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Nzinga of Ndongo and Matamba

Nzinga or Njinga Ana de Sousa Mbande was a southwest African paramount ruler who ruled as a queen of the Ambundu Kingdoms of Ndongo (1624–1663) and Matamba (1631–1663), located in present-day northern Angola. Born into the ruling family of Ndongo, her grandfather Ngola Kilombo Kia Kasenda was the king of Ndongo, succeeded by her father.

Early life
Njinga was born into the royal family of Ndongo, a Mbundu kingdom in central West Africa around 1583. She was the daughter of Ngola (a noble title translatable to King) Kilombo of Ndongo. Her mother, Kengela ka Nkombe, was one of her father's slave wives and his favorite concubine. and some saw their births as an indicator the person would grow to become a powerful and proud person. Njinga had two sisters, Kambu, or Lady Barbara and Funji, or Lady Grace. She also had a brother, Mbandi, who was heir apparent to throne. She participated in many official and governance duties alongside her father, including legal councils, war councils, and important rituals. Name variations Called "queen" by the Portuguese, Njinga Mbande is known by many different names including both Kimbundu and Portuguese names, alternate spellings and various honorifics. Common spellings found in Portuguese and English sources include Nzinga, Nzingha, Njinga, and Njingha. In colonial documentation, including her own manuscripts, her name was also spelled Jinga, Ginga, Zinga, Zingua, Zhinga, and Singa. She was also known by her Christian name, Ana de Sousa. As a monarch of Ndongo and Matamba, her native name was Ngola Njinga. Ngola was the Ndongo name for the ruler and the etymological root of "Angola". In Portuguese, she was known as Rainha Nzinga/Zinga/Ginga (Queen Nzinga). According to the current Kimbundu orthography, her name is spelled Njinga Mbandi (the "j" is a voiced postalveolar fricative or "soft j" as in Portuguese and French, while the adjacent "n" is silent). The statue of Njinga now standing in the square of Kinaxixi in Luanda calls her "Mwene Njinga Mbande". Political background During this period, the kingdom of Ndongo was managing multiple crises, largely due to conflicts with the Portuguese Empire. The Portuguese had first come to Ndongo in 1575 when they established a trading post in Luanda with the help of the Kingdom of Kongo, Ndongo's northern rival. Despite several years of initial peace between Ndongo and Portugal, relations soured between the two kingdoms and devolved into decades of war between them. Ndongo faced intense military pressure from Portugal and Kongo, both of which seized Ndongan territory. By the 1580s, large parts of Ndongo had fallen under Portuguese control. The Portuguese waged war in a brutal style, burning villages and taking hostages. In addition to territorial conquests, the Portuguese seized large numbers of slaves during the conflict (50,000 according to one source) and built forts inside Ndongan territory to control the slave trade. Ndongo rallied against the Portuguese, defeating Portugal at the Battle of Lucala in 1590, but not before the kingdom had lost much of its territory. The conflict eroded the power of the king, with many Ndongan noblemen, sobas, refusing to pay tribute to the crown and some siding with the Portuguese. By the time that Nzinga's father became king in 1593, the region had been devastated by war and the power of the king greatly diminished. The king tried a variety of methods to handle the crisis, including diplomacy, negotiations, and open warfare, but he was unable to improve the situation. The Imbangala divided themselves into warbands, occupying Ndongan territory and capturing slaves. The Portuguese hired some of the Imbangalans as mercenaries, and the new threat forced the Ndongan king to give up any attempts to reconquer his lost territory. ==Succession to power==
Succession to power
Nzinga's Embassy In 1617, Ngola Mbandi Kiluanji died and Ngola Mbandi, his son and Nzinga's brother, came to power. Upon assuming the throne, he engaged in months of political bloodletting, killing many rival claimants to the throne, including his older half-brother and their family. Faced with the Portuguese threat, in 1621 he contacted Nzinga, asking her to be his emissary to the Portuguese in Luanda. She was the best fit for the job, as she was both of royal lineage and spoke fluent Portuguese. She agreed to lead the diplomatic mission with the stipulation that she be granted the authority to negotiate in the king's name and permission to be baptized – an important diplomatic tool she hoped to use against the Portuguese. While Ndongo leaders typically met the Portuguese in European clothing, she chose to wear opulent traditional clothing (including feathers and jewels) of the Ndongan people, to display that their culture was not inferior. According to a popular story, when Nzinga arrived to meet with the Portuguese, there were chairs for the Portuguese officials but only a mat provided for her. This type of behavior from the Portuguese was common; it was their way of displaying a "subordinate status, a status reserved for conquered Africans." In response to