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Magical girl

Magical girl is a subgenre of Japanese fantasy media centered on young girls who possess magical abilities, which they typically use through an ideal alter ego into which they can transform.

Genre history
1953–1971: Early magical girl works Despite no presence of magic, the manga series Princess Knight (1953) is seen as a prototype for the magical girl genre, as it set forth the appeal of girls who transform to do things they normally cannot perform. Sally the Witch followed in 1966, with a concept inspired by the American sitcom Bewitched. This anime adaptation introduced the idea of using a compact to transform, a characteristic that is still present in modern series in the genre. 1972–1979: series Toei Animation produced most of the magical girl series of the 1970s, In the following years, other studios besides Toei began producing magical girl anime series, such as Magical Princess Minky Momo (1982) and Creamy Mami, the Magic Angel (1983), the latter of which was the first installment of Studio Pierrot's . which has been linked to the increasing prominence of women at this time including politician Takako Doi, the all-female band Princess Princess, and pop idol Seiko Matsuda, as well as the passage of the Equal Employment Opportunity Act in 1985. Due to the popularity of Minky Momo and Studio Pierrot's shows, the term "" had largely fallen out of use in favor of "magical girl". 1990–1999: Transforming heroine and diversification Sailor Moon (1991), whose anime adaptation was broadcast from 1992 to 1997, revolutionized the magical girl genre by combining "transforming hero" elements from live-action hero shows like Super Sentai and Kamen Rider with traditionally feminine interests, such as romance and fashion. Series that attempted to capitalize on Sailor Moon success include Akazukin Chacha, whose anime adaptation created an original arc featuring "transforming heroine" characteristics; and Wedding Peach. In the following years, the magical girl genre became diversified. While Sailor Moon also drew in male fans, Cardcaptor Sakura (1998) was extremely popular among men in spite of its target demographic for including themes such as cosplay, boys' love, , and . Cardcaptor Sakura was also one of the series that influenced the idea of , which was integrated into later magical girl series aimed at an adult male audience. This helped the series achieve widespread demographic appeal outside of young girls. whose mature themes and darker approach earned acclaim from viewers and critics outside the conventional audience group. Other examples of late-night magical girl anime include Day Break Illusion (2013) and Fate/Kaleid Liner Prisma Illya (2013).) were introduced, most of them as comedic parodies. Cute High Earth Defense Club Love! (2015) features a cast of male characters parodying the magical girl concepts combined with growing interest in shows aimed at a audience. Other magical boy parodies include Is This a Zombie? (2011) and Magical Girl Ore (2018). ==Concepts and themes==
Concepts and themes
Femininity and youth Magical girl series use elements associated with female interests, such as accessories associated with traditional femininity, child-rearing, and romance. Transformation In magical girl series, the main female characters transform into prettier, more mature-looking versions of themselves who have special powers, an idea originating from Princess Knight. Unlike hero shows, the items used to initiate transformation are often "cute" accessories associated with femininity and beauty. Akiko Sugawa suggests that the future of magical girl shows may include rebellion against sexual norms, using Puella Magi Madoka Magica as an example of relationships favored over heterosexual relationships. ==Media==
Media
Live-action television series In 1989, Shotaro Ishinomori produced the first live-action magical girl series, '', as part of the Toei Fushigi Comedy Series. with all of them categorized as the . Live-action magical girl series were revived with the Girls × Heroine series, beginning with Idol × Warrior Miracle Tunes!'' in 2017. Merchandise Magical girl series aimed at young girls were often marketed with a merchandise line, with Kumiko Saito saying that magical girl anime is best understood as "twenty-five-minute advertisements for toy merchandise", highlighting the high production costs and the involvement of Bandai in Sailor Moon and Pretty Cure. Reiko Yamashita also mentioned Ojamajo Doremi as an example of a series with mass toy production. For the Girls × Heroine series, Shogakukan project manager Reiko Sasaki stated that she had to create scenarios on how to integrate the toys into the show. Himitsu no Akko-chan was the earliest example of having a merchandise line and was a "huge hit". This was followed by a life-sized replica of Sailor Moon's Moon Stick, which Bandai produced as part of their merchandise line aimed at adult collectors, as well as a jewelry line. In the years that followed, other magical girl franchises released merchandise lines aimed towards adult women, through collaborations with fashion brands such as 's Japan Label, , , SuperGroupies, and Favorite. Non-Japanese works Asia In China, Balala the Fairies is an ongoing franchise originating as a live-action series before transferring to animation, though it was accused of plagiarizing Pretty Cure. In South Korea, the magical girl concept is often adapted to appeal for younger audiences. Two of the examples include Catch! Teenieping and Tencent Video's Rainbow Bubblegem. Europe and the United States '' (2004–2019) Similar to Japan, the transforming heroine concept coined by Sailor Moon saw popularity when the show was broadcast overseas in the 1990s due to the girl power movement taking place in Europe and the United States at the time. and Totally Spies! (2001), and Miraculous: Tales of Ladybug & Cat Noir (2015) in France. Animated series from the United States, including The Powerpuff Girls (1998), Steven Universe (2013), Star vs. the Forces of Evil (2015), and Adventure Time: Fionna and Cake (2023) have been influenced by magical girl themes and reference them. Characters in My Little Pony: Equestria Girls are described as "full-time students and part-time magical pony girls". The influence of the genre has also been seen in Western comics and graphic novels, such as Agents of the Realm (2014), Zodiac Starforce (2015), and Sleepless Domain (2015). ==Critical analysis==
Critical analysis
Magical girl series have been linked to female empowerment since the 1970s, from exploring female sexuality to weaponizing femininity. ==See also==
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