a city, a world in miniature, in which customers will find everything they need." The Palais-Royal, which opened to Parisians in 1784 and became one of the most important marketplaces in Paris, is generally regarded as the earliest example of the grand shopping arcade. The Palais-Royal was a complex of gardens, shops, and entertainment venues situated on the external perimeter of the grounds, under the original colonnades. The area boasted some 145 boutiques, cafés, salons, hair salons, bookshops, museums, and numerous refreshment kiosks as well as two theatres. The retail outlets specialised in luxury goods such as fine jewellery, furs, paintings, and furniture designed to appeal to the wealthy elite. Retailers operating out of the Palais complex were among the first in Europe to abandon the system of bartering and adopt fixed prices thereby sparing their clientele the hassle of bartering. Stores were fitted with long glass exterior windows which allowed the emerging middle-classes to window shop and indulge in fantasies, even when they may not have been able to afford the high retail prices. Thus, the Palais-Royal became one of the first examples of a new style of shopping arcade, frequented by both the aristocracy and the middle classes. It developed a reputation as being a site of sophisticated conversation, revolving around the salons, cafés, and bookshops, but also became a place frequented by off-duty soldiers and was a favourite haunt of prostitutes, many of whom rented apartments in the building. London's
Burlington Arcade, which opened in 1819, positioned itself as an elegant and exclusive venue from the outset. Other notable nineteenth-century grand arcades include the
Galeries Royales Saint-Hubert in Brussels, which was inaugurated in 1847, Istanbul's
Çiçek Pasajı opened in 1870 and Milan's
Galleria Vittorio Emanuele II first opened in 1877. Shopping arcades were the precursor to the modern shopping mall. While the arcades were the province of the bourgeoisie, a new type of retail venture emerged to serve the needs of the working poor.
John Stuart Mill wrote about the rise of the
cooperative retail store, which he witnessed first-hand in the mid-nineteenth century. Stuart Mill locates these cooperative stores within a broader
cooperative movement which was prominent in the industrial city of Manchester and the counties of Yorkshire and Lancashire. He documents one of the early co-operative retail stores in
Rochdale in Manchester, England, "In 1853, the Store purchased for £745, a warehouse (freehold) on the opposite side of the street, where they keep and retail their stores of flour, butcher's meat, potatoes, and kindred articles." Stuart Mill also quoted a contemporary commentator who wrote of the benefits of the cooperative store:Buyer and seller meet as friends; there is no overreaching on one side, and no suspicion on the other... These crowds of humble working men, who never knew before when they put good food in their mouths, whose every dinner was adulterated, whose shoes let in the water a month too soon, whose waistcoats shone with devil's dust, and whose wives wore calico that would not wash, now buy in the markets like millionaires, and as far as pureness of food goes, live like lords. == Modern era ==