Origins (–1785) According to legend, the origin of the Ommegang of Brussels goes back to a local devout woman named Beatrix (Béatrice or Beatrijs) Soetkens. She had a vision in which the
Virgin Mary instructed her to steal the miraculous statue of ''Onze-Lieve-Vrouw op 't Stocxken'' ("Our Lady on the Little Stick") from the
Cathedral of Our Lady in
Antwerp, bring it to Brussels, and place it in the chapel of the Crossbowmen's Guild in the
Sablon/Zavel district. The woman stole the statue, and through a series of miraculous events, was able to transport it to Brussels by boat in 1348. It was then solemnly placed in the chapel and venerated as the guild's patron. The guild also promised to hold an annual procession, called an
Ommegang, in which the statue was carried through Brussels. On that occasion, Brussels' elites wished to honour the Emperor and his son by organising spectacular equestrian parades in the Sablon and on the
Grand-Place/Grote Markt. The Ommegang thus developed into an important religious and civil event in the city's annual calendar. During the second half of the 16th century, the Ommegang was dependent on political and religious upheavals in the
Spanish Low Countries. The event was described at that time in the diary of a
bourgeois of Brussels, Jan de Potter, who, over the years, mentions that it was sad, ugly or worse, that it did not take place. Between 1580 and 1585, when the city was in the hands of
Calvinists, the procession was simply suppressed. In the 17th century, the Ommegang regained its lustre, under the reigns of the Archdukes
Albert VII and
Isabella, sovereigns of the
Spanish Netherlands, as depicted in a series of paintings by the
court painters
Denis van Alsloot and
Antoon Sallaert, representing the celebrations of 1615. In the 18th century, the decline of the demonstration began. The last (very small) annual Ommegang took place in 1785, followed by only two sporadic performances in the 19th century. preceded by a group of clergymen carrying the Virgin of Victories, also still participate in this sacred procession. Although it has become a historical pageant, the Ommegang retains many traditional and authentic elements, such as the presence of the Brussels Lineages, the Oaths of Crossbowmen, as well as the Virgin Mary's statue, and remains a major yearly event in Brussels' calendar. Since 2011, a personality from the world of the arts is entrusted, each year, with the role of herald, and comments on the show at the
Grand-Place.
Jean-Pierre Castaldi,
Stéphane Bern,
Jacques Weber,
Francis Huster,
Éric-Emmanuel Schmitt, and
Patrick Poivre d'Arvor, to name a few, have successively lent themselves to the exercise. In 2017, the Ommegang was included in the
inventory of intangible cultural heritage of the Brussels-Capital Region, and in 2019, it was recognised as one of the
Masterpieces of the Oral and Intangible Heritage of Humanity by
UNESCO. File:Ommegang Bruselas 2017 08 video.ogg|The
Emperor Charles V and crown prince
Philip II in the modern Ommegang File:Ommegang Bruselas 2017 ballesteros.jpg|Grand Oath of Crossbowmen of Brussels participating in the Ommegang File:Cavaliers de l'Ommegang.jpg|Noble riders honouring Emperor Charles V during the Ommegang ==See also==