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Opalite (song)

"Opalite" is a song by the American singer-songwriter Taylor Swift from her twelfth studio album, The Life of a Showgirl (2025). She wrote and produced the track with the Swedish musicians Max Martin and Shellback. Titled after artificial opals, "Opalite" is a love song about how Swift and her romantic partner create happiness together after a string of miseries in previous relationships. Using gemstone metaphors, the lyrics visualize painful experiences as dark "onyx" nights and subsequent joy as a bright, opalescent sky. It is an upbeat pop rock, soft rock, and synth-pop track, driven by a jangle, a disco groove, and a bouncy swing arrangement of bass and vocal harmonies.

Background and release
was an inspiration for the song. On August 13, 2025, Taylor Swift announced her twelfth studio album, The Life of a Showgirl, during an episode of New Heights, a sports podcast co-hosted by her then-boyfriend (now fiancé) Travis Kelce and his brother Jason. "Opalite" was also announced that day as the third track on the album. Swift's childhood love of opals inspired the song's title. Opal is also Kelce's birthstone. An opalite is an artificial opal—a synthetic opalescent glass, simulating various opal and moonstone gems. Swift took inspiration from these facts, employing opalite as a metaphor for the idea that happiness can be created voluntarily. Swift described the song as "a song about forgiving yourself for having gone through something that didn't pan out the way you wanted it to and giving yourself permission to not have it all figured out or not marry the first person you ever dated". In his podcast New Heights, Kelce described it as his favorite song on the album. After the release of The Life of a Showgirl, "Opalite" performed well on charts, garnered consistent airplay, and became a fan favorite.'' Universal Music released the song to French radio stations on January 12, 2026, == Composition ==
Composition
"Opalite" is a pop rock, soft rock, Eurodance, and disco. It was written and produced by Swift, Max Martin, and Shellback. It opens with a looping, acoustic guitar jangle, The chorus features a three-note progression. Critics compared the song to the music of ABBA, the Ronettes, and Fleetwood Mac. Anna Gaca from Pitchfork described the track as a "stage adaptation" of Post Malone's "Circles" (2019) and Maroon 5's "Sugar" (2015). while Tess Patton of TheWrap found it reminiscent of the "bubbly pop" in her fifth studio album, 1989 (2014). Others drew parallels with Swift's songs "Paper Rings" (2019) and "Message in a Bottle" (2021). s, the song's namesake|alt=A photograph showing dozens of opalite gemstones against a black background Lyrically, "Opalite" is a love song about Swift's romance with Kelce. In the refrain, Swift carries on her lyrical tradition of associating colors with emotions. She describes sadness and sorrow as "onyx night"—onyxes being a generally black-and-white group of gemstones, and equates happiness with an "opalite" sky—an iridescent pastel blue shade; this contrast evokes a symbolic transition to healing, as in dark clouds giving way to sunny skies. The bridge offers words of encouragement, describing loss and failure as steps towards freedom. People Samantha Stutsman described the song as "a celebration of growth, self-forgiveness and the messy, beautiful journey of love." According to Collider Isabella Soares, it "is a love song about surpassing romantic hardships alongside a person that brings you joy and stability." == Critical reception ==
Critical reception
Critical reception of "Opalite" was positive, with emphasis on its uplifting and optimistic message. Its shimmering and "glossy" production drew plaudits. Variety Chris Willman called the refrain "a sheer pheromone rush". According to Lauren Hague of Clash, "Opalite" is "destined to be a radio 'pop song of the summer' style hit", boasting an "infectious" hook and a "delightful" bridge that showcases Swift's upper-register vocals. Several critics considered the song a highlight of The Life of a Showgirl. The Los Angeles Times critic Mikael Wood liked its "gorgeous", laid-back sound. Durva More of The Economic Times called "Opalite" a stand-out for its themes of emotional growth and self-forgiveness, and for a display of Swift's hopeful side. Molanphy called it the album's "perkiest ditty". ''Harper's Bazaar editors ranked it the 6th-best song on the album. Willman considered "Opalite" as a surprising change of pace within the album. Wren Graves of Consequence quipped "Opalite" has a "fine but forgettable" refrain. Soares of Collider'' placed the song 9th in her ranking of the album's 12 songs, finding its lyricism sub-par for Swift's songwriting acumen. == Commercial performance ==
