Man of Sorrows

The phrase translated into English as "Man of Sorrows" ("", ’îš maḵ’ōḇōṯ in the Hebrew Bible, vir dolōrum in the Vulgate) occurs at verse 3 (in Isaiah 53): 3) He is despised and rejected of men, a Man of sorrows, and acquainted with grief. And we hid as it were our faces from Him; He was despised, and we esteemed Him not. 4) Surely He hath borne our griefs and carried our sorrows; yet we did esteem Him stricken, smitten of God, and afflicted. 5) But He was wounded for our transgressions; He was bruised for our iniquities. The chastisement of our peace was upon Him, and with His stripes we are healed. 6) All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on Him the iniquity of us all. ==Development of the image==

The image developed from the Byzantine epitaphios image, which possibly dates back to the 8th century. A miraculous Byzantine mosaic icon of it is known as the Imago Pietatis or Christ of Pity. The work appears to have been brought to the major pilgrimage church of Santa Croce in Gerusalemme in Rome in the 12th century. Only replicas of the original work now survive. By the 13th century it was becoming common in the West as a devotional image for contemplation, in sculpture, painting and manuscripts. It continued to grow in popularity, helped by the Jubilee Year of 1350, when the Roman image seems to have had, perhaps initially only for the Jubilee, a papal indulgence of 14,000 years granted for prayers said in its presence. '' (c. 1485–95), an especially complex version by Geertgen tot Sint Jans, Dutch, 25 × 24 cm The image formed part of the subject of the Mass of Saint Gregory; by 1350 the Roman icon was being claimed as a contemporary representation of the vision. In this image the figure of Christ was typical of the Byzantine forerunners of the Man of Sorrows, at half length, with crossed hands and head slumped sideways to the viewer's left. The various versions of the Man of Sorrows image all show a Christ with the wounds of the Crucifixion, including the spear-wound. Especially in Germany, Christ's eyes are usually open and look out at the viewer; in Italy the closed eyes of the Byzantine epitaphios image, originally intended to show a dead Christ, remained for longer. For some the image represented the two natures of Christ – he was dead as a man, but alive as God. Full-length figures also first appear in southern Germany in wall-paintings in the 13th century, and in sculpture from the beginning of the 14th. Other elements that were sometimes included, in distinct sub-forms of the image, included the Arma Christi or "Instruments of the Passion", the cross, a chalice into which blood poured from Christ's side or other wounds (giving an emphasis on the Eucharist), angels to hold these objects or support a slumped Christ himself (Meister Francke shows both roles below), and mourners or worshippers. The Throne of Mercy is an image of the Trinity with Christ, often diminutive, as Man of Sorrows, supported by his Father. Isaiah 53:2 had already been crucial in developing the iconography of the Tree of Jesse: "For He shall grow up before Him as a tender plant, and as a root out of a dry ground". ==Artworks with articles==

• The Man of Sorrows from the New Town Hall in Prague, wood sculpture, c. 1410 • Petrus Christus, Christ as the Man of Sorrows, c. 1450. Birmingham Museum and Art Gallery, England • Giovanni Bellini and others, Triptych of the Madonna, 1464–1470, now Venice • Geertgen tot Sint Jans, Man of Sorrows, c. 1485–1495, now Utrecht • Sandro Botticelli, The Man of Sorrows, c. 1500–1510 • Maarten van Heemskerck, Man of Sorrows, 1532 • James Ensor, The Man of Sorrows, 1891 ==Gallery==

File:De Grey Hours f.203.v Christ as the Man of Sorrows.png|14th-century depiction of the Man of Sorrows File:Meister Francke 004.jpg|Master Francke, Man of Sorrows, with the Arma Christi and Angels, c. 1430, Museum der bildenden Künste, Leipzig File:Petrus christus, cristo dolente.jpg|Petrus Christus, Christ as the Man of Sorrows, c. 1450 File:Dirk Bouts Christ Crowned With Thorns.jpg|Dieric Bouts: Christ Crowned with Thorns, c. 1470 File:Albrecht Dürer - Christ as the Man of Sorrows - WGA06911.jpg|Albrecht Dürer, The Man of Sorrows, 1493 File:05-Cranach1.jpg|Lucas Cranach the Elder, Christ as the Man of Sorrows File:After Lucas van Leyden 001.jpg|After Lucas van Leyden, Man of Sorrows File:Donatello, Imago Pietatis, 1449-50, Sant'Antonio, Padua.jpg|Donatello, Imago Pietatis, 1449–50, bronze relief from the high altar of the Basilica of Saint Anthony in Padua File:Ensor, De man van smarten, 1891.jpg|James Ensor, The Man of Sorrows, 1891 ==See also==