In "Passenger", a recurring theme in
Bernard Fanning’s song writing emerged; "a fascination with the banality of routine". Esky Magazine's Kelsy Munro cited the lines "So many places you’d prefer to be / Than framed by a picket fence and salary" as an example of this, as well as examples from future songs "
These Days" and "
My Kind of Scene". When asked about this, Fanning offered no direct explanation, saying it wasn't a conscious theme, but did suggest that it could be a "part guilt-complex" because of his relatively care-free lifestyle. In "Passenger", the
key signature is
D major, however the verses begin with the
G chord, while the choruses and outro are in the D major's
relative minor key,
B minor. The song is a completely straight
rock feel in the
time signature of 4/4. "Passenger" featured Victorian trio
Tiddas for the first time, providing backing
vocals. Tiddas also accompanied Powderfinger live, although some of the elements of "Passenger", such as the
brass sections, were replicated using a
keyboard. Powderfinger's
Drummer Jon Coghill described some elements of "Passenger", including the
horn section, as being based on the work of
Elvis Presley, and his
big band. Coghill said "We tried to do it like Elvis would, in a big band arrangement. There are backing vocals, horns and a la la sound." ==Music video==