1946–1966: Early life and career beginnings Daniel Ntesa Nzitani was born on 30 October 1946 in Kinsiona,
Cataractes District,
Bas-Congo (now
Kongo Central), in the
Belgian Congo (later the
Republic of the Congo, then
Zaire, and today the
Democratic Republic of the Congo). He began his education in 1951 at Christ-Roi in
Kasa-Vubu, Kinshasa, under
Catholic instruction. In 1956, at the age of ten, he established a youth orchestra called Motema Jazz, performing with improvised instruments, including
tin cans and handcrafted guitars. During this period, he attended a Catholic
missionary school in
N'Djili, where he participated in the
choir and received training in
liturgical music. Dalienst joined Festival des Maquisards, which also included Lokombe Bola Bolite, Dizzy Mandjeku, Jean Bokosa (Johnny),
Michelino Mavatiku Visi, and Diana, who had recently departed African Fiesta National. Dalienst, feeling uncertain and considering a return to Vox Africa, was advised by Dizzy Mandjeku to establish a new orchestra, which led to the formation of Les Grands Maquisards with the support of
Verckys Kiamuangana Mateta, and with Lokombe and Diana rejoining the project. Les Grands Maquisards' emergence marked a significant moment in the Congolese music scene, alongside prominent bands such as
African Jazz, led by
Joseph Athanase Tshamala Kabasele (
Le Grand Kallé);
OK Jazz, led by
Franco Luambo; African Fiesta National, led by Tabu Ley Rochereau; African Fiesta Sukisa, led by
Nico Kasanda (
Docteur Nico); Centrale; and Bamboula, led by
Papa Noël Nedule. According to the
Agence d'Information d'Afrique Centrale, their sudden disappearance evoked profound "nostalgia among fans and music lovers across both banks of the Congo River, in Africa, and beyond". TPOK Jazz was twice honored as Best Orchestra of the Year. In 1982, the band released the album
Princesse Kiku, which included compositions by Franco ("Princesse Kiku"), Pépé Ndombe ("Mawe"), and Josky ("Nostalgie Tanzi"). In 1987, Dalienst rejoined TPOK Jazz and released his debut solo studio album
Mamie Zou, produced by Franco and performed with members of TPOK Jazz. The album contained four songs "Mamie Zou", "Dodo", "Nalobi na ngai rien", and "Batindeli ngai mitambo", and was noted for its tender melodies and themes of love. In "Mamie Zou", a woman expresses gratitude to her husband for two decades of marital happiness, while in "Dodo", a husband longs for fifty years of marriage like their parents before them, pondering whether future generations will share such lasting love. In 1988, at the age of 41, Dalienst endeavored to revive Les Grands Maquisards, forming a new version of the orchestra brought together Belgian and Congolese musicians, among them saxophonist Didan. The band mainly performed in Brussels. Following Franco's death in 1989, Dalienst temporarily joined Champions du Zaïre, a band composed chiefly of TPOK Jazz's Brussels-based members. In 1990, he and Les Grands Maquisards released his last studio album
Belalo, featuring Dizzy Mandjeku and Dieudos Makuanzi on guitar and Carlyto Lassa as vocalist. In 1994, Dalienst co-founded the orchestra Afri-Jazz, bringing together veteran musicians from Orchestre Afrisa International and TPOK Jazz alongside younger performers. The band's lineup included Wuta Mayi, Michelino Mavatiku Visi, Papa Noël Nedule, Shaba Kahamba, Youlou Mabiala, Bopol Mansiamina, Pompon Kuleta, Diasi, Ada Muangisa, Serge Kiambukuta, Michel Sax, Monglisha, Caien Madoka, Egide, Djudju, Salo, Armando, and Niau. Their only release,
Frappe chirurgicale aérienne ("Aerial Surgical Strike"), came out in 1995 and featured eight songs. == Illness and death ==