The manuscript was completed on August 17, 1570, in
Bijapur, during the regime of
Ali Adil Shah I. It is considered to be an illustrated manual or encyclopedia of astrology and astral magic. The imprinted date and painting style indicates that either the work was commissioned by the Bijapur sultan Ali Adil Shah (1557-1579) or by one of the members of his court. This hypothesis is strengthened by the length of the volume, the quality and quantity of its miniatures, the extensive use of gold in the manuscript, and the number of painters employed - all factors that seem to suggest a royal patron. In fact, Emma Flatt in her recent article on the
Nujum al-‘ulum goes further to attribute, from internal evidence, the authorship to Ali Adil Shah himself "or at least the sixteenth-century equivalent of a celebrity ghostwriter". The author and professor O. P. Parameswaran writes that this school of Bijapur was patronized by Adil Shah I (1558-1580) and his successor Ibrahim II (1580-1627), both of whom were patrons of art and letters, while the latter was an expert in Indian music and author of a book on this subject, the
Nauras Nama. The rulers of Bijapur had cordial relations with
Turkey and
Persia, and the astronomical illustrations in the
Nujum al-‘ulum might well derive from an
Ottoman Turkish manuscript, such as the works of
Fuzuli. ==Description==