The documentary, which presents interview footage without narration, opens with subjects recounting their first memories of watching pornography. It interviews
sex workers and individuals associated with the Canadian corporation Pornhub, including former employees, journalists, and legal figures. It also shows the filming, editing, and organization involved in the work of pornographic performers Gwen Adora and
Siri Dahl. Pornhub began as a free
tube site to watch
pirated content, comparable to
LimeWire for music or
The Pirate Bay for movies. It was founded by three
Concordia University students and sold to
Fabian Thylmann of
Aylo, a data company, in 2010. After Thylmann was convicted of
tax evasion, Pornhub and Aylo came under the control of
Feras Antoon and David Tassillo and investor
Bernd Bergmair. Pornhub gained traction through
search engine optimization (SEO) and turned a profit through advertisements and promotions. However, pornographic performers were unable to monetize their content on the website until the Modelhub feature in 2018. A civil lawsuit against Pornhub has 30 plaintiffs; it is led by lawyer Michael Bowe. The plaintiffs state that the company is complicit in non-consensual pornography that featured them, including
revenge porn, videos of rape, and videos of child sexual abuse. Bowe accuses Pornhub of
racketeering. On this subject, Dani Pinter, a representative of the
National Center on Sexual Exploitation (NCOSE), criticizes child sexual exploitation on Pornhub. The topic of child pornography victims is the subject of a 2020 article for
The New York Times by
Nicholas Kristof: "The Children of Pornhub". Around the same time, the
Christian non-profit
Exodus Cry led a campaign, '#Traffickinghub', that opposed
sex trafficking content on Pornhub. Sex workers in the documentary characterize Exodus Cry as a far-right organization founded by an
Evangelical preacher, whose mission is to end all sex work, and regard NCOSE, which was formerly called Morality in Media, in a smiliar light. Kristof's article and Exodus Cry's campaign led
Mastercard and
Visa to disallow payment processing with the company and caused Pornhub to ban uploads by unverified users. Kristof's article had suggested three changes to Pornhub: require user verification, prevent user download, and increase
content moderation. Dahl said these were "insanely reasonable" measures that sex workers favored. However, according to
Michael Stabile, most of Pornhub's income came from
banner ads and so the credit card company boycotts primarily affected individual performers. A hearing of the
Parliament of Canada investigates non-consensual content on Pornhub. Evidence is presented that, though
Aylo cooperates with the
National Center for Missing & Exploited Children (NCMEC) to remove non-consensual content,
content moderators have been expected to view at least 700 flagged videos per day—more than they can properly investigate. Stabile notes that, shortly after his location was mentioned in the Parliament of Canada, Aylo CEO
Feras Antoon's mansion was burned down, although the culprit and motive are not known. Noelle Perdue criticizes Aylo, for whom she worked as a pornographic script writer, producer, and recruiter for three years. She says that not all Pornhub executives were aware of the U.S. bill
FOSTA-SESTA (2018), which affected legal sex workers. Additionally, sex workers raise issues they face from other internet companies. For example, in October 2021,
OnlyFans said that it would prohibit pornographic material. Adora says this left pornographic film actors like her in financially insecure positions. Dahl comments that website censorship is an issue for sex workers: their accounts on
Instagram can be
shadow banned even if no sexual material is posted, and sites like OnlyFans ban words associated with consensual sexual activity, such as "
pegging". Allie Knox describes that changes to
Craigslist increased danger to sex workers while making child traffickers harder to identify. ==Interviewees==