Patricia Highsmith

Highsmith was born Mary Patricia Plangman in Fort Worth, Texas on January 19, 1921. She was the only child of commercial artists Jay Bernard Plangman (1889–1975) and Mary Plangman (née Coates; September 13, 1895 – March 12, 1991). Her father had not wanted a child and had persuaded her mother to have an abortion. Her mother, after a failed attempt to abort her by drinking turpentine, decided to leave Plangman. The couple divorced nine days before their daughter's birth. In 1927 Highsmith moved to New York City to live with her mother and her stepfather, commercial artist Stanley Highsmith, whom her mother had married in 1924. At the age of nine, she became fascinated by the case histories of abnormal psychology in The Human Mind by Karl Menninger, a popularizer of Freudian analysis. She called this the "saddest year" of her life and felt "abandoned" by her mother. In 1934 she returned to New York to live with her mother and stepfather in Greenwich Village, Manhattan. She was unhappy at home. She hated her stepfather and developed a life-long love–hate relationship with her mother, which she later fictionalized in stories such as "The Terrapin", about a young boy who stabs his mother to death. She attended the all-girl Julia Richman High School where she achieved a B minus average grade. She continued to read widelyEdgar Allan Poe was a favoriteand began writing short stories and a journal. Her story "Primroses Are Pink" was published in the school literary magazine. In 1938 Highsmith entered Barnard College where her studies included English literature, playwriting and short story composition. Fellow students considered her a loner who guarded her privacy but she formed a life-long friendship with fellow student Kate Kingsley Skattebol. She continued to read voraciously, kept diaries and notebooks, and developed an interest in eastern philosophy, Marx and Freud. She also read Thomas Wolfe, Marcel Proust and Julien Green with admiration. She published nine stories in the college literary magazine and became its editor in her senior year. == Apprentice writer ==

After graduating in 1942, Highsmith, despite endorsements from "highly placed professionals," applied without success for a job at publications such as ''Harper's Bazaar, Vogue, Mademoiselle, Good Housekeeping, Time, Fortune, and The New Yorker''. Highsmith considered comics boring "hack work" and was determined to become a novelist. In the evenings she wrote short stories which she submitted, unsuccessfully, to publications such as The New Yorker. In 1944 she spent five months in Mexico where she worked on an unfinished novel "The Click of the Shutting". On her return to Manhattan she worked on another unfinished novel "The Dove Descending". The following year, "The Heroine," a story about a pyromaniac nanny that she had written in 1941, was published by ''Harper's Bazaar''. The publishers Knopf wrote her that they were interested in publishing any novels she might have. Nothing, however, came from their subsequent meeting. Highsmith's agents advised her that her stories needed to be more "upbeat" to be marketable but she wanted to write stories that reflected her vision of the world. In 1946, Highsmith read Albert Camus' The Stranger and was impressed by his absurdist vision. The following year she commenced writing Strangers on a Train, and her new agent submitted an early draft to a publisher's reader who recommended major revisions. Based on the recommendation of Truman Capote, Highsmith was accepted by the Yaddo artist's retreat during the summer of 1948, where she worked on the novel. Strangers on a Train was accepted for publication by Harper & Brothers in May 1949. The following month, Highsmith sailed to Europe where she spent three months in England, France and Italy. In Italy, she visited Positano which would later become the major setting for her novel The Talented Mr. Ripley. She read an anthology of Kierkegaard on the trip and declared him her new "master". == Established writer ==