this, Nzinga's attendant formed herself to be her chair while she spoke to the governor face to face. She adopted the name Dona Anna de Sousa in honor of her godparents, Ana da Silva (the governor's wife and her ordained godmother) and Governor Joao Correia de Sousa. Despite her success in the negotiations with the Portuguese, the peace between Ndongo and the Imbangala – themselves engaged in expanding their territory – collapsed. After a series of defeats, the Ndongan royal family was driven out of their court in Kabasa, putting the king in exile and allowing for some of the Imbangala to establish the Kingdom of Kasanje. warned her brother that a baptism would offend his traditionalist supporters, convincing him to reject any idea of being baptized. In addition, the Portuguese began reneging on the treaty, refusing to withdraw from their fortresses inside Ndongo and conducting raids for loot and slaves into Ndongo's territory. By 1624, King Mbandi had fallen into a deep depression and was forced to cede many of his duties to Nzinga. == Wartime ==
Wartime
Rise to power In 1624, her brother died of mysterious causes (some say suicide, others say poisoning). She also assumed the title of Ngola, conferring a position of great influence among her people. However, her ascension to the throne faced severe opposition from male claimants from other noble families. Further straining relations, in late 1624 de Sousa began an aggressive campaign to force Mbande nobles, sobas, to become Portuguese vassals. Sobas were traditionally vassals of the ruler of Ndongo, and provided as tribute the valuable provisions, soldiers, and slaves needed to control Angola – thus, by making the sobas vassals of Portugal, the Portuguese were able to undermine Nzinga's position as queen of Ndongo. Her actions were a success and many sobas joined forces with her, strengthening her position and causing the Portuguese to fear a Mbande uprising was imminent. Hari a Kiluanje, a soba who had broken ties with Nzinga. Kiluanje opposed having a woman rule Ndongo, and was himself descended from the royal family; upon learning of his actions, Nzinga sent warriors to crush his revolt but was defeated, weakening her position and convincing more nobles to revolt. Nzinga petitioned the Portuguese to stop supporting Kiluanje, and attempted to negotiate as long as possible while she gathered more forces, but the Portuguese guessed this was a delaying tactic and soon recognized Kiluanje as king of Ndongo. Ngola Hari proved to be an unpopular leader with the Ndongan people, who viewed him as a Portuguese puppet, while some sobas supported his rule. A divide soon formed inside the kingdom of Ndongo in which the common people and lesser nobles supported Nzinga, while many powerful nobles supported Ngola Hari and the Portuguese. In November 1627, Nzinga again attempted to negotiate with the Portuguese, sending a peace delegation and a gift of 400 slaves. She indicated that she was willing to become a vassal of the kingdom of Portugal and pay tribute if they supported her claim to the throne, but was adamant that she was the rightful heir to the throne of Ndongo. The Portuguese, however, rejected the offer, beheading her lead diplomat and issuing the counter demand that she retire from public life, renounce her claim to the kingdom of Ndongo, and submit to Ngola Hari as rightful king—these demands were within the diplomatic norm in Europe, but were utterly unacceptable to Nzinga. Faced with the Portuguese rebuke and the realization that many Ndongan nobles stood against her, Nzinga (as had her father and brother) slipped into depression, locking herself in a room for several weeks. She emerged, however, and within a month had begun a new campaign to rebuild her alliances in Ndongo. but this backfired as she increasingly outmaneuvered Hari in Ndongan politics. In one notable incident, Nzinga sent Hari threatening letters and a collection of fetishes, challenging him to combat with her forces; the messages terrified Hari, who was forced to call on his Portuguese allies for support, thus greatly diminishing his own prestige while adding to Nzinga's reputation. and she had been effectively expelled from her kingdom. Nzinga accepted these terms, married Kasanje and was inducted into Imbangala society. The exiled queen adapted quickly to the new culture, adopting many Imbangala religious rites. Sources (African, Western, modern, contemporary) She did not, however, completely abandon her Mbundan cultural roots, instead combining the beliefs of her people with those of her new Imbangalan allies. As noted by historian Linda Heywood, Nzinga's genius was to combine her Mbundu heritage with the Imbangalan's Central African military tradition and leadership structure, thus forming a new, highly capable army. To increase her numbers, she granted freedom to escaped slaves and land, new slaves, and titles to other exiled Ndongans. Having defeated the Matambans, Nzinga assumed the throne of Matamba and began settling the region with exiled Ndongans, hoping to use the kingdom as a base to wage her war to reclaim her homeland. During this decade, Nzinga took on more masculine traits, adopting male