This particular film has ten such segments.
The Martins and the Coys The popular radio vocal group The King's Men sings the story of a
Hatfields and McCoys-style
feud in the mountains. The feud is broken up when Grace Martin and Henry Coy, two young people from each side, inadvertently fall in love. This segment was later censored from the film's US video release due to objections to the film's depiction of gun violence.
Blue Bayou This segment featured animation originally intended for
Fantasia using the
Claude Debussy musical composition
Clair de Lune from
Suite bergamasque (conducted by
Leopold Stokowski). It featured two
egrets flying through the
Everglades on a moonlit night. However, by the time
Make Mine Music was released
Clair de Lune was replaced by the new song
Blue Bayou, performed by the
Ken Darby Singers. However, the original version of the segment still survives.
All the Cats Join In This segment was one of two sections in which
Benny Goodman and his Orchestra contributed. Their music played over visuals drawn by an animator's pencil as the action occurred. The scene portrayed
hepcat teens of the 1940s, being swept away by
popular music. This segment features some mild female nudity that was edited out in both the US and UK DVD releases, although the film's Japanese home video releases features it intact and uncensored.
Without You This segment is a
ballad of lost love, sung by
Andy Russell.
Casey at the Bat This segment featured
Jerry Colonna,
reciting the poem also titled "
Casey at the Bat" by
Ernest Thayer, about the arrogant ballplayer whose cockiness was his undoing. The setting is 1902, in the town of Mudville. A few moments are exaggerated or altered and music is added. A sequel to this segment called
Casey Bats Again was released on June 18, 1954 as theatrical short.
Two Silhouettes This segment featured two
rotoscoped live-action
ballet dancers,
David Lichine and
Tania Riabouchinskaya, moving in
silhouette with animated backgrounds and characters. The dancers are accompanied by two
putti, also in silhouette.
Dinah Shore sang the title song.
Peter and the Wolf The segment "Peter and the Wolf" is an animated dramatization of the 1936
musical composition by
Sergei Prokofiev, with narration by actor
Sterling Holloway. A Russian boy named Peter sets off into the forest to hunt the wolf with his animal friends: a bird named Sascha, a duck named Sonia, and a cat named Ivan. Just like in Prokofiev's piece, each character is represented with a specific musical accompaniment: Peter by the
String Quartet, Sascha by the
Flute, Sonia by the
Oboe, Ivan by the
Clarinet, Grandpapa by the
Bassoon, the Hunters through their gunfire by the
Kettledrums, and the evil Wolf primarily by
horns and
cymbals.
''After You've Gone'' This segment again featured
Benny Goodman and The Goodman
Quartet (
Teddy Wilson,
Cozy Cole and
Sid Weiss) as six
anthropomorphized instruments (Piano,
Bass, Snare and bass Drums, Cymbal and
Clarinet) who paraded through a musical playground.
Johnnie Fedora and Alice Bluebonnet This segment told the
romantic story of two hats who fell in love in a
department store window in
New York City. When Alice
Bluebonnet was sold, Johnnie
Fedora devoted himself to finding her again. They eventually, by pure chance, meet up again and live happily ever after together, side by side.
The Andrews Sisters provided the vocals. Like the other segments, it was later released theatrically. It was released as such on May 21, 1954.
Finale: The Whale Who Wanted to Sing at the Met The final segment, the finale of the film, is a bittersweet story about a
sperm whale (named Willie) with incredible musical talent and his dreams of singing
grand opera. A rumor is spread throughout the city about an operatic whale, but is seemingly disproven, therefore the short-sighted
impresario Tetti-Tatti believes that the whale has swallowed an opera singer. He concludes this after studying the story of
Jonah. Tetti-Tatti sets out to "rescue" his non-existent quarry, the newspapers announcing that he was going to sea. Whitey, Willie's seagull friend, excitedly brings Willie the newspaper, all of his friends believing that this is his big chance, so he goes out to meet the boat and sing for Tetti-Tatti. He finds them, and upon hearing Willie sing, Tetti-Tatti comes to believe that Willie has swallowed not one, but
three singers (due to his having three uvulas, each with a different voice range; tenor, baritone and bass), and chases him with a
harpoon on a boat with three crewmen. Upon hearing the whale sing, the crewmen try to stop the stubborn and deluded Tetti-Tatti from killing the whale, as they want to continue listening to him sing, even to the point of pinning Tetti-Tatti down by sitting on him. A montage then follows of what would be Willie's future career in performing opera on the stage of the
Met, with Tetti-Tatti shown to have finally been convinced. In the end, reality strikes when Tetti-Tatti succeeds in harpooning and killing Willie which causes the three sailors to beat him up afterwards, but the narrator then explains that Willie's voice (now in a thousand, each more golden than before) will sing on in heaven, ironically still achieving his dream after all; the final shot is of the Pearly gates with a "sold out" sign.
Nelson Eddy narrated and performed all the voices in this segment. As Willie the Whale, Eddy sang, among others, ''
Shortnin' Bread, "Largo al factotum" from The Barber of Seville'', all three male voices in the first part of the
Sextet from
Donizetti's opera,
Lucia di Lammermoor, and
Mag der Himmel Euch Verbegen from Friedrich Wilhelm Riese's opera
Martha. As the curtains close, the film ends. == Cast ==