Critical response On
Rotten Tomatoes, the series has an approval rating of 77% with an average score of 7.8 out of 10 based on 44 reviews. The website's critical consensus reads, "
Firefly earns its audience's adoration with the help of Nathan Fillion's dry delivery, a detailed fantasy world, and compelling storylines – even if it doesn't stand with creator Joss Whedon's most consistent work."
Metacritic collected 30 reviews and calculated an average score of 63 out of 100, indicating "generally favorable reviews". Many reviews focused on the show's fusion of Wild West and outer space motifs.
TV Guides Matt Roush, for instance, called the show "oddball" and "offbeat" and noted how the series took the metaphor of space operas as Westerns. Roush opined that the shift from space travel to horseback was "jarring", but that once he got used to this, he found the characters cleverly conceived and the writing a crisp balance of action, tension, and humor. Several reviewers criticized the show's setting; Tim Goodman of the
San Francisco Chronicle felt that the melding of the western and science fiction genres was a "forced hodgepodge of two alarmingly opposite genres just for the sake of being different" and called the series a "vast disappointment", and Carina Chocano of
Salon.com said that while the "space as
Wild West" metaphor is fairly redundant, neither genre connected to the present. Emily Nussbaum of
The New York Times, reviewing the DVD set, noted that the program featured "an oddball genre mix that might have doomed it from the beginning: it was a character-rich sci-fi western comedy-drama with existential underpinnings, a hard sell during a season dominated by
Joe Millionaire". The
Boston Globe described
Firefly as a "wonderful, imaginative mess brimming with possibility". The review further notes the difference between the new series and other programs was that those shows "burst onto the scene with slick pilots and quickly deteriorate into mediocrity ...
Firefly is on the opposite creative journey." Jason Snell called the show one of the best on television, and one "with the most potential for future brilliance". Tim White, writing for
The Objective Standard, focused his review on the show's depiction of heroism. He concludes that "
Firefly is not perfectly accurate in its attempts to depict the essential natures of heroism and villainy, but its successes are much more uplifting than its failures are problematic. It's also consistently funny, skillfully written, and passionately acted." Reviewers compared
Firefly to Whedon's other series,
Buffy the Vampire Slayer. Chocano noted that the series lacks the psychological tension of
Buffy and suggests that this might be attributable to the episodes being aired out of order. Reviewers have also drawn comparisons and parallels between
Firefly and the anime
media mix Outlaw Star. Princess Weekes from
The Mary Sue stated that she "really enjoyed" the series, but wrote that, "it lacks Chinese actors, so if it's going to be brought back, that's a really easy fix." Writing for
Syfy, Alyssa Fikse described the show as a "problematic fave", calling the lack of Asian characters in the show "negligent at best, racist at worst".
Fandom to promote sale of
Firefly and
Serenity DVDs.
Firefly generated a loyal base of fans during its three-month original broadcast run on
Fox in late 2002. These fans, self-styled Browncoats, used
online forums to organize and try to save the series from being canceled by Fox only three months after its debut. Their efforts included raising money for an ad in
Variety magazine and a postcard writing campaign to
UPN. While unsuccessful in finding a network that would continue the show, their support led to a release of the series on
DVD in December 2003. These and other continuing fan activities eventually persuaded Universal Studios to produce a feature film,
Serenity. The event raised over $65,000 for Whedon's favorite charity,
Equality Now. In 2007, $106,000 was raised; in 2008, $107,219; and in 2009, $137,331. In July 2006 a
fan-made documentary,
Done the Impossible, was released. The documentary tells the story of the fans and how the show has affected them, and features interviews with Whedon and various cast members. Part of the DVD proceeds are donated to
Equality Now.
NASA Browncoat
astronaut Steven Swanson took the
Firefly and
Serenity DVDs with him on
Space Shuttle Atlantis's
STS-117 mission in June 2007. The DVDs were added to the media collection on the
International Space Station as entertainment for the station's crews. A fan-made, not-for-profit, unofficial sequel to
Serenity, titled
Browncoats: Redemption, premiered at
Dragon*Con 2010 on September 4, 2010. According to the film's creator and producer, Whedon gave "his blessing" to the project. The film was sold on DVD and Blu-ray at the film's website, with all proceeds being distributed among five charities. The film was also screened at various science-fiction conventions across the United States, with admission receipts similarly being donated. All sales ended on September 1, 2011, one year after its premiere, with total revenues exceeding $115,000.
Cult status In 2005,
New Scientist magazine's website held an internet poll to find "The World's Best Space Sci-Fi Ever".
Firefly came in first place, with its cinematic follow-up
Serenity in second. In 2012,
Entertainment Weekly listed the show at No. 11 in the "25 Best Cult TV Shows from the Past 25 Years", commenting, "as it often does, martyrdom has only enhanced its legend."
Brad Wright, co-creator of
Stargate SG-1 has said that the
200th episode of
SG-1 is "a little kiss to
Serenity and
Firefly, which was possibly one of the best canceled series in history". In the episode, "Martin Lloyd has come to the S.G.C. [Stargate Command] because even though '
Wormhole X-Treme!' was canceled after three episodes, it did so well on DVD they're making a feature [film]". The follow-up film,
Serenity, was voted the best science fiction movie of all time in an
SFX magazine poll of 3,000 fans.
