On
Rotten Tomatoes, the film has a 63% rating based on 32 reviews, with an average rating of 6.40/10. The site's consensus states: "Diane Keaton gives an absolutely fearless performance in a sexual thriller whose ending will leave audiences trembling." On
Metacritic the film has a score of 64 out of 100, based on 9 critics, indicating "generally favorable" reviews. Many critics praised Diane Keaton's performance.
Roger Ebert gave the film 3-out-of-4 stars, praising Keaton's performance but lamenting the "many loose ends and dead ends," some of which he blamed on significant alterations to the novel's plot.
Gene Siskel also awarded 3-out-of-4 stars, writing that "Keaton is absolutely compelling in
Looking for Mr. Goodbar, even when the film is not."
Charles Champlin of the
Los Angeles Times called Keaton's performance "high among the year's finest" in a demanding role, and declared the film "powerful, sincere and overlong, and if the film raises questions about itself it is also thought-provoking."
Variety stated: "Writer-director Brooks manifests his ability to catch accurately both the tone and subtlety of characters in the most repellant environments – in this case the desperate search for personal identity in the dreary and self-defeating world of compulsive sex and dope. Keaton's performance as the good/bad girl is excellent."
Newsweek was also enthusiastic: "
Looking for Mr. Goodbar could have been just another sensationalist movie version of a shocking best seller. But Richard Brooks has filmed it with power, seriousness and integrity." A retrospective review from
AllMovie stated: "With the casting of Diane Keaton as Theresa,
Looking for Mr. Goodbar became a then-rarity in Hollywood movies, depicting an everyday woman with an erotic life, rather than a vamp or a whore," rating the film 3-stars-out-of-5. Some critics found the film lurid and muddled; a review by
Frank Rich for
Time criticized Brooks for making "many crude miscalculations" in adapting the novel.
John Simon noted that while the novel is set in
New York City, the film is said to be located in
San Francisco (though identifiably filmed in
Chicago's
Rush Street neighborhood). He also noted that "the main character is made considerably prettier, thus reducing the principal sources of her insecurity", as compared to her portrayal in the novel as something of a "
Plain Jane".
Pauline Kael noted, "Richard Brooks [...] has laid a windy jeremiad about our permissive society on top of fractured film syntax. He's lost the erotic, pulpy morbidity that made the novel a compulsive read; the film is splintered, moralistic, tedious."
Leonard Maltin rated the film 1-stars-out-of-4, writing that the film "begins as an intelligent study of repressed young girl, then wallows endlessly in her new 'liberated' lifestyle", despite praising Keaton's performance. Rossner praised Keaton's performance. However, she had nothing to do with the making of the film and "detested" the final product. Psychiatry professor Robert O. Friedel suggested in 2006 that Theresa Dunn's behavior in the film is consistent with a diagnosis of
borderline personality disorder.
Barry Diller, who at the time served as head of Paramount Pictures, has described
Looking for Mr. Goodbar as the turning point for the success of Paramount feature films during his reign.
Awards and nominations • While Keaton was not nominated for an Academy Award for this film, she won
Best Actress the same year for
Annie Hall. ==See also==