Commercial performance
Upon the album's release, "Opalite" topped the charts in the Philippines as the second song from The Life of a Showgirl to reach number one on the chart, following the lead single "The Fate of Ophelia". The song reached the top 10 in several countries across the globe, including Australia, Belgium, Hong Kong, Malaysia, the Middle East, the Netherlands, Norway, Singapore, Switzerland, and Vietnam. It landed in the top 20 in Brazil, France, Mexico, Poland, Spain, and Taiwan. The single has been certified double platinum in Canada, Molanphy remarked that none of Swift's previous singles had persisted on the charts as much as "Opalite" did prior to reaching number one within the United States. In Germany, "Opalite" debuted at number three on the singles chart upon the album's release and topped the charts following its single release. It became Swift's second number-one song in Germany and the second song from The Life of a Showgirl to reach number one on the chart, following the lead single "The Fate of Ophelia". == Music video ==
Music video
Production and release plays Swift's love interest in the "Opalite" music video. Swift wrote and directed the music video for "Opalite". She collaborated with the cinematographer Rodrigo Prieto, who shot the video on film, Swift conceived the video following her appearance on the talk show The Graham Norton Show in October 2025, where she was a guest alongside Gleeson, Capaldi, Cillian Murphy, Greta Lee, and Jodie Turner-Smith. During the broadcast, Gleeson jokingly expressed interest in appearing in one of Swift's music videos, which inspired her to conceptualize the video featuring all her fellow guests, along with the host Graham Norton. Swift sent Gleeson the script for the music video within a week, featuring him in the starring role. The music video was released on Apple Music and Spotify Premium on February 6, 2026, and on YouTube two days later. UK politician Sarah Jones, the Member of Parliament for Croydon West, shared on social media that some scenes of the video were filmed at the Whitgift Centre, a shopping complex in her constituency. People reported that Swift transformed the "run-down" mall for the music video, using production to restore it to a 1990s visual. Two behind-the-scenes (as extended versions of the music video) were released on Apple Music and Spotify Premium on February 13. Synopsis The video stars Swift and Gleeson as a pair of wallflowers bonded with inanimate objects before they find each other and forge a new bond with the help of a magical spray potion called "Opalite". -inspired music video of "Opalite" incorporates an informercial that advertises a fictional potion of the same name (pictured) that can fix all types of relationships.|alt=Screenshot of a music video showing the orange-and-blue bottle of the Opalite potion Swift watches an infomercial promoting the potion, advertised and voiced by Murphy. The spray is claimed to provide companionship and transform "crappiness into happiness". The video then shows Swift as a "lonely woman" who is attached to her Pet Rock. She makes friendship bracelets, performs karaoke, and goes to bars with the unresponsive rock. Gleeson is shown as a "lonely man" who is in an abusive relationship with his pet cactus, which repeatedly injures him despite his best efforts. Swift and Gleeson begin a relationship and are shown going on several dates, including a visit to a shopping mall, where Capaldi's character photographs them. The couple run into the cactus, which gives them the finger, and the rock, which wears a "Fuck you, forever" bracelet. In the epilogue, the cactus and the rock get married after having met through "Opalite". The end credits feature clips from The Graham Norton Show episode that served as the catalyst for the video's production. while Mark Savage of BBC News called it a "hilarious" video. The Guardian Ben Beaumont-Thomas described it as a "whimsical, fantastical video" with a retro 1990s aesthetic. Alyssa Bailey of Elle contrasted the "Opalite" video with that of "The Fate of Ophelia", saying the former focuses on "the search for love and connection—through a '90s lens", while the latter is an exploration of fame and female performers. Bailey also opined that the video's dance competition and mall trip depict "quintessential" romantic dates in the 1990s. == Accolades ==