Highsmith returned to New York in October 1949 and began writing The Price of Salt, a novel about a lesbian relationship. Strangers on a Train was published in March 1950 and received favorable reviews in The New Yorker, New York Herald Tribune and New York Times. The novel was shortlisted for the Edgar Allan Poe Prize and Alfred Hitchcock secured the film rights for $6,000. Sales increased after the release of the film. In February 1951, she left for Europe for the publication of the novel in England and France. She stayed for two years, traveling and working on an unfinished novel, "The Traffic of Jacob's Ladder," which is now lost. She wrote Skattebol, "I can imagine living mostly in Europe the rest of my life." Highsmith was back in New York in May 1953. The Price of Salt had been published in hardback under a pseudonym the previous May, and sold well in paperback in 1953. It was praised in the New York Times Book Review for "sincerity and good taste" but the reviewer found the characters underdeveloped. The novel made Highsmith a respected figure in the New York lesbian community, but as she did not publicly acknowledge authorship, it did not further her literary reputation. In September 1953, Highsmith traveled to Fort Worth where she completed a fair copy of The Blunderer which was published the following year. In 1954 she worked on a new novel, The Talented Mr. Ripley, about a young American who kills a rich compatriot in Italy and assumes his identity. She completed the novel in six months in Lenox, Santa Fe, and Mexico. The Talented Mr. Ripley was published in December 1955 to favorable reviews in the New York Times Book Review and The New Yorker, their critics praising Highsmith's convincing portrait of a psychopath. The novel went on to win the Edgar Allan Poe Scroll of the Mystery Writers of America.Highsmith biographer Richard Bradford states that the novel "forged the basis for her long term reputation as a writer." Highsmith moved to the affluent hamlet of Palisades, New York State, in 1956 and lived there for over two years. In March 1957, her story "A Perfect Alibi" was published in ''Ellery Queen's Mystery Magazine, beginning a long-term association with the publication.She also completed two further novels, Deep Water (published in 1957) and A Game for the Living'' (1958), and a children's book, Miranda the Panda is on the Veranda (1958), that she co-authored with Doris Sanders. In December 1958, Highsmith moved back to Manhattan where she wrote This Sweet Sickness. The novel was published in February 1960 to generally favorable reviews. From September 1960, she lived near New Hope, Pennsylvania. There she saw René Clement's Plein Soleil (1960), the French film adaptation of The Talented Mr. Ripley, but she was disappointed by its moralistic ending. She also wrote The Cry of the Owl which she completed in February 1962. Although Highsmith considered it one of her worst novels, novelist Brigid Brophy later rated it, along with Lolita, as one of the best since World War II. Highsmith spent 1962 shuttling between New Hope and Europe and finishing the novel The Two Faces of January. She had fallen in love with a married English woman and wanted to live closer to her. In February 1963, she moved permanently to Europe. == England and France ==

Highsmith rented an apartment in Positano where she worked on her prison novel The Glass Cell. She then traveled to London where she promoted The Cry of the Owl, newly published in Britain. In November 1963 she moved to the festival town of Aldeburgh, Suffolk, and the following year she bought a home in the nearby village of Earl Soham where she lived for three years. During this time, Highsmith's critical reputation in the United Kingdom grew. Francis Wyndham wrote a long article on Highsmith for the New Statesman in 1963 which introduced her work to many readers. Brigid Brophy, also writing in the New Statesman, praised The Two Faces of January (1964) stating that Highsmith had made the crime story literature. Julian Simmons in The Sunday Times commended Highsmith's subtle characterization. The novel won the Silver Dagger Award of the British Crime Writers' Association for best foreign novel of 1964. Highsmith was quarreling with her mother and under severe emotional strain due to her difficult relationship with her English lover. She was drinking heavily and her private and public behavior was becoming more eccentric and antisocial. When her love affair ended in late 1966, she decided to move to France. After a brief visit to Tunisia, Highsmith moved to the Île-de-France in 1967 and eventually settled at Montmachoux in April 1968. Her novels of this period include The Tremor of Forgery (1969), which Graham Greene considered her finest work, and Ripley Under Ground (1970) which gained generally positive reviews. Her books, however, were selling poorly in America which her agent suggested was because they were "too subtle".'''''' In 1970, Highsmith flew to the United States, where she visited New York and her family in Fort Worth. She drew on her trip for her novel ''A Dog's Ransom (1972), which is set in Manhattan. In November 1970, she moved to the village of Moncourt, in the Moselle region of France. The novels she wrote there include Ripley's Game (1974), Edith's Diary (1977), and The Boy Who Followed Ripley (1980).'''' In 1977, she saw Wim Wenders's The American Friend, a loose adaptation of ''Ripley's Game.'' She praised the film but was displeased with Dennis Hopper's performance as Ripley. The next year, she was elected chair of the jury for the Berlin Film Festival. In 1980, Highsmith underwent bypass surgery to correct uncontrolled bleeding and serious cardiovascular problems. Soon thereafter, the French authorities fined her for taxation irregularities, prompting her to comment, "How appropriate, to be bleeding in two places." Disillusioned with France, she bought a house in Aurigeno, Switzerland, and in 1982 moved there permanently. == Switzerland and final years ==

