Bochmann's official biography states that he began composing at age 14, and between 1975 and 1985 worked in "post-serial modernism of considerable complexity with frequent aleatoric elements". His works cross multiple genres, with a detailed overview provided on his website. Compositions include: • 4 String Quartets • 4 Wind Quintets • 21 essays for solo instruments • 7 Canzonas for various ensembles • 11 Letters to composer friends for piano • Lament (2001) • Symphony (2005) • Cicero Dixit (2006) • Opera: Corpo e Alma (2008) • Um leve tremor (2019) • Concerto for orchestra (2019) • Opera: Astrolabe (2022) • Essay VIII – recording here • Tertúlia – recording here • Graffiti (2023) His work and approach were described in 2022 by Ana Telles (Universidadede Évora/
Centre for Studies of Musical Sociology and Aesthetics CESEM):"[his] pianistic language is based on a fairly conventional instrumental technique, inherited from the 19th century pianistic tradition, yet encompassing characteristic features developed by authors associated with the 2nd Viennese School and post-serialism, as well as significant experiences in the fields of free forms and aleatoric music."Examples of his work on
YouTube include:
Em Homenagem (1984),
Sinfonia (2005),
Canzona III (2010),
Talking of Jasmine (2018), and
Essay XXI (2021). Many of Bochmann's scores are published by and are available for download from the
Portuguese Music Research & Information Centre (MIC.PT). == Recent work ==