When the film was first released in 1979, it failed, both critically and financially, but has gone on to be a cult classic.
Vincent Canby of
The New York Times called the film "not very horrifying" and thought "it looks as if it had been put together from a child's instruction book." He added, "The screenplay... is terrible and the special effects third-rate." Additionally,
Time Out New York said the film "never really takes off" and added, "Hiller's direction simply plods to a corny and unsatisfactory ending after getting bogged down in subplots concerning whale-oil prospectors, Indian religious mumbo-jumbo, and inter-tribal rivalries." And
Channel 4 observed, "Quite why Hiller was selected to direct this suspense shocker is the most interesting thing about the project. A filmmaker who has made a speciality of showing reverence for platitudes has no jurisdiction over a piece of schlock nonsense about bat-killers in the Arizona desert." The film also won Worst Picture at the
1979 Stinkers Bad Movie Awards. When the Expansion Project redid the ballot in 2004, the film was listed with the following: •
Least "Special" Special Effects (nominated) •
Worst Picture •
Worst Director for Hiller (dishonourable mention) •
Worst Supporting Actor for
Strother Martin (dishonourable mention) •
Worst Screenplay (dishonourable mention) •
Worst Non-Human for The Killer Bats (dishonourable mention)
Cult reputation In recent years,
Nightwing has acquired a growing cult of devoted admirers. In 2018, for example, author Lee Gambin praised the film as "extremely well paced and great fun." He further noted that "the film is a great exploration of social change and race relations...
Nightwing is an interesting and smart movie." And scholar
John Edgar Browning labeled
Nightwing an "Eco-
Gothic Western." He further stated the movie creates a narrative space in which "real solutions to impending ecological threats are made possible through an indigenous spirituality that is fundamentally ecologically grounded." Also, author John Caps notes the eerie tone of the film's musical score, composed by
Henry Mancini. Caps observes that Mancini actually instructed his musicians (mostly strings) to "de-tune" their instruments a quarter-tone downward when scoring the movie's nocturnal scenes. It was further reported that many in Mancini's orchestra were worried about damaging their own sense of hearing.
Quentin Tarantino wrote "something about
Nightwing... bugs me more. Partly because you feel the movie wants it to be Abner's curse. It just doesn't have the balls to commit to it." ==Home media==