Toronto The London-based theatre producer
Kevin Wallace and his partner,
Saul Zaentz, who held the stage and film rights, in association with Toronto theatre owner
David Mirvish and concert promoter
Michael Cohl, produced a stage musical adaptation. The book and lyrics were written by
Shaun McKenna and
Matthew Warchus. The music was by
A. R. Rahman and
Värttinä, collaborating with Christopher Nightingale. The three-and-a-half-hour-long three-act production, with a cast of 65 actors, was mounted in
Toronto, Canada, at the
Princess of Wales Theatre, at a cost of approximately
C$30 million. It was promoted as a spectacle of unusual scale. It starred
Brent Carver as Gandalf and
Michael Therriault as Gollum, and was directed by Matthew Warchus and choreographed by Peter Darling, with set and costume design by
Rob Howell. The production began performances on 4 February 2006, had its opening on 23 March 2006, and its final performance on 3 September 2006. The show played to almost 400,000 people in Toronto. It was nominated for 15 Dora Awards, winning 7, including Outstanding New Musical and awards for direction, design and choreography. It received wide-ranging critical reaction, including both positive and hostile reviews from the press.
Richard Corliss of
Time Magazine described it as "ingenious" and a "definitive
megamusical".
Variety labelled it "a saga of short people burdened by power jewellery".
London The significantly re-written show, shortened to three hours, began previews at the
Theatre Royal, Drury Lane on 9 May 2007, with its official premiere on 19 June 2007. The same creative team as the Toronto production was involved in the London production, with only four cast members reprising their roles from Toronto—
James Loye (Frodo), Owen Sharpe (Pippin), Peter Howe (Sam) and
Michael Therriault (Gollum). The production featured a cast of 50 actors and reportedly cost £12 million (approximately US$25 million), making it one of the most expensive musicals ever produced in the
West End. It was nominated for 7 Whatsonstage Theatregoer's Choice Awards in 2007 and 5 Olivier Awards in 2008, including book and lyrics, lighting (
Paul Pyant), sets and costumes (both Rob Howell) and sound. The production took its final bow on 20 July 2008, after 492 performances over a 13-month run. The production received mixed reviews from critics. Among the positive reviews,
The Times called it "a brave, stirring, epic piece of popular theatre" and
The Guardian gave the show a four star rating, calling it "a hugely impressive production". In The Stage,
Mark Shenton wrote the production “both looks and behaves as a spectacular piece of music theatre, and there isn’t a single production element that doesn’t impress and frequently thrill. Despite several positive reviews,
Amol Rajan in
The Independent wrote that it had "received a critical mauling throughout most of its run", leading to its closure. It was remarked upon at the time for its lack of commercial success.
Susannah Clapp in
The Observer called the stage design "gargantuan" with "a terrific, house-size spider", "black-leather Orcs ... like scarab Richard IIIs" and "long-winded ents ... on stilts". The trouble, she wrote, was that none of these characters "moves events along with any urgency." The London
original cast recording was released on 4 February 2008, and features 18 musical numbers from the show.
Later productions In 2013,
Playbill announced that the show would be revived for a world tour in 2015. The first location for the tour would have been in
New Zealand, but dates and other locations were never announced. In 2023, the
Watermill Theatre,
Bagnor,
Berkshire, revived a scaled-down version of the show for a 12-week run as
The Lord of the Rings: A Musical Tale. In 2024, the Watermill production was announced to be making its
North American premiere at the
Chicago Shakespeare Theater, running from 19 July to 1 September. It was also confirmed that the production would go on an international tour. In November 2024, the production made its New Zealand premiere, with a limited run at the
Civic Theatre, Auckland to positive reviews from the New Zealand Herald and Radio New Zealand. The production opened at the
State Theatre in
Sydney, Australia with a new cast on 7 January 2025 before embarking on an Australian tour to Perth, Melbourne and the
Gold Coast, followed by a season at
Marina Bay Sands, Singapore. == Synopsis ==