Books •
Dancing with Pixels: Undoing Representation, London: Open Book, 2019. •
Nicole Kidman, London: BFI Publishing/Palgrave, 2012.
Nicole Kidman •
Baz Luhrmann, London: BFI Publishing/Palgrave, 2010.
Baz Luhrmann •
The Cinema Book, Third Edition, London: British Film Institute, 2007. •
Screening the Past: Memory and Nostalgia in Cinema, Oxford and New York: Routledge, 2005. • ''I Know Where I'm Going!
, BFI Film Classics, London: British Film Institute, 2002. (on I Know Where I'm Going!'') •
The Cinema Book, Second Edition, London: British Film Institute, 1999. With Mieke Bernink. •
Gainsborough Pictures, London and Washington: Cassell, 1997.
Gainsborough Pictures •
Fashioning the Nation: Costume and Identity in British Cinema, London: British Film Institute, 1996. •
Women and Film: A Sight and Sound Reader, London: Scarlet Press/Philadelphia: Temple University Press, 1993. With Philip Dodd. •
The Cinema Book, London: British Film Institute, 1985.
The Cinema Book Selected articles • 'Revisiting Performance: Nicole Kidman's Enactment of Stardom', in Sabrina Qiong Yu and Guy Austin (eds).
Revisiting Star Studies: Cultures, Themes and Methods, Edinburgh: Edinburgh University Press, 2017.
Nicole Kidman • 'Because She's Worth It: The Natural Blonde from Grace Kelly to Nicole Kidman',
Celebrity Studies 2015, special dossier on Blondes in Cinema.
Grace Kelly;
Nicole Kidman;
Grace of Monaco • 'Picturing Natacha Rambova: Design and Celebrity Performance in the 1920s',
Screening the Past 40, September 2015, special dossier on Women and the Silent Screen.
Natacha Rambova;
Rudolph Valentino;
Salome;
Alla Nazimova • 'Text, Paratext and Subtext: Reading
Mildred Pierce as Maternal Melodrama',
SEQUENCE: Serial Studies in Media, Film and Music, 2.2, 2015.
Mildred Pierce (miniseries);
Mildred Pierce;
Mildred Pierce;
Todd Haynes;
Videography • 'Dancing with Pixels: Digital Artefacts, Memory and the Beauty of Loss',
The Cine-Files 7, Fall 2014.
In the Mood for Love;
Videography • '
Sweetie′,
Metro [Australia] 181, Winter 2014.
Sweetie (film);
Jane Campion;
Cinema of Australia • 'History in the Making: Sofia Coppola's
Marie Antoinette and the New Auteurism', in Tom Brown and Belen Vidal (eds).
The Biopic in Contemporary Film Culture (AFI Readers), New York: Routledge, 2013.
Sofia Coppola;
Marie Antoinette;
Biopics • 'Beyond Adaptation: Mirrors, Memory and Melodrama in Todd Haynes's
Mildred Pierce,
Mildred Pierce dossier,
Screen 54:3, Autumn 2013.
Mildred Pierce (miniseries);
Mildred Pierce;
Mildred Pierce;
Todd Haynes • 'Labours of Love: In Praise of Fan Websites',
Frames 1 (1), July 2012. • 'Another Story: Myth and History in
Bonnie and Clyde (1967)', in Tom Brown and James Walters (eds),
Film Moments: Criticism, History, Theory, London: BFI/Palgrave Macmillan, 2010.
Bonnie and Clyde • 'Sofia Coppola', in Yvonne Tasker (ed.),
Fifty Contemporary Film Directors, Oxford and New York: Routledge, 2010.
Sofia Coppola • ‘Transnational Utopias: Baz Luhrmann and Australian Cinema’,
Transnational Cinemas 1 (1), 2010.
Baz Luhrmann;
Cinema of Australia • ‘On Memorialising Gainsborough Studios’,
Journal of British Cinema and Television 6 (2), 2009.
