)
, lithograph from the portfolio Skizzen aus Russland. Ostjuden'' ("Sketches from Russia: Jews of the East"), In Germany,
Ostjuden generally referred to Jewish migrants from Eastern Europe who were present in small numbers throughout the 19th century, with far larger numbers passing through or arriving after the early 1880s. The label gained currency in public debate and increasingly took on a pejorative sense in the decades around
World War I, when Germans began to complain about the "danger of the Eastern Jews" (
Ostjudengefahr) or the "Eastern Jewish question" (
Ostjudenfrage). In its derogatory sense,
Ostjude evoked
clichés of poverty, filth, ignorance, promiscuity, and cultural backwardness – negative qualities that
German racism had projected onto Eastern European Jews since the 19th century, if not the 18th. To many Germans, including assimilated German Jews, they were seen as a separate and inferior ethnic community. Moreover, Jews in general and Eastern Jews in particular were accused of being dishonest and deceitful, as well as traitors to their country, enemy agents and communist revolutionaries. These prejudices reflected and distorted real cultural and social differences between German Jews and Eastern European Jews. German Jews were largely assimilated and rarely spoke Yiddish, a language often disparaged as mere "
jargon" (
Jargon). Its use was seen as incompatible with higher culture, and all sectors of German-Jewish society were pressured to abandon it in their pursuit of modernisation and acculturation. Beyond language and accent, Eastern European Jews stood out for their distinctive dress (
kaftan and
payot), strict
Talmudic education, and adherence to
Hasidism, which clashed with the
Enlightenment and bourgeois values embraced by Western Jews undergoing assimilation. Furthermore, they often lived in extreme poverty, concentrated in the dark and overcrowded
ghettos of large cities or in isolated rural villages (
shtetls), from which they fled due to
pogroms and persecution. Economic poverty was accompanied by a lack of political rights: while Jewish emancipation in the West followed the
French Revolution and was largely achieved by the 19th and 20th centuries, official
antisemitism persisted in Russia, with violent manifestations as late as the 1880s. magazine
Illustrierter Beobachter of 14 November 1927, showing the depiction of the stereotypical
Ostjude The
stereotype of the
Ostjude became a focal point for antisemitism,
antislavism and
xenophobia, attracting hostility from both openly antisemitic non-Jewish Germans and assimilated Jewish Germans alike. Among non-Jewish Germans, the historian
Heinrich von Treitschke warned of the danger posed by the Polish-Jewish "tribe", described as "alien to the European, and especially to the German national character". Among assimilated Jewish Germans, journalist
Hugo Ganz deplored the
Ostjude's "laziness, their filth, their craftiness, their perpetual readiness to cheat", which, he wrote, gave rise to the "evil wish" that "this part of the Polish population did not exist at all". Similarly, the lawyer and activist
Max Naumann described the
Ostjuden as fundamentally foreign to German Jews – "foreign concerning the feelings, foreign concerning the spirit, physically foreign". The future German foreign minister
Walther Rathenau characterised them as "a tribe of particularly foreign people", an "Asiatic horde on the sands of the
March of Brandenburg", "not a living member of the people, but an alien organism in its body". Traces of the widespread prejudice against Eastern Jews can also be found in the work of the writer
Karl Emil Franzos and in the autobiographical memoirs of
Stefan Zweig. This hostility also permeated political discourse. Official speeches and private comments rife with contempt towards Eastern European Jews were already present in the communications of
Otto von Bismarck and spread from the 1880s, when political anti-Semitism was born in Germany. In a 1904 parliamentary speech, Chancellor
Bernhard von Bülow denounced Eastern Jews as scroungers and conspirators. In the 1920s and 1930s,
völkisch and
Nazi propaganda further fueled these prejudices, appropriating the term
Ostjude and its associated racist stereotype. This is evident in the political rhetoric of the
Völkischer Beobachter, the official Nazi newspaper, which stoked fears about the "danger of the
Ostjuden".
Goebbels, other figures within the Nazi regime and the propaganda film
The Eternal Jew (1940) exploited the same
trope. The so-called
"Ostjuden problem" was largely a fabrication of antisemitic propaganda. The vast majority of Jewish immigrants were merely transiting through Germany on their way to America and other destinations and had no intention of settling in a country that, with its entrenched hostility, offered little opportunity for a flourishing Jewish cultural life. The fabricated crisis, however, had tangible consequences. During the
Weimar Republic, it led to the persecution of Eastern European Jews, including deportations, internment in camps, and violent attacks. Even
naturalisation was often deliberately protracted and arduous for (foreign-born Eastern Jews). Historian argues that the stereotypical image of the
Ostjude stemmed from the divergence between a West where Jews were emancipated, assimilated and bourgeois, and an East where political exclusion of Jews and traditional Jewish culture persisted. In the 19th and 20th centuries, this divide, he suggests, contributed to a broader crisis in European Jewish society and its sense of international solidarity.