on British television programme After Dark (June 1988) In 1981, Highsmith moved into her Swiss home and began writing a new novel, People Who Knock on the Door (1983), about the influence of Christian fundamentalism in America. This and her next novel, Found in the Street (1986), were partly based on a research trip to America in early 1981. She left her estate, worth an estimated $3 million, and the promise of any future royalties, to the Yaddo colony, where she spent two months in 1948 writing the draft of Strangers on a Train. Her Swiss publisher, Diogenes Verlag, which had principal rights to her work, was appointed literary executor of the estate. and nine years later in the U.S. by W. W. Norton. It sold 50,000 copies in France within six weeks of her death. ==Personal life==

Health Highsmith had anorexia as a teenager and episodes of depression throughout her life. Highsmith lived alone for most of her adult life, saying in a 1991 interview, "I choose to live alone because my imagination functions better when I don't have to speak with people." Although she preferred her personal life to remain private, she took no steps to avoid the posthumous availability of her diaries and notebooks in which she recorded the motivations of her behavior. Highsmith called herself "basically polygamous" In 1970 she wrote to a friend: "We all become reconciled to being queer and prefer life that way." Highsmith refused to speak publicly about her sexuality, repeatedly telling interviewers: "I don't answer personal questions about myself or other people." When she finally agreed, in 1990, to have The Price of Salt republished under her own name as Carol she was still reluctant to discuss her sexuality. But in 1978, she wrote a friend that after her death a future biographer must discuss her love life and "everyone must know I am queer or gay." Relationships Schenkar calls Highsmith's mother, Mary, "the great love of Pat Highsmith's lifeand, certainly, her greatest hate." In 1967 Highsmith wrote: "I adored my mother, and could see no wrong in her, until I was near 17." But she felt her mother had abandoned her at the age of 12, when she had left her in Fort Worth so she could attempt a reconciliation with Stanley Highsmith in New York. She later blamed her mother for her failed relationships, writing: "I never got over it. Thus I seek out women who will hurt me in a similar manner, and avoid the women who aregood eggs." Highsmith also blamed her mother for her introverted personality, saying that when she was 14 her mother had asked her whether she was a lesbian in a way that made her feel "like a cripple on the street." Relations between the two were often difficult.'''''' When Highsmith's mother stayed with her in England for six days in 1965 it ended in a physical altercation and Highsmith had to call her doctor, who sedated both women. Highsmith blamed her tense adult relationship with her mother on Mary's jealousy over her female friends and lovers. Her mother broke off relations with Highsmith by letter in 1974, and lived in a nursing home from 1975 until her death in 1991. During this time, Highsmith and her mother did not communicate with each other. Bradford argues that Highsmith's love life represented a combination of romantic fantasies and a desire for social advancement: "throughout her life, Highsmith looked for women whom she could worship."Her partner Ellen Hill told her she was in love only with fantasy figures: "She [Hill] says, I fit the person to my wishes, find they don't fit, and proceed to break it off." According to Bradford, until her middle age, "She only truly desired women who came from the kind of social, cultural and intellectual ranking to which she aspired. More significantly, she seemed particularly attracted to women who had been born into privilege." In 1941 Highsmith met Rosalind Constable, a 34-year-old British journalist and literary consultant. Wilson describes Constable as a "blond", "elegant" "cultured sophisticate."' Highsmith fell in love with Constable but the relationship was not sexual. Constable promoted her career, introducing her to cultural figures and later recommending her to the Yaddo community.' In 1943 Highsmith had a brief affair with artist Allela Cornell, who killed herself three years later over another failed relationship. Highsmith nevertheless felt guilty over her death and prominently displayed Cornell's oil portrait of her in all her homes. Cornell was the inspiration for the artist Derwatt in Ripley Under Ground. Highsmith began a year-long affair with the rich socialite Virginia Kent Catherwood in June 1946. Catherwood was one of the models for Carol Aird in The Price of Salt. During her stay at Yaddo in 1948, Highsmith met writer Marc Brandel, son of author