Gainsborough Pictures • ‘Whatever Happened to BFI Publishing?’,
Cinema Journal 47 (4), Summer 2008.
The Cinema Book • ‘
An American in Paris’, in Mandy Merck (ed.),
America First: Naming the Nation in US Film, Oxford and New York: Routledge, 2007.
An American in Paris • ‘Portrait of a Lady: Sofia Coppola’,
Sight and Sound vol. 16, no. 11, November 2006.
Sofia Coppola • 'Rethinking Nostalgia:
In the Mood for Love and
Far from Heaven', in
Screening the Past: Memory and Nostalgia in Cinema, Oxford and New York: Routledge, 2005.
Wong Kar-wai;
Todd Haynes • ' "Sean Connery Is James Bond": Re-fashioning British Masculinity in the 1960s', in Rachel Moseley (ed.),
Fashioning Film Stars: Dress, Culture, Identity, London: British Film Institute, 2005. With Claire Hines.
Sean Connery • ‘The Trouble with Sex: Diana Dors and the Blonde Bombshell Phenomenon’, in Bruce Babington (ed.),
British Stars and Stardom: From Alma Taylor to Sean Connery, Manchester: Manchester University Press, 2001.
Diana Dors • 'No Fixed Address: The Women's Picture from
Outrage to
Blue Steel', in Steve Neale and Murray Smith (eds),
Contemporary Hollywood Cinema, London and New York: Routledge, 1998.
Ida Lupino;
Kathryn Bigelow • 'Neither Here Nor There: National Identity in Gainsborough Costume Drama', in Andrew Higson (ed.),
Dissolving Views: Key Articles on British Cinema, London and Washington: Cassell, 1996. • '
Outrage (1950)', in
Annette Kuhn (ed.), ''Queen of the 'B's: Ida Lupino Behind the Camera'', Trowbridge: Flicks Books, 1995.
Ida Lupino;
Outrage • 'Border Crossings: Women and Film in Context', in Pam Cook and Philip Dodd (eds),
Women and Film: A Sight and Sound Reader, London: Scarlet Press/Philadelphia: Temple University Press, 1993. • 'Women in the Western', in Edward Buscombe (ed.),
The BFI Companion to the Western, London: British Film Institute/André Deutsch, 1988. Reprinted in Jim Kitses and Gregg Rickman (eds),
The Western Reader, New York: Limelight, 1998. • '
Mandy: Daughter of Transition', in Charles Barr (ed.),
All Our Yesterdays: 90 Years of British Cinema, London: British Film Institute, 1986.
Mandy (film) • 'Melodrama and the Women's Picture', in Sue Aspinall and Robert Murphy (eds),
BFI Dossier 18: Gainsborough Melodrama, London: British Film Institute, 1983.
Gainsborough melodramas • 'Masculinity in Crisis? Tragedy and Identification in
Raging Bull',
Screen vol. 23, no. 3/4, Sept/Oct 1982.
Raging Bull;
Martin Scorsese • 'Duplicity in
Mildred Pierce', in E. Ann Kaplan (ed.),
Women in Film Noir, London: British Film Institute, 1978. Revised edition 1998.
Mildred Pierce • 'Exploitation Films and Feminism',
Screen vol.17, no. 2, Summer 1976.
Stephanie Rothman • 'Approaching the Work of Dorothy Arzner', in
Claire Johnston (ed.),
Dorothy Arzner: Towards a Feminist Cinema, London: British Film Institute, 1975.
Dorothy Arzner • 'The Place of Woman in the Cinema of Raoul Walsh', in Phil Hardy (ed.),
Raoul Walsh, Edinburgh: Edinburgh Film Festival, 1974. With
Claire Johnston. Reprinted in
Barry Keith Grant (ed.),
Auteurs and Authorship: A Reader, Oxford: Blackwell, 2008.
Raoul Walsh;
The Revolt of Mamie Stover ==References==