Precedents (1980s to early 1990s) Early antecedents to mathcore were practiced by
post-hardcore bands of the 1980s and early 1990s. Post-hardcore is a broad term to define bands that maintain the aggressiveness and intensity of hardcore punk but emphasizes a greater degree of creative expression. Hardcore punk pioneers
Black Flag incorporated characteristics reminiscent to mathcore during their mid-1980s experimental period, including
heavy metal laden riffs and lengthy songs, as well as
fusion-style time signatures,
polyrhythms, instrumental songs and improvisational sections. At that time, their biggest influences were the
Mahavishnu Orchestra and
King Crimson during its
1972–1975 lineup. Among others post-hardcore bands usually credited are:
Minutemen, who were heavily influenced by
avant-garde rock and
jazz;
the Jesus Lizard, inspired by progressive rock;
Fugazi; and
Drive Like Jehu, who drew from
math rock and
krautrock.
Early development (1990–1995) In the 1990s, the hardcore punk scene started to embrace
extreme metal openly and also was highly ideologized, with most of the popular bands being part of subcultures, religions or political groups. Some mathcore bands started inspired by
straight edge and
Hare Krishna groups, including Converge, Coalesce and Botch. On the other hand, the more unorthodox bands that substantially influenced mathcore remained in the
underground. Two bands usually credited as mathcore forerunners are mid-westerners
Dazzling Killmen and
Craw, who at the time were considered part of the "
noisier" branch of math rock. Their debut albums were released in 1992 and 1993 respectively. Both were joined by saxophonists on some performances. In 1989, New Jersey band
Rorschach was formed within the
youth crew hardcore scene but soon developed a more complex and dissonant
metallic hardcore style. They were influenced by hardcore punk bands such as
Die Kreuzen and
Black Flag, as well as
thrash metal bands
Voivod and
Slayer. The discordant sound of both bands had a profound impact on the first mathcore bands. At this period, several pioneering mathcore bands began to form:
Botch from Washington in 1993;
Coalesce from Missouri,
Cable from Connecticut and
Knut from Switzerland in 1994;
Cave In from Massachusetts and
Drowningman from Vermont in 1995. In 1990, Massachusetts band
Converge was formed but they started writing and playing what they consider "relevant" music in 1994. Referring to the burgeoning mathcore scene, The Dillinger Escape Plan's founder and guitarist
Ben Weinman said:
Establishment, milestone albums and first scene (1996–2002) Converge was formed as an amalgamation of extreme metal,
crossover thrash and
hardcore punk, but in the mid-1990s they were heavily affected by early metalcore and post-hardcore bands, such as Rorschach,
Universal Order of Armageddon and
Starkweather. Their second and third albums, 1996's
Petitioning the Empty Sky and 1998's
When Forever Comes Crashing, developed an increasingly technical and bleak style. At their first stages, Coalesce and Botch were influenced by
Syracuse, New York metalcore and
vegan straight edge pioneers
Earth Crisis. Vocalist
Sean Ingram relocated to Syracuse to be nearer to its scene, but ended up disillusioned with their ostracizing attitude and on his return to Missouri formed Coalesce. They incorporated influences from
progressive metal band
Tool, with founding drummer Jim Redd stating that they "wanted to be" them "with none of the quiet parts", but only using their "heavy guitars, heavy drums, wacky time signatures, and loud-quiet dynamics". their sophomore studio album,
Functioning on Impatience, became a landmark of mathcore in 1998. In 1997, The Dillinger Escape Plan evolved from the political-oriented act Arcane because they did not want to become part of "cliques" again. They turned around their sound significantly in their second EP,
Under the Running Board of 1998, and their debut album,
Calculating Infinity of September 1999, drawing from
progressive death metal bands
Cynic, Meshuggah and
Death, as well as
King Crimson and several
jazz fusion artists. Both records created an extremely technical and fast brand of mathcore, which "launched an arms race in the metallic hardcore scene" and went on to define the subgenre substantially.
Relapse Records marketed
Calculating Infinity as "math metal" because its sound and the album's title "sounded mathematical", yet this was not the band's intent. In 1999, Converge released the split album
The Poacher Diaries expanding drastically their technical elements, but afterwards main songwriter
Kurt Ballou called it "a failed experiment". This inspired him to change his focus to song structure and the "memorable" elements that initially attracted him to music, birthing their 2001 album
Jane Doe. This record was the first with drummer
Ben Koller and bassist
Nate Newton who made significant contributions to the songwriting. 1998's
Until Your Heart Stops by
Cave In, 2000's
Rock and Roll Killing Machine by
Drowningman, and 2002's
Challenger by
Knut.
Contemporary influence (early 2000s) In the early 2000s several new mathcore bands started to emerge.
Norma Jean's earlier records are often compared to Converge and Botch. Other new mathcore bands that cite older mathcore bands as an influence or are compared to them include
Car Bomb,
The Locust,
Daughters,
Some Girls,
Look What I Did,
The Number Twelve Looks Like You and
Ion Dissonance.
2010s–present Bands such as
Rolo Tomassi,
Frontierer,
The Armed, Black Matter Device, and
SeeYouSpaceCowboy have been described as modern practitioners of the genre by
Bandcamp and
Alternative Press. == See also ==