"Marvin Gaye" received generally negative reviews from music critics.
Idolators Ryan Carey-Mahoney stated that it is "more mood-killer than hot and heavy" and "a big hit that never really deserved to be". The same website's Mike Wass described the song as a "smooth anthem tune" with a "catchy" chorus, and called it a "natural fit" for Trainor. Michael Cragg of
The Observer referred to "Marvin Gaye" as "inordinately embarrassing", stating that it sees Puth cast himself as Trainor's male version. Writing for
AllMusic,
Stephen Thomas Erlewine wrote that the song "suggested neither singer ever heard Gaye nor Motown but were inordinately fond of
Glee", and included it as an example of collaborations where Puth acts as "the second banana, happily ceding the spotlight to another act who bowls him over with charisma".
Spins Jason Gubbels stated that it is "a low-heat ode to high-heat passion, about as edgy as a Broadway revival cast recording and featuring one of the more dubious name-verbing exercises in contemporary
pop" since
Beyoncé's "
Partition" (2013). "Marvin Gaye" made it on several year-end lists of the worst songs of 2015.
Time included the song, calling the first line of its chorus so "cringe-worthy" that it made them wonder "why the Gaye estate didn't also sue these two
in addition to the 'Blurred Lines' guys" for tarnishing his legacy, but called Trainor its redeeming quality. It also appeared on
Jezebels list, with Tolentino calling it "transposed to the ninth circle of hell" and comparing it to
Christian musicals she used to attend as a child.
Gigwise included "Marvin Gaye" on their list, with Alexandra Pollard elaborating that it is "irritatingly catchy - but it's not even catchy", and went on to say that it is an unclever and "really stupid play on words". == Chart performance ==