Sri Ranganathaswamy Temple is located on the eastern shores of the
Srirangam (Anthya Ranga) island, which appears like a conch in shape, one of the adornments in Vishnu's hands. In this temple, Ranganatha in a reclining position resting on the bed of
Shesha and is seen with his consort
Ranganayaki. There are many legends connected with the founding of the temple but the most narrated one is that the creator god
Brahma was involved in doing
tapas (meditation) here when the central icon of Ranganatha emerged from the cosmic milky ocean in a celestial flying craft. Brahma then took this image to his abode
Satyaloka in the heavens where he offered daily
puja. This was then brought to
Ayodhya by King
Ikshvaku after several hundred years of penance, and was passed down over generations to Ikshvaku's descendant
Rama, an
avatar of Vishnu himself and hero of the epic
Ramayana. Rama then presented it to
Vibhishana, who assisted him in killing the demon-king of
Lanka and Vibhishana's elder brother,
Ravana. However, when Vibhishana was taking the image to
Lanka, he stopped en route on the banks of the Kaveri to bathe at Srirangam, and thereafter the deity wished to dwell there itself, and since then it is under continuous worship at this location. Since Vibhishana was very forlorn by the decision of the Lord, Ranganatha faces south towards Lanka to placate Vibhishana. One more legend mentioned is that river goddess Kaveri requested Ranganatha to reside at
Srirangam. The temple is also known for the legend of
Andal, a female
Alvar saint of the
Sri Vaishnava sect. She got married symbolically to the Ranganatha icon (Vishnu) as per her deep desire. The marriage took place in the sanctum sanctorum of the temple when Andal (said to be an incarnation of goddess
Lakshmi) merged with the image, and became a part of Ranganatha. Another incident related to the deity of this temple is of a Vaishnava Saint (Vipra Narayanar) who lived in the 7th century and composed hymns in praise of the Lord. He was born in a village called Thirumandangudi on the banks of the Kaveri River and was a staunch devotee of Ranganatha of Srirnagam. He came to live in Srirangam and used to make garlands for the deity. However, he fell in love with a
devadasi and he took to wrong deeds. Finally, Lord Ranganatha came to his rescue and then he was given the name of
Thondaradippodi Alvar, (meaning: "dust at the feet of the lord"). Thereafter, he composed 54 hymns in praise of the Lord, which have become part of
Naalayira Divya Prabhandam (4000 divine hymns). The temple location is in an island formed by the Kaveri River and the stream
Kollidam joining it, to bifurcate it and again joining a few miles downstream of the island. Its construction, in
Dravidian architectural style, is attributed to the period of Udayan Setupathi in association with
Sri Lankan prince Pararaja Sekara, in 1414; however, the main sanctuary where the idol is deified dates to the 11th century and the surrounding enclosures and pavilions belong mostly to the 17th and 18th centuries. It took 350 years to complete with 35 villages granted for its maintenance. The sanctum sanctorum, square in shape, built with in circular shrine, is encircled by seven tier of walls of height) spaced at , with outer wall measuring nearly . There are twenty one towers or "gopurams" (some of them unfinished) and each forming a common gated entry and all of similar design; the 13- tiered
rajagopuram, or chief tower, on the western side, in height (
illustration), was built in 1987 by
Ahobila Mutt and dominates the landscape for miles around. There are many pavilions and shrines within the complex an
Ayiram kaal mandapam (a hall of 1000 pillars of carved granite and decorated with carvings) and several small water tanks (two important ones for pilgrims to bathe are Agni Thirta and Kodi Tirtha) inside. The corridors and pillars are huge and elegantly carved. The corridors are about in length with width varying from with a height of from the floor to the ceiling. The total area covered by the temple precincts measures x. Red and gray
granite and
sienite have been used in pavements, stairways and lower part of walls. The temple has decorations of carved
griffins, idols of gods and men and animals (
tigers). The space between the walls of the temple complex has the well planned complete city of Srirangam with roads and houses. It is stated to be the largest temple in South India.
Vaikunta Ekadashi festival is an important event in the temple premises and is said to be a celebration on the occasion of Ekadashi goddess who is said to have defeated
asuras or demons. Parasara Batttar, well known poet of the times who has written a commentary on
Vishnu Sahasranama (the thousand names of Vishnu) has noted the beautiful image of Ranganatha at Srirangam temple as ornamented with
basil (
tulsi) garland on the chest (favorite of Vishnu),
Kaustubha,
Vaijayanthi hara (a necklace) and a few other ornaments, which once formed the divine jewelry of
Krishna, the
avatar (incarnation) of Vishnu, are also decorating the image of Ranganatha. ==Sri Appakkudathaan Perumal Temple==