Richman grew up in
Natick, Massachusetts, a suburb of
Boston, and began playing guitar and writing songs in his mid-teens, first performing solo in public in 1967. He became enamored of the Velvet Underground while he was still in high school, and after graduating in 1969, he moved to New York City where he became personally acquainted with the band and on one occasion opened the bill for them. Richman spent a couple of weeks sleeping on Velvets’ manager
Steve Sesnick's sofa before moving into the
Hotel Albert, a residence known for its poor conditions. After nine months in New York, and a trip to Europe and Israel, Richman moved back to his native Boston. With his childhood friend, guitarist
John Felice, he organized a band modeled after the Velvets. They quickly recruited drummer
David Robinson and bass player Rolfe Anderson, and christened themselves "the Modern Lovers". They played their first date, supporting
Andy Paley’s band the Sidewinders, in September 1970, barely a month after Richman's return. By this time their setlist already included such noted Richman songs as "
Roadrunner", "She Cracked" and "Hospital". Richman's unique character was immediately apparent; he wore short hair and often performed wearing a jacket and tie, and frequently improvised new lyrics and monologues. While there, Richman heard and became strongly influenced by the laid-back style of
the local musicians, as documented in his later song "Monologue About Bermuda". There were also growing personality clashes among band members. Although on the band's return Richman agreed to record his earlier songs, he was anxious to move in a different musical direction. He wanted to scrap all of the tracks they had recorded and start over with a mellower, more lyrical sound. The rest of the band, while not opposed to such a shift later, insisted that they record as they sounded now. However, the sessions with Cale in September 1973 also coincided with the death of their friend
Gram Parsons (a former Harvard student, like Harrison and Brooks), and produced no usable recordings. The record company then recruited Kim Fowley to produce more sessions with the band, this time at
Gold Star Studios, with better results. Recordings from these sessions with Fowley were later released in 1981 on an album titled
The Original Modern Lovers (reissued on CD by Bomp Records in 2000). ==Break-up and release of first album==