titles and clothing. She established an all-female bodyguard for herself, and ordered that her male concubines wear women's clothing and address her as king. She also instituted communal sleeping quarters at her court, and enforced strict chastity rules for her male councilors and female bodyguards. Expansion and Dutch alliance By the late 1630s, Nzinga had expanded her influence to the north and south of Matamba. Using her forces, she cut other rulers off from the Portuguese-controlled coast, capturing parts of the Kwango River and bringing the region's key slave supplying lands under her control. She also expanded her territory to the north, and in doing so established diplomatic relations with the Kingdom of the Kongo and Dutch merchants, who were increasingly active in the area. Nzinga also established a lucrative slave trade with the Dutch, who purchased as many as 13,000 slaves per year from Nzinga's kingdom. She continued to occasionally send peace overtures to the Portuguese, even suggesting a military alliance with them, but only if they supported her return to Ndongo. She also refused to be re-admitted to the Christian faith, which became a point of contention between the two parties. In conversations with European visitors she asserted that neither she nor her captains ate human flesh, while admitting that she tolerated the custom among her soldiers. In 1641, forces from the Dutch West India Company, working in alliance with the Kingdom of Kongo, seized Luanda, driving out the Portuguese and setting up the directorate of Loango-Angola. The fall of Luanda was a major blow to the Portuguese, and Nzinga quickly dispatched an embassy to the Dutch-controlled city. Hoping to form an Afro-Dutch coalition against the Portuguese, Nzinga requested an immediate alliance and offered to open the slave trade to them, though she was concerned that the Kingdom of Kongo (her people's traditional northern rivals) was growing too powerful. The Dutch accepted her offer of an alliance and sent their own ambassador and soldiers (some of whom brought their wives) to her court, soon assisting her in her fight against the Portuguese. Having lost large amounts of territory and forced to retreat to Massangano, the Portuguese governor attempted to make peace with Nzinga, but she refused these overtures. Nzinga moved her capital to Kavanga, in the northern part of Ndongo's former domains. The capture of Luanda also left Nzinga's kingdom as the pre-eminent, if temporary, slave-trading power in the region, allowing for her to build a sizeable war-camp (kilombo) of 80,000 members, including mercenaries, escaped slaves, allies, and her own soldiers. In 1644, Nzinga defeated the Portuguese army at the Battle of Ngoleme. Then, in 1646, she was defeated by the Portuguese at the Battle of Kavanga and, in the process, her sister Kambu was recaptured, along with her archives, which revealed her alliance with Kongo. These archives also showed that her captive sister, Funji, had been in secret correspondence with Nzinga and had revealed coveted Portuguese plans to her. As a result of the woman's spying, the Portuguese reputedly drowned the sister in the Kwanza River. The Dutch in Luanda sent Nzinga reinforcements, and with their help, Nzinga routed a Portuguese army in 1647 at the Battle of Kombi. besieged Luanda. After suffering through a major Portuguese bombardment, on 24 August 1648 the Dutch commander sued for peace with the Portuguese and agreed to evacuate Angola. When Nzinga's army and the remaining Dutch forces arrived outside Luanda, the peace between Dutch and Portuguese was signed, and unbeknownst to Nzinga, the Dutch forces sailed for Europe. ==Later years==
Later years
Last campaigns While her wars against the Portuguese and their allies continued, Nzinga created alliances with neighboring kingdoms, expanding her influence even as she aged. Whereas previous missionaries (either parish priests or Jesuits) had been strongly affiliated with the Portuguese and their colonial administration, the Spanish Capuchins were more sympathetic to Nzinga's positions. During the early 1650s, Nzinga sent requests to the Capuchin order for more missionaries and for support against the Portuguese – effectively turning the missionaries into de facto diplomats between her and the Vatican. In addition to using Christianity as a diplomatic tool, Nzinga adopted Christian customs into her court. From the 1650s onward, she increasingly relied on Christian converts at her court. Just as she had done with the Imbangalan culture several decades before, Nzinga appropriated aspects of Christian ideology and culture, adding these to her existing court traditions to create a new class of Christian councilors loyal to her. Nzinga's efforts to convert her people was not without controversy, and some conservative religious figures pushed back against her policies. In response, Nzinga empowered her Christian priests to burn the temples and shrines of practitioners who opposed her, and ordered that they be arrested and turned over to her for trial. Traditionalists were dismissed from her court, after which she sentenced them to public whippings. Several prominent Mdundu and