The Cabin in the Woods

In an underground laboratory, engineers Gary Sitterson and Steve Hadley discuss preparations for a mysterious ritual. The Stockholm operation recently failed, leaving only their facility and one in Japan to undertake the process, with the latter holding a perfect record. American college students Dana Polk, Jules Louden, Curt Vaughan, Holden McCrea, and Marty Mikalski are spending their weekend at Curt's cousin's cabin in the woods. From the lab, Sitterson and Hadley remotely control the cabin and manipulate the students' behavior with mind-altering drugs. They lure the group into the cabin's cellar which contains an assortment of bizarre objects. Dana finds the diary of Patience Buckner, a cabin resident abused by her sadistic family. Dana recites incantations from the diary and inadvertently awakens the whole Buckner family as zombies. Hadley releases pheromones to induce Curt and Jules to have sex outside. The Buckners attack them, killing Jules while Curt flees. Meanwhile, Marty discovers concealed surveillance equipment in his room before being stabbed and dragged off by a zombie. The lab workers learn that the Japanese rite has also failed, meaning the American rite is "humanity's last hope". Curt, Holden, and Dana attempt to escape in their RV, but Sitterson triggers a tunnel collapse to block them. Curt attempts to jump a ravine on his motorcycle to seek help on the other side, but crashes into a force field and falls to his death. Dana then realizes that their experience is staged and controlled. Holden is killed by a zombie while driving the RV, causing it to crash into the lake. Dana manages to escape and swim to the lake's dock, but a zombie corners and brutally attacks her. The lab employees celebrate the success of the rite, believing that Dana is the last survivor. However, Marty comes to her rescue, having previously survived the ambush. He takes her to a hidden elevator, and they descend into the lab and discover an extensive collection of monsters in cages. Dana correlates them with the objects in the cellar and realizes that the objects determine which monsters are released. Cornered by security personnel, the pair release all the monsters, which wreak havoc and slaughter the staff; Hadley is killed by a merman and Dana accidentally stabs Sitterson. Dana and Marty discover an ancient temple, where the facility's director confronts them. She explains that annual human sacrifice rituals are held worldwide to appease the Ancient Ones, a group of cruel subterranean deities. Each region has its ritual, and the American ritual involves the sacrifice of five archetypes: the whore (Jules), the athlete (Curt), the scholar (Holden), the fool (Marty), and the virgin (Dana). The order is arbitrary as long as the whore dies first and the virgin dies last or survives. The director urges Dana to kill Marty and complete the ritual, but as Dana considers it, a werewolf suddenly mauls her. Marty shoots the werewolf and scares it off, but the director attacks him. Patience Buckner arrives and kills the director before Marty kicks them into the pit below. Deciding that humanity is not worth saving, Dana and Marty apologize to each other and share a joint as the temple floor collapses. A giant hand bursts out of the ground, destroying the facility and the cabin in the process, bringing about the end of the world. == Cast ==

Filming Principal photography began on March 9, 2009, in Vancouver, and concluded in May 2009. Joss Whedon co-wrote the script with Cloverfield screenwriter Drew Goddard, who also directed the film, marking his directorial debut. Goddard previously worked with Whedon on Buffy the Vampire Slayer and Angel as a writer. Whedon described the film as an attempt to revitalize the horror genre. He called it a "loving hate letter" to the genre, continuing: Concerning the sheer number of creatures to be designed and made for the film, AFX Studio's David LeRoy Anderson estimated that "close to a thousand" people were turned into one of around 60 different monster types. == Release ==

The Cabin in the Woods was slated for wide release on February 5, 2010 (before that, it was slated for release on October 23, 2009), and then delayed until January 14, 2011, so the film could be converted to 3D. However, on June 17, 2010, MGM announced that the film would be delayed indefinitely due to ongoing financial difficulties at the studio. On March 16, 2011, the Los Angeles Times reported the following: "New (MGM) chief executives Gary Barber and Roger Birnbaum are seeking to sell both Red Dawn and the horror film The Cabin in the Woods, the last two pictures produced under a previous regime, as they try to reshape the 87-year-old company." A distribution sale to Lionsgate was announced on April 28, 2011, with some industry news outlets reporting plans for a Halloween 2011 release. On July 20, 2011, Lionsgate announced that they had acquired the distribution rights to the film and set a release date of April 13, 2012. Goddard described the deal as "a dream," stating "there's no question that Lionsgate is the right home for Cabin...you look at all the films that inspired Cabin – most of them were released by Lionsgate in the first place!" A surprise early screening of the film was held at the Butt-Numb-A-Thon in December 2011, attracting highly positive reactions. The film later screened on March 9, 2012, at the South by Southwest film festival, also in Austin. Home media The Cabin in the Woods was released on DVD and Blu-ray in North America on September 18, 2012. Both the DVD and Blu-ray feature an audio commentary by Goddard and Whedon, several featurettes, a documentary about the making of the film, and a Q&A session at the 2012 WonderCon convention. == Reception ==