Fleeing the pogroms of the Russian Empire Stereotypes of Eastern Jews circulated in Germany well before their large-scale arrival, but the so‑called “
Ostjuden problem” became far more visible after a wave of pogroms swept through southern Russia and Ukraine between 1881 and 1884, followed by repressive measures and antisemitic state policies. This led to an unprecedented exodus of Eastern European Jews. Between 1881 and 1914, an estimated 2.4 to 2.7 million Jews fled Europe and sought refuge in America, South Africa, Palestine and Oceania. Most of these emigrants passed through Germany, heading for the ports of Hamburg and Bremen or other western European cities for their onward journeys. According to the historian
David Vital, the influx of predominantly poor and less-educated Eastern European Jews was met with dismay by the established and emancipated Jewish communities of Western and Central Europe, who were confronted with the "sudden appearance on their doorsteps of a huge, untidy, endlessly marching army of distant cousins from the east". In France and Britain, protests erupted against the "foreign invasion" of unskilled workers willing to accept any wage, and the never-dormant xenophobia and antisemitic sentiments of the native population re-emerged. In Germany, the situation was further complicated by the continuing public relevance of religious affiliation: since being Jewish and a member of a formally established religious community entailed special rights and obligations, the influx of Eastern Jews posed a particular problem of integration into local communities. German Jews feared that immigrants from the East would disqualify them in the eyes of their non-Jewish compatriots, partly because the alarm over the arrival of Eastern Jews was often fuelled by antisemitic publications against the national Jewish minority. The
traditionalist orthodox orientation of Eastern Jews, as opposed to the
liberal-reformist orientation prevalent in German Judaism, led to tensions in synagogue life and rivalries in the ordination of rabbis.
The cult of the Ostjuden , illustrations by Struck The attitude of German Jews towards their Eastern European coreligionists was not always marked by hostility or contempt. As German-Jewish literary scholar
Claudia Sonino points out, writers such as
Leopold Kompert and
Aaron Bernstein depicted ghetto life "with sympathy and human warmth, stylising it with a sense of
Gemütlichkeit and warm intimacy" as early as the 19th century. Traces of this inspiration are also visible in the correspondence of the German poet
Heinrich Heine, who was born Jewish but later converted to Christianity; his letters reflect both disgust and a complex fascination with Eastern Jewry. By the beginning of the 20th century, this ambivalence had evolved into a peculiar interpretation of the divide between Western and Eastern Jews. Among Jewish intellectuals, the Eastern European Jew came to be idealised as the embodiment of a more authentic form of life, religiosity, and resistance to bourgeois society and capitalist modernisation. This was what
Gershom Sholem first dubbed the "cult of the
Ostjuden". Before World War I and in the early 1920s, the intellectuals associated with the journal
Ost und West ("East and West") sought to raise awareness of Eastern European Jewish culture among German Jews.
Hermann Cohen, a prominent
neo-Kantian philosopher and one of the leading intellectuals of German Jewry, celebrated the
Ostjudens serene fortitude and noble naturalness. The liberal rabbi emphasised the fundamental unity and solidarity between German and Eastern European Jews, warning that "today the tide goes against Polish Jews, tomorrow against naturalised Jews, the day after against established German citizens". The ambivalent attitude of German Jews towards the Eastern European Jews was also reflected in the internal debates of the
Zionist movement. Zionism sought to unite Western and Eastern Jews through a shared national identity. In 1897, the founder of political Zionism,
Theodor Herzl, said that the movement wanted to achieve "something remarkable and heretofore regarded as impossible: a close alliance between the ultra-modern and the ultra-conservative elements of Jewry... A union of this kind is possible only on a national basis". This alliance was interpreted in various ways. Some, such as the Jewish scholar and writer
Leon Pinsker, viewed it as a philanthropic rescue of Eastern European Jews by their wealthier Western counterparts. Others, such as the German communist
Moses Hess and the Hungarian Zionist
Max Nordau, viewed it as a means for Western Jews to be redeemed from the moral misery of assimilation and to rediscover the authentic Jewish identity embodied by the Eastern Jew. )
, lithograph from the portfolio Skizzen aus Russland. Ostjuden'' ("Sketches from Russia. Eastern Jews") The idealisation of Eastern Jewish identity was even more pronounced in the writings of
cultural Zionists such as
Ahad Ha'am, who criticised
