Critical response Orange Is the New Black was widely acclaimed throughout its run. It has been particularly praised for humanizing prisoners and for its depiction of race, sexuality, gender and body types. The first season received positive reviews from critics. Review aggregator
Metacritic gave it a
weighted average score of 79/100 based on reviews from 32 critics, indicating favorable reviews. On
Rotten Tomatoes, season one has a 95% approval rating based on 58 reviews, with an average rating of 8.3/10. The site's critical consensus is "
Orange Is the New Black is a sharp mix of
black humor and dramatic heft, with interesting characters and an intriguing flashback structure." Hank Stuever, television critic for
The Washington Post, gave
Orange Is the New Black a perfect score. In his review of the series, he stated: "In Jenji Kohan's magnificent and thoroughly engrossing new series,
Orange Is the New Black, prison is still the pits. But it is also filled with the entire range of human emotion and stories, all of which are brought vividly to life in a world where a stick of gum could ignite either a romance or a death threat." Maureen Ryan, of
The Huffington Post, wrote: "
Orange is one of the best new programs of the year, and the six episodes I've seen have left me hungry to see more." The second season received critical acclaim. Rotten Tomatoes gave a rating of 96%, with an average rating of 9.2/10 based on 54 reviews. The site's critical consensus reads: "With a talented ensemble cast bringing life to a fresh round of serial drama, ''Orange Is the New Black's'' sophomore season lives up to its predecessor's standard for female-led television excellence." Metacritic gave the second season a score of 89/100 based on 31 critics, indicating "universal acclaim". David Wiegland of the
San Francisco Chronicle gave the season a positive review, calling the first six episodes "not only as great as the first season, but arguably better."
James Poniewozik, writing for
Time, noted how the show "had expanded its ensemble so far beyond Piper", also stating that "Larry [and] every element of Piper’s life and family outside the prison needs to go", because of the show "not [being] interested in giving them the same depth of characterization it gives to the rest of its prisoners and even its prison guards". , May 2014 The third season also received critical acclaim. On Metacritic, it has a score of 83/100 based on 24 reviews. On Rotten Tomatoes, it has a 95% rating with an average score of 8.1/10 based on 64 reviews. The site's critical consensus reads: "Thanks to its blend of potent comedy and rich character work,
Orange is the New Black remains a bittersweet pleasure in its third season." Richard Lawson from
Vanity Fair gave the season a positive review, stating that the season "may find the walls closing in on many characters, but the show feels as boundless and free as it ever has". Spencer Kornhaber from
The Atlantic stated that Piper Chapman's scenes "once felt obligatory by mere dint of the fact that they powered the show’s plot, but now they mainly allow Taylor Schilling to demonstrate her comedic chops". Anne Cohen from
The Forward said the season used "traditionally
anti-Semitic tropes", while Nathan Abrams from
Haaretz described a "remarkably upbeat and positive representation of
Judaism". The fourth season received critical acclaim. On Metacritic, it has a score of 86/100 based on 19 reviews. On Rotten Tomatoes, it has a 94% rating with an average score of 8.6/10 based on 52 reviews. The site's critical consensus reads: "
Orange is the New Black is back and better than ever, with a powerful fourth season full of compelling performances by the ensemble cast." James Poniewozik of
The New York Times reviewed the fourth season as "Do you measure the quality of a TV season as a beginning-to-end average or by how well it ends? By the first yardstick, Season 4 is ambitious but uneven; by the latter, it's the series' best." Karol Collymore from
Bitch magazine praised the show's past seasons for its representation of
women of color, while criticizing the fourth season due to the "visceral racist acts" and racial slurs that occur "constantly, in every episode", stating that "it felt exhausting". The
Hindustan Times praised the season for how it dealt with the topic of rape, while negatively describing the new characters as "mere one-dimensional fillers".
IGN gave the season a positive review, describing it as "dramatic and insightful". The fifth season received "generally favorable reviews". On Metacritic, it has a score of 67/100 based on 20 reviews. Chris Orstendorf from
The Daily Dot gave the season a positive review, although negatively describing "the decision to tell the entire story of season 5 in the span of three days". Emily James from Vox rated the season 3.5/5, praising the "stronger focus" compared to "the scattered nature of seasons three and four", and criticizing the season for having "[often] desperately cut to something that’s supposed to be funny, and it will only be so in theory". Rafael Gonzaga from
Omelete rated the season
four out of five star, calling the fourth season better although still praising the fifth. The sixth season received positive reviews from critics, with many critics noting its improvement over the previous season. On Metacritic, it has a score of 69/100 based on 14 reviews. On Rotten Tomatoes, it has an 85% rating with an average score of 7.3/10 based on 39 reviews. The site's critical consensus reads: "Brutality and humor continue to mesh effectively in a season of
Orange Is the New Black that stands as a marked improvement from its predecessor, even if some arcs are more inspired than others."
PinkNews praised the season's "unlikely pairings of existing characters who have barely had so much as a scene together previously". The seventh season has a score of 81/100 on Metacritic based on 12 reviews. On Rotten Tomatoes, it has a 98% rating with an average score of 7.8/10 based on 45 reviews. The site's consensus reads: "Carried by its exceptional ensemble,
Orange Is the New Blacks final season gets straight to the point, tackling hard-hitting issues with the same dramatic depth and gallows humor that made the show so ground-breaking to begin with". In 2019,
Orange Is the New Black was ranked 58th on
The Guardians list of the 100 best TV shows of the 21st century.
Accolades Orange Is the New Black has received many accolades since its debut. The series has garnered 16
Emmy Award nominations and four wins. For its first season, it received 12 Emmy Award nominations, including
Outstanding Comedy Series,
Outstanding Writing for a Comedy Series, and
Outstanding Directing for a Comedy Series, winning three.
Taylor Schilling received a
Golden Globe Award nomination for
Best Actress in a Television Series – Drama. In 2013, the
American Film Institute selected the series as one of the Top 10 Television Programs of the Year. A new Emmy rule in 2015, classifying half-hour shows as comedies and hour-long shows as dramas, forced the series to change categories from comedy to drama for its second season. That year, the series received four Emmy nominations, including
Outstanding Drama Series, and Aduba won her second Emmy Award, for
Outstanding Supporting Actress in a Drama Series. For its second season, the series also received three Golden Globe Award nominations:
Best Television Series – Musical or Comedy,
Best Actress – Television Series Musical or Comedy for Schilling, and
Best Supporting Actress – Series, Miniseries or Television Film for Aduba. At the
21st Screen Actors Guild Awards, the series won
Outstanding Performance by an Ensemble in a Comedy Series and Aduba won
Outstanding Performance by a Female Actor in a Comedy Series. For its third season,
Orange Is the New Black won Screen Actors Guild Awards for Outstanding Performance by an Ensemble in a Comedy Series and Outstanding Performance by a Female Actor in a Comedy Series (Aduba). It received a Golden Globe Award nomination for Best Television Series – Musical or Comedy. five
Satellite Awards, four
Critics' Choice Television Awards, a
GLAAD Media Award, an
American Cinema Editors Award, a
Producers Guild of America Award, and a
Peabody Award. ==Broadcast==