Debut: 1951–1954 Born into a music-loving family, Susheela had been nurtured with formal classical music training at a very young age. She used to participate in all the musical competitions at her school and Vizianagaram town events. She developed the crucial nuances in singing songs with apt expressions and modulations through her extensive training during those days. She also sang a few songs for the
All India Radio (AIR) for their private program telecasts. In 1951, music director
Pendyala Nageswara Rao was on the look out for some fresh voices to sing for his new film compositions. He approached the AIR to help him shortlist some of the finest singers who have performed for the Radio. AIR sent forward five singers of whom Susheela was selected after some thorough audition tests. She was immediately signed on for the Tamil film
Petra Thai (1953) for a duet song "Edhuku Azhaithhai" with
A. M. Raja.
Breakthrough: 1955–1960 It was not easy for a newcomer to foray into the musical scene in the 1950s with the domination of eminent female vocalists like
P. Leela,
M. L. Vasanthakumari,
Jikki among others ruling the playback industry. Yet, Susheela made her own mark with her distinct and clear vocals. The year 1955 saw Susheela rising to popularity with her back to back hit songs both in Tamil and Telugu film industries.
Missamma released in 1955 had hugely popular songs backed with strong carnatic classical essence. Susheela created a huge impact among the listeners with her effortless renditions of the toughest notations. The same year released Tamil film
Kanavane Kan Kanda Deivam made her a household name in Tamil Nadu.
Successful domination: 1960–1985 The early 1960s saw Susheela grow as an undisputed lead female singer across all the south Indian language films putting all the older veteran singers to the background. The year 1960 saw Susheela entering the Malayalam films with the
V. Dakshinamurthy compositions for the film
Seetha. From then, she went on to record numerous hit songs with all the Malayalam composers like
G. Devarajan,
M. K. Arjunan among others. She recorded many Malayalam duets with the veteran singer
K. J. Yesudas. Her association with M.S. Viswanathan continued even after M.S.V split up with Ramamoorthy in 1965 and under M.S.V her duets with T.M. Sounderrajan and others and her solo songs were very popular with the audience and made her first choice singer for every other music composer and film producer from 1960 to 1985. M.S.V.'s composition fetched her the first
National Film Award for Best Female Playback Singer in 1969 for her prolific rendition of "Naalai Intha Velai Paarthu" for the Tamil film
Uyarndha Manidhan. The same song got her the
Tamil Nadu State Award as well. Thereby, Susheela became one of the first recipients of the most dignified National awards in India. It was during these years the Nightingale of India,
Lata Mangeshkar developed a strong friendship with Susheela and praised her works frequently. Her work in the Telugu film Chandipriya is superb with song "Sri Bhagya Rekha - Janani Janani" with Jaya Prada's superb dance.
M.S.Viswanathan is regarded as her mentor and in his music direction she has maximum popular hit songs from 1955 to 1995. The 1970s also saw Susheela in her prime form winning almost all the awards both nationally and in all the four states of Southern India. She also recorded Hindi songs during this period with music directors like
KV Mahadevan,
Laxmikant Pyarelal,
L. Vaidyanathan and Laxmi Kiran, S.L. Manohar, Ajit merchant, G. Devarajan and S.N. Tripathi. It was in this era that she sang a few notable songs for another prolific Indian music director
Ilaiyaraja. Though Janaki took a leading position from 1980 with her strong association with M.S.V and Ilaiyaraja, Susheela continued to be at the top till 1985 and after 1985 was still opted by several music directors for her legendary vocals. After 1986, she became selective about film songs and continued to have hit film songs till 2005.
Shift to non-films: 1985–2000s With
S. Janaki and
Vani Jayaram taking over the Southern film songs center stage from 1985 and
K. S. Chitra beginning her career, Susheela slowly shifted her focus from films to devotionals and light music. But she continued to sing melodious film songs from 1984 to 1999 though she had after 1985 cut down on offers for singing in films. She even won awards for songs in Telugu films –
Viswanatha Nayakudu in 1987,
Godavari Pongindi in 1989 and Tamil film
Varam in 1989. She sang duets in Hindi with Kishore Kumar in 1986 for the film
Singhasan – "Chalta Hai Do Dilon Ka Kaise Sansaar" and "Tere Liye Maine Janam" which became popular. She also concentrated more on stage shows across the Globe where many associations worldwide invited her to perform for their organised shows. She recorded more than 1000 devotional songs for various audio companies. In 1988, acclaimed music composer
Naushad insisted her to sing "Janaki Jaane" for his Malayalam film
Dhwani. She also recorded a few of her career best songs for
Illayaraja,
A. R. Rahman and others in the 1990s. "Kannukku Mai Azhagu" from the film
Pudhiya Mugam (1993) composed by Rahman was praised all over for its lyrical content and rendition. She had hit songs in Tamil till 2005 and sang many devotional and folk songs from 1986 to 2005 and did many live shows from 1990 to 2005.
Comeback: 2005–present Susheela made a comeback by rendering her voice to her own song
Raksha Raksha Jaganmatha which was released 72 years ago and was released as a single for the movie,
Aadai, starring
Amala Paul. Susheela also recorded a Tamil song for the film 'LKG' in 2018, alongside
Vani Jayaram &
L.R.Eswari. Her superhit song 'Elluvochi' from the Telugu film 'Devatha' was reprised in her own voice for the film
Gaddalakonda Ganesh in 2019 under
Mickey J Meyer's supervision. ==P. Susheela Trust ==