Manuchehri

According to J. W. Clinton, 'very little is known of his life, and that little is derived exclusively from his poetry. Later tadhkira writers have expanded and distorted this modicum of information with a few, readily refuted speculations'. Manuchehri's epithet Dāmghānī indicates that he was from Damghan in Iran, and his poetry shows an encyclopaedic familiarity with Arabic and Persian verse which was presumably acquired in youth. Manuchehri's activities can only be dated and localised via the dedicatees of his praise-poetry. Around a third of his panegyrics are addressed to Masʿūd. Of the rest, most are to major officials of Masʿūd's court. But some poems mention patrons who cannot be identified or who are not named at all. in 422-24/1031-33, when he composed poems dedicated to deputies of Sultan Masʿūd, who was at that time based at Ray. At some point following the death of Aḥmad b. Ḥasan Maymandī, vizier to Masʿūd, in 424/1033, Manuchehri made his way to the court of Ghazna, then under Aḥmad ibn ʿAbd al-Ṣamad Shīrazī. Manuchehri's date of death is unknown, but none of his poems seems to postdate his time in the court of Masʿūd in Ghazna; Masʿūd died in 432/1041, following defeat in battle at Dandanaqan. ==Works==

Manuchehri left behind a divan containing fifty-seven qaṣīdas . He is said to have invented the form of musammaṭ (stanzaic poems) in Persian poetry and to have written the best examples of this form; eleven survive. He is also known to have composed a few rubāʿīs, ghazals, and other short passages. In the view of J. W. Clinton, as autumn is here :A cold wind is blowing from Khwarazm yonder :Look at that vine-leaf which is on that vine-bough! :It looks like the shirt of some dyers :The farmer is biting the tip of his finger with wonder :As in orchard and garden neither rose remains nor pomegranate flower. There are 35 stanzas, each of three couplets, with the rhyme scheme aaaaax, bbbbbx, cccccx, etc. The poet plays on the similar sounding words: 'rise', 'fur', 'autumn'; 'vines' and 'dyers'. In addition there is alliteration of x, x, x, x, x (lines 1–2), b, r, b, r (line 3), r, r, r (line 4), and g, g (line 5), and assonance of ā, ā, ā (line 6). The metre is 3.3.14 in Elwell-Sutton's classification, which is one of the various metres traditionally known as hazaj. It consists of the familiar rhythm (u u – –), but with the first two syllables missing. (See Persian metres.) ==Influence==

The British modernist poet Basil Bunting published adaptions of a number of Manuchehri's poems from 1939 onwards, and a little of Manuhehri's sound-patterning seems to have influenced Bunting's English verse. ==Editions and translations==

• Kazimirski, A. de Biberstein (1886). ''Manoutchehri: Poète persan du 11ème siècle de notre ère (du 5ième de l'hégire): Texte, traduction, notes, et introduction historique''. Paris. Klincksieck. (Another copy, dated 1887). • Dīwān, ed. Muḥammad Dabīr-Siyāḳī, 3rd edn. Tehran. 1347/1968. ==Bibliography==