In 2007, Attoun took part in
The Finalists Exhibition and the
Tel Aviv Museum of Art, for the Nathan Gottesdiener Foundation Israel Art Prize 2008. The exhibition also included
Michal Helfman, and
Gil Marco Shani. The artists’ work was significant as they extended from painting to installation. In 2015, Attoun had a solo exhibition in
Givon Art Gallery in Tel Aviv titled
Half Full. For the exhibition, Attoun completely changed the interior of the gallery, building walls and corridors to resemble a house. The space was made to look like a "half full״ apartment, in which the viewer was made to assume the dweller has left the premises or the property, but some of their belongings remain. The exhibition was well-received. In 2017, Attoun had a solo exhibition at the
Haifa Museum of Art titled ''Lover's Eye.'' The exhibition encompassed twenty-five framed eye drawings. The drawings allude to the 18th century eye miniatures of "
Lovers’ Eyes," usually painted with watercolor on ivory or parchment. In 2018, Attoun published an Artist book, titled
Weekly Planner 2018 which revisits the year of
1818. The book marks the 200th anniversary of
Mary Shelley’s
Frankenstein – hybridizing the two years through monochromatic drawings akin to old manuscripts, etchings, and prints.
Style, technique, and themes Attoun was a multidisciplinary artist. Her works involve a variety of mediums; yet, drawings comprise an important element in her body of work. Her drawings are often in pencil. Attoun's installations typically encompass a variety of media, including murals, drawings, prints, sculptural objects, ready-mades, and sound art. Much of Attoun's imagery thematically surrounds the body. Some elements of her visual arsenal include, animals, skulls, hearts, blood vessels, ropes, stalks, and cups. Attoun's installations are part of a
feminist trend, which combine beauty and horror, blood and disease, body, and home. Much of Attoun's imagery is associated with formal European iconography and motifs, drawing reference from the
neo-Gothic,
Romantic,
Pre-Raphaelite, and
Arts and Crafts movements of the 18th–19th centuries. == Selected exhibitions ==