• "Away with Melancholy" was a popular duet first published in London in the early 1790s, and reprinted in America from 1797 on. The music is adapted from the episode in the act 1 finale in which Monostatos and his slaves, enchanted by the music from Papageno's magic bells, dance off the stage, leaving Papageno and Pamina in freedom. •
Beethoven wrote sets of variations for violoncello and piano for two numbers from the opera. His twelve variations in F major on "Ein Mädchen oder Weibchen" (1796) is catalogued as Op. 66 and his seven variations in E-flat major on "Bei Männern" (1801) is catalogued as WoO 46. • ''Les Mystères d'Isis,'' French adaptation of the opera by
Ludwig Wenzel Lachnith, represented for the first time in Paris in 1801. Production run for 130 subsequent performances till 1827. •
Christian Gottlob Neefe, one of Beethoven's teachers, wrote a set of piano variations on the March of the Priests, and also arranged five others extracts from the opera for piano 4-hands. •
Johann Nepomuk Hummel arranged the overture for piano. •
Daniel Steibelt wrote piano variations on "Bei Männern". •
Josepha Barbara Auernhammer, a former student of Mozart, wrote a set of variations for piano on Papageno's aria
"Der Vogelfänger bin ich ja". •
Johann Baptist Cramer wrote a set of piano variations on Papageno's aria
Ein Mädchen oder Weibchen wünscht Papageno sich. •
Mikhail Glinka wrote a set of piano variations on the glockenspiel theme from the finale to act 1 ("Das klinget so herrlich, das klinget so schön"). • Guitarist and composer
Fernando Sor transcribed "Six Airs from
The Magic Flute", Op. 19, for solo guitar around 1820–1821 and wrote his
Introduction and Variations on a Theme by Mozart, Op. 9, on the music from act 1 sung by Monostatos and the slaves, or as Sor called it, "". • Like Sor, Athénaïs Paulian wrote variations for guitar on the very same theme. • The Canadian
national anthem, "
O Canada", by
Calixa Lavallée (1880) has been noticed for its resemblance to the "March of the Priests" that begins the second act. • Flautists
Jean-Pierre Rampal and
Claudi Arimany have recorded duet arrangements from the opera made by Gerhard Braun. • Spanish composer
Pablo de Sarasate wrote a violin showpiece, "Fantasy on
Die Zeuberflöte", Op. 54 (1908). • British composer
Jonathan Dove wrote a flute concerto
The Magic Flute Dances. • Composer Robert Fobbes wrote "Fantasy on Mozart's
Die Zauberflöte" (The Magic Flute), for flute and orchestra. • American composer Jasper Gilley wrote a solo piano showpiece, "Reminiscences on
Die Zauberflöte", which was partially inspired by
Franz Liszt's
Réminiscences de Don Juan. • The
Children of Bodom song "Hatebreeder" (1999) features a short solo referencing "
Der Hölle Rache kocht in meinem Herzen". • Chicago theatre director and playwright
Mary Zimmerman adapted the libretto of Mozart’s
The Magic Flute into English and staged a premiere of The Matchbox Magic Flute, which she described as “a hybrid, a playful variation, more a creature of the theatre [than of] opera," at the
Goodman Theatre in February–March 2024. ==Art==