Norwich school of painters

The Norwich Society of Artists was founded in 1803 by John Crome and Robert Ladbrooke as a club where artists could meet to exchange ideas. Its aims were "an enquiry into the rise, progress and present state of painting, architecture, and sculpture, with a view to point out the best methods of study to attain the greater perfection in these arts." The society's first meeting was in "The Hole in the Wall" tavern; two years later it moved to premises which allowed it to offer members work and exhibition space. Its first exhibition opened in 1805, and was such a success that it became an annual event until 1825. The building was demolished but the society re-opened three years later, in 1828, as "The Norfolk and Suffolk Institution for the Promotion of the Fine Arts" at a different venue and exhibitions continued until 1833. The leading light of the movement was John Crome who attracted many friends and pupils until his death in 1821. The mantle of leadership then fell on John Sell Cotman, a member of the society since 1807, who continued to keep the society together until he left Norwich for London in 1834. The society effectively ceased to exist from that date. The Norwich school's great achievement was that a small group of self-taught working class artists were able to paint with vitality the hinterland surrounding Norwich, assisted by meagre local patronage. Far from creating pastiches of the Dutch 17th century, Crome and Cotman, along with Joseph Stannard, established a school of landscape painting which deserves greater fame; the broad washes of J.S. Cotman's water-colours anticipate French impressionism. One reason the Norwich school artists are not so well known as other painters of the period, notably Constable and Turner, is because the majority of their canvases were collected by the industrialist J. J. Colman (of Colman's mustard fame), and have been on permanent display in Norwich Castle Museum since the 1880s. This lack of wider exposure was remedied in 2001, when many of the school's major works were exhibited outside Norwich for the first time at the Tate Gallery, London in 2000. ==Gallery==

File:John Crome - The River Wensum, Norwich - Google Art Project.jpg|John Crome, The River Wensum, Norwich (1814) File:Mousehold Heath, Norwich, by John Crome.jpg|John Crome, Mousehold Heath, Norwich (c. 1818), Tate Britain File:John Crome (1768-1821) - Yarmouth Water Frolic – Evening, Boats Assembling Previous to the Rowing Match - 88028780 - Kenwood House.jpg|John Crome, Yarmouth Water Frolic, (1821) Kenwood House File:John Sell Cotman 002.jpg|John Sell Cotman, Greta Bridge (), British Museum File:Painting, 'Portrait of George Vincent (1796-1832), with landscape background by himself'.jpg|Joseph Clover Portrait of George Vincent, background by Vincent (undated), Norfolk Museums Collections File:Henry Bright - On the Norfolk Broads - Google Art Project.jpg|Henry Bright, On the Norfolk Broads (c. 1855), Yale Center for British Art File:Vincent - A distant view of Pevensey Bay, the landing place of King William the Conqueror.jpg|George Vincent, A distant view of Pevensey Bay, the landing place of King William the Conqueror (1820), Norfolk Museums Collections File:Beach Scene, Mundesley, Norfolk by Robert Ladbrooke.jpg|Robert Ladbrooke, Beach Scene, Mundesley, Norfolk (undated), Norfolk Museums Collections File:Thorpe Water Frolic, Afternoon.jpg|Joseph Stannard, Thorpe Water Frolic, Afternoon (undated), Norfolk Museums Collections File:Stannard Christmas still life.jpg|Eloise Harriet Stannard, Christmas still life (1886), Museum of John Paul II Collection, Warsaw File:John Berney Crome, Amsterdam.jpg|John Berney Crome, Amsterdam, the Netherlands (undated), Norfolk Museums Collections File:Fishermen on a Beach with Boats by Robert Ladbrooke.jpg|Robert Ladbrooke, Fishermen on a Beach with Boats (undated), Norfolk Museums Collections File:Sandys - Study of the head of a young mulatto woman -full face.jpg|Frederick Sandys, Study of the head of a young mulatto woman full face (c. 1859), Art Gallery of New South Wales File:James Sillett, by James Sillett.jpg|James Sillett, Self portrait 1803 (1803), Norfolk Museums Collections File:Thomas Lound - A View near Norwich - Google Art Project.jpg|Thomas Lound, A View near Norwich (c. 1850), Yale Center for British Art File:Alby - John Middleton.jpg|John Middleton, Alby (1847), Norfolk Museums Collections File:Devil's Tower near King Street Gates - Evening.jpg|John Thirtle, ''Devil's Tower near King Street Gates – Evening'' (undated), Norfolk Museums Collections File:James Stark - Lambeth from the River looking towards Westminster Bridge - Google Art Project.jpg|James Stark, Lambeth from the River looking towards Westminster Bridge (1818), Yale Center for British Art File:William Joy - The Rescue of the Survivors of the Brig Henry.jpg|William Joy, The Rescue of the Survivors of the Brig Henry (undated) ==Members and associates==

• Henry Bright • James Bulwer • Joseph Clover • Samuel David Colkett and Victoria Susannah Colkett • Edwin Cooper • Daniel Coppin • Frederick George Cotman • John Joseph Cotman • John Sell Cotman • Miles Edmund Cotman • John Crome ("Old Crome") • John Berney Crome ("Young Crome") • Edward Thomas Daniell • Robert Dixon • • • Charles Hodgson • David Hodgson • John Cantiloe Joy and William Joy • Frederick Ladbrooke • John Berney Ladbrooke • Robert Ladbrooke • Robert Leman • Thomas Lound • Horace Beevor Love • Maria Margitson • John Middleton • Henry Ninham • John Ninham • Alfred Priest • Anthony Sandys • Frederick Sandys • Obadiah Short • James Sillett • Alfred Stannard • Alfred George Stannard • Eloise Harriet Stannard • Emily Stannard (Emily Coppin) • Joseph Stannard • Arthur James Stark • James Stark • John Thirtle • George Vincent ==References==