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Luciana Arrighi

Luciana Maria Arrighi is an Australian and Italian production designer. In 1993, she won an Oscar for Best Art Direction for the film Howards End (1992). She also earned two more Oscar nominations in the same category for The Remains of the Day (1993) in 1994, and Anna and the King (1999) in 2000. In 2003, she won the BAFTA Award for Best Art Direction for the television film The Gathering Storm (2002).

Career
Luciana Arrighi was born in Rio de Janeiro, Brazil in 1940, over the course of their long friendship they claimed "cousinhood". She went to the United Kingdom, where she worked for the BBC; she was spotted by Ken Russell, who used her talents in some of his early films such as Isadora Duncan, the Biggest Dancer in the World (1966) and Women in Love (1969). In 1993, Arrighi received the Silver Ribbon for Best Production Design Award and the Oscar for Best Art Direction for the film Howards End directed by James Ivory. She was also nominated for an Oscar for Best Art Direction for the film The Remains of the Day (1993), also by James Ivory, and Anna and the King (1999) by Andy Tennant. She won the British BAFTA Award for Best Art Direction for the television film The Gathering Storm (2002), directed by Richard Loncraine. ==Personal life==
Personal life
In 1970, Arrighi married Captain Rupert Milo Talbot Chetwynd (1934–2021), of the Grenadier Guards and 21st SAS Regiment, later an adventurer and founder of a medical mission to Afghanistan. He was a descendant of the 6th Viscount Chetwynd. They had a son, Aaron, and daughter, Alalia, the artist Monster Chetwynd. Arrighi splits her time between London and France. Her French-born sister Niké Arrighi (1944–2025) was a visual artist and actress. ==Filmography==
Filmography
Production design Scenographer: • Monitor (1965), director David Jones, 1 episode • Isadora Duncan, the Biggest Dancer in the World (1966), TV, director Ken RussellOmnibus (1967), 1 episode • Sunday Bloody Sunday (1971), director John SchlesingerThe Night the Prowler (1978), director Jim SharmanMy Brilliant Career (1979), director Gillian ArmstrongThe Return of the Soldier (1982), director Alan BridgesPrivates on Parade (1983), director Michael Blakemore • ''The Ploughman's Lunch'' (1983), director Richard EyreMrs. Soffel (1984), director Gillian ArmstrongMadame Sousatzka (1988), director John SchlesingerThe Rainbow (1989), director Ken RussellBye Bye Columbus (1991), TV, director Peter BarnesClose My Eyes (1991), director Stephen PoliakoffHowards End (1992), director James IvoryThe Innocent (1993), director John SchlesingerThe Remains of the Day (1993), director James IvoryOnly You (1994), director Norman JewisonSense of Sensibility (1995), director Ang LeeSurviving Picasso (1996), director James IvoryVictory (1996), director Mark PeploeOscar and Lucinda (1997), director Gillian Armstrong • ''A Midsummer Night's Dream'' (1999), director Michael HoffmanJakob the Liar (1999), director Peter KassovitzAnna and the King (1999), director Andy TennantThe Gathering Storm (2002), TV, director Richard LoncraineThe Importance of Being Ernest (2002), director Oliver ParkerPossession (2002), director Neil LaButeMy House in Umbria (2003), TV, director Richard LoncraineBeing Julia (2004), director István SzabóFade to Black (2006), director Oliver ParkerInto the Storm (2009), TV, director Thaddeus O'SullivanFrom Time to Time (2009), director Julian FellowesSingularity (2013), director Roland JofféAngelica (2015), director Mitchell Lichtenstein Costume designStarstruck (2010 film) (1982) • Privates on Parade (1983) • ''The Ploughman's Lunch'' (1983) • Un ballo in maschera (1989), TV Set and production designWomen in Love (1969), director Ken Russell ==Awards and nominations==
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