In 1895 he created the
Calendrier Magique, an occult-themed calendar still noted for its graphic design. Limiting it to 777 copies, he collaborated with popular French author
Austin de Croze, who wrote the text. Sympathetic to the French
Decadent movement, as well as
Symbolism and
Aestheticism, he contributed with illustrations and typographic ornaments in books and short stories such as: •
Ma petite ville (1898) by
Jean Lorrain • ''Princesse d'Italie'' (1898) by
Jean Lorrain •
Aventures merveilleuses de Huon de Bordeaux (1898) by
Gaston Paris •
Anne-Marie, La Providence (1899) by Daniel Laumonier •
Les vierges de Syracuse (1902) by
Jean Bertheroy •
Névrose (1904) by
Émile Morel •
Henri de Régnier, biographie (1904) by
Paul Léauteaud •
Émile Faguet, biographie (1904) by Alphonse Séché •
Camille Lemonnier, biographie (1904) by
León Bazalgette •
Théodora, impératrice de Byzance (1904) by
Charles Diehl •
Le Nouveau Jeu (1905) by
Henri Lavedan •
La danseuse de Pompéi (1905) by
Jean Bertheroy •
La Morphine (1906) by
Victorien Du Saussay •
Du Mystérieux au Tragique (1911) by
Arthur Conan Doyle • ''L'Epouse du Soleil'' (1912) by
Gaston Leroux •
La guerre du feu (1913) by
J.-H. Rosny •
Les troix yeux (1919) by
Maurice Leblanc •
Heroides (1919) by
Ovid •
Le Butineur (1924) by
Félicien Champsaur •
Aphrodite (1931) by
Pierre Louÿs •
Les Fleurs du mal (1934) by
Baudelaire Orazi illustrated an early
Art Deco French edition of the 1891 one-act play by
Oscar Wilde,
Salome. He made jewelry designs that were displayed at
Maison de l'Art Nouveau in 1896. In 1899 he designed some of the first pieces of jewelry for the Maison Arnould. His jewelry designs were also sold at La Maison Moderne. Orazi designed one of the best known posters for La Maison Moderne as well as the cover of one of La Maison Moderne's catalogs which features Cleo de Merode in profile, perhaps wearing a design by Henri Van de Velde. For her theater at the
Universal Exposition in Paris in 1900,
Loie Fuller commissioned Orazi to create the poster, which was printed in three editions and three color schemes. In 1921 he designed the sets and costumes for the silent film ''
L'Atlantide'' and illustrated many promotional posters. Orazi contributed to publications such as anarchist satirical magazine
L'Assiette au Beurre,
Femina,
Scribner's Magazine,
Je sais tout and
Les Maîtres de l'Affiche. ==References==