In popular culture
Upon the announcement of the tracklist of The Life of a Showgirl, Google searches for the word "opalite" increased. Following the song's release, it inspired a viral dance trend on social media, especially in the Philippines, where the track was viral on TikTok, YouTube, and Instagram, and those viral videos integrated the Filipino language. In Latin America, social media users alleged that "Opalite" sampled "Dos Enamorados", a popular song recorded by several artists, including the Mexican singer Luis Miguel. Some TikTok users accused Swift of racial insensitivity with the lyric "Sleepless in the onyx night, but now the sky is opalite", dubbing it an attack on Kelce's former girlfriend, the American social media influencer Kayla Nicole. The song's second verse features the lyric "you were in it for real, she was in her phone, and you were just a pose", which some listeners and critics also speculated to be about Nicole. Following the album's release, a resurfaced video on the Internet showed Kelce asking Nicole to "get off the phone". Subsequently, Nicole's social media posts were interpreted by media outlets as disses aimed at Kelce and Swift, while Nicole claimed they were inspired by her childhood friend named Taylor. After facing backlash from fans of Swift and Kelce, Nicole posted tweets such as "Protect black women. Respect black women." Swift's fans accused Nicole of hypocrisy, resurfacing her old tweets containing language widely described as racist, sexist, ableist, and homophobic. Nicole deleted the controversial tweets before fully deactivating her Twitter account. in Croydon, England, featured in the "Opalite" music video A merchandise necklace inspired by "Opalite" became the subject of controversy after a viral TikTok video claimed it contained "Nazi" and "white supremacist" symbolism. Rolling Stone's Brian Hiatt said that some of the online discourse was "downright ludicrous, rooted in bad-faith misreadings of lyrics by listeners". In December 2025, media publications reported that the backlash was coordinated as part of a smear campaign targeting Swift. According to research by the behavioral intelligence platform GUDEA, a coordinated network of inauthentic accounts seeded and amplified social media posts falsely accusing her of endorsing far-right politics, Nazism, and white supremacism in her lyrics and album merchandise. "Opalite" soundtracked the promotional video NBC began airing on February 17, 2026, in support of the Team USA women's figure skating trio (Amber Glenn, Alysa Liu, and Isabeau Levito) at the 2026 Winter Olympics. The video was narrated by Swift, who dubbed the athletes "showgirls on ice". The Whitgift Centre, the Croydon shopping mall that had been in a ruinous state, attracted renewed public interest after being featured in the "Opalite" music video. Fans flocked to the mall to take pictures and videos. According to Georgia Bell of The Standard, the mall's escalator seen in the video, on which Swift and Gleeson descend while holding hands, became a locally recognized landmark. Some locals felt that Swift had put Croydon back "on the map" while others took issue with journalists calling the mall "abandoned". == Credits ==
Credits
Adapted from the liner notes of The Life of a Showgirl Studios • Produced at MXM Studios and Shellback Studios, Stockholm • Recorded at Shellback Studios, Stockholm • Mixed at MixStar Studios, Virginia BeachMastered at Sterling Sound, Edgewater, New Jersey Personnel • Taylor Swift – lead vocals, songwriting, production, claps • Max Martin – production, songwriting, programming, keyboards, claps, recording • Shellback – production, songwriting, programming, bass, drums, guitar, keyboards, Omnichord, percussion, claps, recording • Lasse Mårtén – recording, engineering • Serban Ghenea – mixing • Bryce Bordone – assistant mixing • Randy Merrill – mastering == Charts ==
Charts
Weekly charts Monthly charts Year-end charts == Certifications ==
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