Imbangala priests were sold as slaves to the Portuguese, with Nzinga personally asking that they be shipped overseas; profits of the sale were then used to furnish a new church. Some of the wanted priests, however, escaped Nzinga's purge and went into hiding, later working to undermine her legitimacy as queen. Peace with Portugal By 1650 the kingdoms of Matamba and Portugal had been at war for nearly 25 years, with both sides having become exhausted. Tentative peace talks between Nzinga and the Portuguese began in 1651, continued in 1654, and culminated in 1656. The negotiations were aided by Nzinga's recent conversion to Christianity and by the pressure Portugal was facing from its war of Independence against Spain. describe the treaty as making concessions to Portugal, others note that her recognition as a ruler by Portugal gained Nzinga legitimacy and political stability. Death and succession During the 1660s (specifically after a period of serious illness in 1657) Nzinga grew increasingly concerned about who would succeed her as ruler of Ndongo and Matamba. She feared that her death would lead to a succession crisis, which would cause her Christian conversions to be undone, and spark renewed Portuguese aggression. To ensure the transition would be smooth, she appointed her sister Kambu as her heir, forgoing any of the traditional Mbundu elections. However, she grew increasingly concerned that her sister's husband, Nzinga a Mona, was growing too powerful. Nzinga a Mona was a skilled soldier who was raised in the Imbangala tradition, and while he had been a lifelong soldier in Nzinga's army, in his older age he increasingly came into conflict with Nzinga. She feared that Nzinga Mona's adherence to Imbangala tradition would destabilize the new, Christian kingdom she had established. She was buried with great aplomb in accordance with Catholic and Mbundu traditions. Ceremonies were held across Matamba and in Luanda, where both the Portuguese and Mbundu populations held services in her honor. Following Nzinga's death, her sister Kambu (more commonly known as Barbara or Dona Barbara) assumed the throne. == Historical portrayal ==
Historical portrayal
A powerful queen who reigned for over thirty years, Nzinga has been the subject of many works. Angolan In her native Angola, oral traditions celebrating Nzinga's life began immediately after her death. Though her kingdoms would eventually be incorporated into Portuguese Angola, commemoration of Nzinga and her achievements persisted. In the mid-20th century, Nzinga became a powerful symbol of Angolan resistance against Portugal during the Angolan War of Independence. In his writings on Nzinga, American historian John Thornton focused on her lifelong struggle to establish her authority over the Mbundu culture, noting that her legendary reputation and actions helped to establish a wider Atlantic Creole culture. noting instead that she should be viewed as a complicated individual who used culture, diplomacy, religion and war to secure her kingdom. and she had them fight to the death for the privilege and duty of spending the night with her. In the morning, the winner was put to death. According to an account by the Capuchin priest Cavazzi, Nzinga maintained her strength well into her later years. Upon witnessing her during a military review in 1662 (the year prior to her death), Cavazzi praised her agility, to which the elder queen replied that, in her youth, she was able to wound any Imbangala warrior, and that she would have stood against 25 armed men – unless they had muskets. ==Legacy==
Legacy
, Angola Today, she is remembered in Angola as the Mother of Angola, the fighter of negotiations, and the protector of her people. She is still honored throughout Africa as a remarkable leader and woman, for her political and diplomatic acumen, as well as her brilliant military tactics. Nzinga ultimately managed to shape her state into a form that tolerated her authority, though surely the fact that she survived all attacks on her and built up a strong base of loyal supporters helped as much as the relevance of the precedents she cited. While Njinga had obviously not overcome the idea that females could not rule in Ndongo during her lifetime, and had to 'become a male' to retain power, her female successors faced little problem in being accepted as rulers. On 23 December 2014, the National Reserve Bank of Angola (BNA) issued a 20 Kwanza coin in tribute to Nzinga "in recognition of her role to defend self-determination and cultural identity of her people." An Angolan film, Njinga: Queen Of Angola (Portuguese: Njinga, Rainha de Angola), was released in 2013. A Starz series, Queen Nzinga, is in development with Yetide Badaki as the titular character and 50 Cent, Steven S. DeKnight and Mo Abundu as producers. Nzinga (referred to as Nzinga Mbande) leads the Kongolese civilization in the 2016 4X video game Civilization VI, since the release of Great Negotiators on 21 November 2022, as part of the DLC "Leader Pass". The 2023 Netflix docudrama African Queens: Njinga chronicles her life, dramatized through historical reenactment. ==See also==
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