'' Lucas has stated that the opening crawl was inspired by the opening crawls used at the beginning of each episode of the original
Flash Gordon and
Buck Rogers film serials, which were the inspiration for Lucas to write much of the
Star Wars saga. The development of the opening crawl came about as part of a collaboration between Lucas and the seasoned film title designer
Dan Perri. In 1976, Lucas invited Perri to
Industrial Light & Magic, Lucasfilm's post-production operation at
Van Nuys, California. Perri, who had previously worked on
Close Encounters of the Third Kind and
The Exorcist, suggested that they take inspiration from the 1939
Cecil B. DeMille film
Union Pacific, whose opening credits are shown distorted by a sharp perspective and rolling along a
railroad track towards a distant
vanishing point. Lucas was keen on the idea, so Perri developed sketches and prototype mechanical artwork. One of the earliest iterations of the opening crawl is evidenced in
storyboards drawn by the production artist Alex Tavoularis, depicting the title “THE STAR WARS” as a three-dimensional logo. Perri also designed a
logotype, consisting of block-capital letters filled with stars and skewed towards a vanishing point to follow the same perspective as the opening crawl. Lucas eventually rejected Perri's logo due to readability problems, turning instead to the graphic designer
Suzy Rice, an art director at the
Los Angeles advertising agency Seiniger Advertising. Lucas had commissioned Rice to design a promotional brochure that was to be distributed to cinema theatre owners. He instructed Rice to produce a logo that would intimidate the viewer, and he reportedly asked for the logo to appear "very
fascist" in style. Rice, inspired by historical German
typography, produced a bold logotype using an outlined, modified
Helvetica Black. After some feedback from Lucas, Rice decided to join the
S and
T of
STAR and the
R and
S of
WARS. Lucas's producer,
Gary Kurtz, found that Rice's logo worked well in the opening title; the logo was modified further to flatten the pointed tips on the letter
W before it was inserted into the final cut. While Perri's skewed logo did not appear on-screen, it was used widely on pre-release print advertising, and it featured prominently on
film posters promoting the release of
Star Wars on cinema billboards in 1977 (notably
Tom Jung's
Style ‘A’ poster, the
Style ‘B’ poster by the
Brothers Hildebrandt and
Tom Chantrell's
Style ‘C’ poster). In a 2005 interview, George Lucas described how the final phrasing of the text for
Star Wars came about. "The crawl is such a hard thing because you have to be careful that you're not using too many words that people don't understand. It's like a poem. I showed the very first crawl to a bunch of friends of mine in the ’70s. It went on for six paragraphs with four sentences each.
Brian De Palma was there...". De Palma helped to edit the text into the form used in the film. ==Production==