After the
Reform Act of 1832, Charles Tennant, chemical manufacturer in Glasgow, started the campaign to mark the work of Thomas Muir and his fellow reformers. After years of searching for a site to celebrate them, two large obelisks were funded by public subscription raised by the radical MP
Joseph Hume and others. The first was in Edinburgh and the second in
Nunhead Cemetery in South East London, unveiled in 1851. The obelisk in the
Old Calton Cemetery in Edinburgh was designed in 1844 by architect
Thomas Hamilton (1784–1858) and stands high. ,
Old Calton Burial Ground, Edinburgh The monument speaks for itself: To The Memory of Thomas Muir, Thomas Fyshe Palmer, William Skirving, Maurice Margarot and Joseph Gerrald. Erected by the Friends of Parliamentary Reform in England and Scotland, 1844. It includes the following two quotations, the first by Muir, and the second by Skirving: And: The Nunhead obelisk was erected in 1837 and stands high. A Cairn and Martyrs Gate were erected at
Huntershill Village by
John S. L. Watson of Huntershill and partly funded by the
East Dunbartonshire Council. Image:Thomas-muir-cairn.jpg|Thomas Muir Cairn at
Huntershill Village Image:Martyrs_gate.jpg|Scottish Political Martyrs Gate at
Huntershill Village John Watson and Thomas Muir Coffee Shop commissioned Bishopbriggs local artist John Spinelli to paint a series of
watercolours, depicting Thomas Muir's dramatic escape from Botany Bay and his adventures that led him to France. They're displayed throughout the coffee shop. There is a permanent exhibition to Thomas Muir at Bishopbriggs library, which includes a specially commissioned bust of Thomas Muir by celebrated Scottish artist Alexander Stoddart. Thomas Muir Street in
Greenock is named after him. A school in
Bishopbriggs, the Thomas Muir High School which opened in 1981, was named after him. It was merged with another school in 2003 to form
Bishopbriggs Academy. A mural of Thomas Muir was painted by graffiti artist ‘Rogue One’ in 2022 in the Trongate area of Glasgow. Robert Burns wrote
Scots Wha Hae on the day Muir's trial started. The letter he wrote to George Hamilton (about 30 August 1793) with the first draft made it clear who he had in mind; Wallace was an allegory for the real hero*... So may God defend the cause of TRUTH and LIBERTY, as he did that day! – Amen! P.S. I shewed the air to Urbani, who was highly please with it, & begged me to make soft verses for it; but I had no idea of giving myself any trouble on the subject, till the accidental recollection of that same struggle for Freedom, associated with the glowing idea's of some other struggles of the same nature, not quite so ancient*, roused my rhyming Mania. –Clarke's set of the tune, with his bass, you will find in the Museum; though I am afraid that the air is not what will entitle it to a place in your elegant selection. – However, I am so pleased with my verses, or more properly, the subject of my verses, that although Johnson has already given the tune a place, yet it shall appear again, set to this song, in his next & last Volume.- RB Despite his historical significance, Thomas Muir has been the subject of relatively few folk songs. One example is
Thomas Muir of Huntershill, written by Scottish folk singer Adam McNaughtan and later recorded by
Dick Gaughan. ==See also==