Firefly was later ranked #25 on
TV Guides Top Cult Shows Ever. The name for the Google beta app
Google Wave was inspired by this TV series. In an interview on February 17, 2011, with
Entertainment Weekly,
Nathan Fillion joked that: "If I got $300 million from the California Lottery, the first thing I would do is buy the rights to
Firefly, make it on my own, and distribute it on the Internet". This quickly gave rise to a fan-run initiative to raising the funds to purchase the rights. On March 7, 2011, the organizers announced the closure of the project due to lack of endorsement from the creators, with $1 million pledged at the time it was shut down. Joss Whedon, Tim Minear, and cast members Nathan Fillion, Alan Tudyk, Summer Glau, Adam Baldwin, and Sean Maher reunited at the 2012
San Diego Comic-Con for a 10th-anniversary panel. Ten thousand people lined up to get into the panel, and the panel ended with the crowd giving the cast and crew a standing ovation. A tenth anniversary special,
Browncoats Unite, was shown on the
Science Channel on November 11, 2012. The special featured Whedon, Minear, and several of the cast members, in a discussion on the series' history. According to
Reasons
Julian Sanchez,
Fireflys cult following "seems to include a disproportionate number of libertarians". The story themes are often cautionary about too-powerful central authority and its capacity to do bad while being considered by the majority as good. The characters each exhibit traits that exemplify core
libertarian values, such as the
right to bear arms (Jayne, Zoe),
legal prostitution (Inara),
freedom of religion (Book), logic and reasoning (Simon), and
anti-conscription (River). Joss Whedon notes this theme, saying "Mal is, if not a Republican, certainly a libertarian, he's certainly a less-government kinda guy. He's the opposite of me in many ways."
Podcasts The Signal is a
Firefly and
Serenity-focused podcast developed by fans of the Joss Whedon property. Hosted by Kari Haley and Les Howard,
The Signal is a
fan-driven podcast dedicated to
Joss Whedon's short-lived TV series
Firefly (2002) and its film
Serenity (2005). Initially created as
guerrilla marketing to promote
Serenity, the podcast features discussions about the franchise's
role-playing game,
fan fiction as
audio dramas, and interviews (e.g. with
PJ Haarsma, and
Marc Gunn). Haley and Howard described the podcast's purpose as "[doing] whatever we can to see that more new
Firefly is created in any format." In 2006,
The Signal received a
People's Choice Podcast Award in the categories of "TV & Film" and "Best Produced"; it received the former again in 2008.
The Signal was awarded the 2007
Parsec Award for "Best Fan Podcast", and in the category of "Best Speculative Fiction Fan or News Podcast (Specific)", it won the 2010 and 2012 Parsecs. Writing for
Maximum Fun, Ian Brill praised
The Signal as surprisingly professional with well-produced segments, though he unflatteringly compared Haley and Howard to Whedon's character
Xander Harris: "They say mildly clever and cutesy things to each other and then sound tremendously satisfied with themselves while saying it." • SyFy Genre Awards:
Best Actor/Television Nathan Fillion, 2006 • SyFy Genre Awards:
Best Supporting Actor/Television Adam Baldwin, 2006 • SyFy Genre Awards:
Best Special Guest/Television Christina Hendricks for "Trash", 2006 • SyFy Genre Awards:
Best Episode/Television "Trash", 2006 The series was also nominated for the following awards: • Visual Effects Society:
Best compositing in a televised program, music video, or commercial, 2003 • Motion Picture Sound Editors, USA, "Golden Reel Award":
Best sound editing in television long form: sound effects/foley, 2003 •
Hugo Award:
Best Dramatic Presentation, Short Form, 2003 (episode "Serenity") • Hugo Award:
Best Dramatic Presentation, Short Form, 2004 (episodes "Heart of Gold" and "The Message", which at that time had not been shown on television in the USA) • Golden Satellite Award:
Best DVD Extras, 2004
Ratings At the time the series was canceled by Fox, it averaged 4.7 million viewers and ranked 98th in
Nielsen ratings. During the show's second season, in episode 17 ("The Terminator Decoupling"),
Summer Glau appears as herself, encountering Sheldon, Leonard, and their friends on a train to San Francisco. When Raj tries to hit on her, he says that although he is an astrophysicist, she was actually in space during the shooting of
Firefly. Glau chides him for believing this, and Raj backtracks, saying, "Those are crazy people!" In season 8, episode 15, Raj and Leonard recognize Nathan Fillion in a café and insist on taking a selfie with him, though he denies being the
Firefly star. On the
NBC comedy
Community, the characters
Troy and
Abed are fans of the show. They have an agreement that if one of them dies, the other will stage it to look like a suicide caused by the cancellation of
Firefly, in the hopes that it will bring the show back. In the 2003
Battlestar Galactica miniseries/pilot, a ship resembling
Serenity appears in the background of the scene with
Laura Roslin (
Mary McDonnell).
Serenity is one of several spaceships inserted as cameos into digital effects scenes by
Zoic Studios, the company responsible for digital effects in both
Firefly and
Battlestar Galactica.
Con Man, a 2015 comedy web series created by Tudyk and co-produced by Fillion, draws on the pair's experiences as cult science fiction actors touring the
convention circuit. Though it is not autobiographical, the show's fictional
Spectrum echoes
Firefly and Tudyk's and Fillion's roles reflect their own
Firefly roles. Staite, Torres, Glau, Maher, and Whedon made guest appearances. Maher played himself as a former
Firefly actor. == Media franchise ==