political Zionists, including Nordau, for being influenced by a "foreign culture" that was disconnected from the deep roots of Judaism. Similarly, Birnbaum criticised Western Judaism for lacking an original and autonomous culture. Birnbaum reversed the liberal order of priorities, calling for the emancipation of Eastern Judaism from Western Judaism. Contrary to the Zionist aim of transcending Eastern Jewish identity, Birnbaum promoted the use of the Yiddish language and, in the last years of his life, embraced Orthodox religious views. Another key figure in the "cult of the
Ostjuden" is the German Jewish writer
Arnold Zweig. Influenced by Buber's
Hasidic writings, Zweig felt alienated from both institutional German Judaism and official Zionism. His 1920 book
Das ostjüdische Antlitz ("The Eastern Jewish Face"), featuring illustrations by
Hermann Struck, stated: "This book speaks of the Eastern Jews as someone who has tried to see them". Struck's beautifully crafted portraits challenged the prevailing stereotype by showing that "The Eastern Jewish countenance was not hideous nor depraved but reflected beauty, hidden strength, and great sensitivity". The idealisation of the
Ostjude became a significant theme also in the works of
Joseph Roth, in
Martin Buber's
Tales of the Hasidim, in
Alfred Döblin's
Journey to Poland and in the work of
Franz Kafka. According to literary critic and Germanist , Kafka's work is marked by the anguished "awareness of the fragmentation of the
ostjüdisch unity". After the
Holocaust, a sense of brotherhood with the
Ostjuden emerges in
Primo Levi’s poetry, notably in a piece from
Ad ora incerta. The sociologist
Zygmunt Bauman argues that the idealisation of the
Ostjude by German Jews sometimes echoed rising
völkisch nationalism, incorporating themes of blood, soil, rootedness in the ethnic community, virility and courage. As Bauman notes, "Once more, the 'Eastern European Jews' turn into a myth construed according to the latest concerns of their more civilized Western kin".
The Wandering Jews by Joseph Roth , author of
The Wandering Jews, in 1926 A testimony and a reflection on the living conditions of Eastern European Jews can be found in Roth's 1927 essay (
The Wandering Jews). Roth, himself an Eastern European Jew who had moved to Vienna, set out to describe the life and circumstances of this community in the hope, as he wrote, "that there may still be readers from whom the Eastern Jews do not require protection": Roth sympathetically describes the suffering of Eastern European Jews and their urge to emigrate to the West. Roth's
Ostjude is idealised as both "a son of the soil" and an "intellectual". In describing his life in the Eastern European
shtetl, Roth seeks to portray not only its misery and authoritarian patriarchal constraints but also "the boundless vastness of the horizon, the richness of human material, the authentic and intact humanity". The
shtetl emerges as a timeless system governed by messianic hope, its values forming a communal utopia – a counterpoint to the malaise of Western society. Thus,
The Wandering Jews also serves as a warning against the illusions of assimilation, depicting the decline of Eastern Judaism and its dissolution in the West: "They gave themselves up. They lost themselves. They shed their aura of sad beauty. Instead, a dust-grey layer of suffering without meaning and anxiety without tragedy settled on their stooped backs". In the 1937 preface to the second edition of
The Wandering Jews, Roth observed that the title's scope had broadened to encompass not only Eastern European Jewish refugees but also native German Jews, now "more exposed and more homeless even than [their] cousin in Lodz had been a few years before". When the book was written, "What mattered... was to persuade the Jews and non-Jews of Western Europe to grasp the tragedy of the Eastern Jews", because "It is an often ignored fact that Jews, too, are capable of anti-Semitism", but now it was time to face the new problem of Western Jews fleeing Nazi persecution without passports or entry visas: "And what is a man without papers? Rather less, let me tell you, than papers without a man!".
After 1945 After
World War II, tensions arose within the newly re-established Jewish communities in Germany. Assimilated German Jewish survivors, many of whom had endured the war by hiding or through the protection of mixed marriage, regarded the incoming Orthodox Jewish displaced persons from Eastern Europe with suspicion. These reservations were rooted in social, cultural, and linguistic differences, and revived old stereotypes of
Ostjuden. Conversely, many Eastern European Jews, often Zionist-leaning and eager to leave Germany, looked down on the German Jews. They criticised the separate community structures and accused the German Jews of not sharing the collective Jewish destiny. Despite these tensions, Eastern European Jews often became the backbone, and in some cases the majority, of postwar German Jewish communities. == See also ==