Box office The Cabin in the Woods grossed $42.1 million in the United States and Canada, and $24.4 million in other territories, for a worldwide total of $66.5 million, against a production budget of $30 million. The film opened in North America on April 13, 2012, opening with $5.5 million and went on to gross $14.7 million in its opening weekend at 2,811 theaters, finishing third at the box office. The Cabin in the Woods closed in theaters on July 12, 2012, with $42.0 million. In total earnings, its highest-grossing countries after North America were the United Kingdom ($8.5 million), France ($2.4 million), and Russia ($2.3 million). Critical response The review aggregator website Rotten Tomatoes gave the film a rating of , based on 294 reviews, with an average rating of . The site's critical consensus reads, "The Cabin in the Woods is an astonishing meta-feat, capable of being funny, strange, and scary—frequently all at the same time." On Metacritic, the film achieved an average score of 72 out of 100, based on 40 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale. Roger Ebert of the Chicago Sun-Times gave the film three out of four stars, saying that "The Cabin in the Woods has been constructed almost as a puzzle for horror fans to solve. Which conventions are being toyed with? Which authors and films are being referred to? Is the film itself an act of criticism?" Peter Travers of Rolling Stone gave the film 3.5 out of 4 stars, calling it "fiendishly funny". Travers praised Kristen Connolly and Fran Kranz for their performances, and wrote, "By turning splatter formula on its empty head, Cabin shows you can unleash a fire-breathing horror film without leaving your brain or your heart on the killing floor." Cinema Blend's Editor in Chief, Katey Rich, gave the film 4.5 out of 5 stars and wrote: Jenkins and Whitford were also admired by The A.V. Club ("Whitford and Jenkins clearly delight in the verbose script") and by Wired, whose reviewer (granting 9 of 10 stars) called Cabin "a smart sendup of horror movies and mythology...with a peculiar relish that testifies to the moviemakers' love of genre film... a smart, sarcastic and deliriously fun journey into the belly of the horror beast." He cited the "witty banter, creative twists" and "clippy, quippy dialog that lifted Firefly and Buffy the Vampire Slayer to cult status." Ann Hornaday of The Washington Post, giving the movie 3 of 4 stars, wrote: Eric Goldman, writing for IGN, called the movie "an incredibly clever and fun take on classic horror movie tropes." SF Gate said, "The cliches come at an onslaught pace" in "a wonderfully conceived story that gives a bigger than life and fascinating explanation for why so many horror movie cliches exist in the first place... By the time the ride is over, director Drew Goddard and co-writers Goddard and Joss Whedon will change course three or four times, nodding and winking but never losing momentum." Of the screenplay by Goddard and Whedon, a CNN reviewer praised "these horror hipsters' acidic, postmodern designs on one of the movie industry's hoariest, least respected staples... the dialogue is always a notch or three smarter and snappier than you'd expect." Keith Phipps of The A.V. Club addressed "...the difficult challenge of putting across a satirical film with a serious body count. Cabin touches on everything from the Evil Dead and Friday the 13th to the mechanized mutilations of the Saw series while digging deeper into the Lovecraftian roots of horror in an attempt to reveal what makes the genre work... It's an exercise in metafiction that, while providing grisly fun, never distances viewers. And it's entertaining, while asking the same question of viewers and characters alike: Why come to a place you knew all along was going to be so dark and dangerous?" In a more mixed review, Lisa Schwarzbaum of Entertainment Weekly, calling herself "a wised-up viewer," gave the film a "B−" grade and said, "The movie's biggest surprise may be that the story we think we know from modern scary cinema—that horror is a fun, cosmic game, not much else—here turns out to be pretty much the whole enchilada." She nevertheless praised the talents of Whitford and Jenkins: "These two experienced actors provide the film's adult-level entertainment." Betsy Sharkey of the Los Angeles Times believed that the film "is an inside joke" and also said, "The laughs [in the film] come easily, the screams not so much." David Rooney of The Hollywood Reporter remarked, "It's just too bad the movie is never much more than a hollow exercise in self-reflexive cleverness that's not nearly as ingenious as it seems to think." A. O. Scott of The New York Times said, "Novelty and genre traditionalism often fight to a draw. Too much overt cleverness has a way of spoiling dumb, reliable thrills. And despite the evident ingenuity and strenuous labor that went into it, The Cabin in the Woods does not quite work." Scott added: Accolades == Lawsuit ==

On April 13, 2015, author Peter Gallagher filed a copyright infringement lawsuit in California federal court against Joss Whedon and Drew Goddard, the creators of the film. Gallagher claimed that due to the similarities between the film and his 2006 novel The Little White Trip: A Night in the Pines, Whedon and Goddard had used his work without permission. The lawsuit demanded $10 million in damages. Whedon and Goddard were named as defendants, along with the production company Mutant Enemy and distributor Lionsgate. The case was dismissed five months later. == References ==