Gooseberry growing was popular in the 19th century, as described in 1879: In Britain, it is often found in
copses and
hedgerows and about old ruins, but the gooseberry has been cultivated for so long that it is difficult to distinguish wild bushes from feral ones, or to determine where the gooseberry fits into the native flora of the island. Common as it is now on some of the lower slopes of the
Alps of
Piedmont and
Savoy, it is uncertain whether the
Romans were acquainted with the gooseberry, though it may possibly be alluded to in a vague passage of
Pliny the Elder's
Natural History; the hot summers of
Italy, in ancient times as at present, would be unfavourable to its cultivation. Although gooseberries are now abundant in
Germany and
France, it does not appear to have been much grown there in the
Middle Ages, though the wild fruit was held in some esteem medicinally for the cooling properties of its
acid juice in
fevers; while the old English name,
Fea-berry, still surviving in some provincial dialects, indicates that it was similarly valued in Britain, where it was planted in gardens at a comparatively early period.
William Turner describes the gooseberry in his
Herball, written about the middle of the 16th century, and a few years later it is mentioned in one of Thomas Tusser's quaint rhymes as an ordinary object of garden culture. Improved varieties were probably first raised by the skilful gardeners of
Holland, whose name for the fruit,
Kruisbezie, may have been corrupted into the present English vernacular word. Towards the end of the 18th century the gooseberry became a favourite object of cottage-horticulture, especially in
Lancashire, where the working
cotton-spinners raised numerous varieties from
seed, their efforts having been chiefly directed to increasing the size of the fruit. ==In culture==