'' of
Polykleitos Cuirasse esthétique The sculptural replicating of the human body in the muscle cuirass may be inspired by the concept of
heroic nudity, and the development of the muscle cuirass has been linked to the idealized portraiture of the male body in Greek art.
Kenneth Clark attributes the development of an idealized standard musculature, varied from the facts of nature, to
Polykleitos:
Decoration Hellenistic rulers added divine emblems, such as thunderbolts, to the
pteruges. Another conventional decoration is the
gorgoneion, or Medusa's head, on the upper chest, and often vegetative motifs on the pectorals. One of the elements of iconography that identify the Greek
Athena and the Roman
Minerva, goddesses who embodied the strategic side of warfare, was a
breastplate bearing a gorgoneion (see
Aegis). Other deities, particularly the
war gods Ares and
Mars, could be portrayed with muscle cuirasses. The cuirass on the famous
Augustus of Prima Porta is particularly ornate. In the center, a Roman officer is about to receive a Roman military standard
(aquila) from a bearded "barbarian" who appears to be a
Parthian. The Roman, who has a
hound at his side, is most often identified as a young
Tiberius, and the scene is usually read as the return in 20 BC of the standards lost at the
Battle of Carrhae in 53 BC. The anatomically realistic navel (Greek
omphalos, Latin
umbilicus) is placed between the two central figures, slightly below ground level in relation to the feet and centered above the
personification of Earth, positioned over the abdomen. Her reclining position,
cornucopia, and the presence of suckling babies is common to other goddesses in Augustan art who represent peace and prosperity. Other figures include a lyre-playing
Apollo riding a
griffin,
Diana on the back of a
hind, and the
quadriga of the Sun at the top.
Renaissance Charles V, Holy Roman Emperor had a
parade armour in Roman Style with a muscle cuirass made by
Bartolomeo Campi in 1546 . == Gallery ==