J. D. Beresford. Even though she told him she was homosexual, they soon began a relationship. In November Highsmith underwent six months of psychoanalysis in an effort "to regularize herself sexually" so she could marry him. They became engaged in May 1949, just before her first trip to Europe. Their relationship ended in the fall of 1950. Highsmith and Brandel had other sexual partners during their relationship. In 1948 she started an intermittent relationship with Ann Smith, a painter and designer. The relationship ended in 1950 but the two remained friends. While in Europe in 1949, Highsmith had an affair with psychoanalyst Kathryn Hamill Cohen, the wife of British publisher Dennis Cohen and founder of Cresset Press, which later published Strangers on a Train. Kathryn ended the affair by letter in April 1950. To help pay for her therapy sessions, in December 1948 Highsmith took a sales job in the toy section of Bloomingdale's department store. One day she served an elegant blonde woman in a mink coat who left her delivery details. Her name was Kathleen Senn and the encounter inspired Highsmith to begin writing The Price of Salt. She twice went to Senn's home to secretly observe her and, though they never met, Highsmith wrote that Senn "almost made me love her." While in Munich In September 1951, Highsmith met the German sociologist Ellen Hill, who, according to Schenkar, "had the longest, strongest influence on Pat's life (after mother Mary)". They lived and traveled together in Europe and America until July 1953, when Hill attempted suicide after Highsmith threatened to end their relationship. They resumed their relationship in September 1954 and it lasted until December 1955. They established a difficult friendship after this, which endured until Highsmith broke with her in 1988. In March 1956, Highsmith began a relationship with Doris Sanders, an advertising illustrator and copywriter. They lived together in Palisades, New York, and traveled to Mexico, where Highsmith set her novel A Game for the Living. Highsmith left Sanders in December 1958 after initiating an affair with another woman. In the spring of 1959, Highsmith met writer Marijane Meaker. They began a relationship, and when Highsmith returned from a publicity tour of Europe in 1960 they lived together near New Hope, Pennsylvania. The relationship was stormy, and after six months Highsmith moved to another house in New Hope. When their relationship collapsed in 1961, Meaker included a character based on Highsmith in her novel Intimate Victims (1962). Highsmith did likewise in her novel The Cry of the Owl. While in Europe in the summer of 1962, Highsmith met an Englishwoman who was married to a wealthy businessman and who had a child. Highsmith had an affair with her and fell in love. Highsmith's Swiss editor, Anna von Planta, calls the anonymous Englishwoman the "love of her life". Highsmith moved to England in 1963 to be closer to her lover and eventually settled in Earl Soham, Suffolk, in 1964. Her lover, whose husband knew of the affair, visited Highsmith on weekends and they had occasional holidays in Europe. When it became clear to Highsmith that the woman would not leave her husband for her, she became increasingly jealous of the time her lover spent with her family. Her lover, in turn, was jealous of the time Highsmith spent with former lovers, including Ellen Hill. The affair ended in October 1966 and Highsmith called the breakup "the very worst time of my entire life."'''''' After Highsmith moved to France in 1967 she had several affairs with women who were 20 to 30 years younger. After moving to Switzerland in 1982 she was celibate for the rest of her life.'''''' ==Views==

Politics Influenced by the Spanish Civil War, Highsmith became a member of the Young Communist League while at Barnard in 1939. She left the party in November 1941. Highsmith was an avowed antisemite; she called herself a "Jew hater" and described The Holocaust as "the semicaust" and "Holocaust, Inc." Religion When young, Highsmith was influenced by the religious views of her mother, who was a Christian Scientist. She rejected Christian Science at 21 but still believed in God.' At 28 she wrote, "A certain calm is essential in order to live. Relief from anxiety. I myself can never have this without belief in the power of God which is greater than man and all the power in the universe." She often wrote about God and Jesus in her journals, and she sang in a church choir until she was 37. In 1977 she said she no longer believed in God either as an abstract power or as a presence in the human soul. In 1985 she said she disliked "people who believe that some god or other really has control over everything but is not exercising that control just now."Bruno Sager, who was her home carer in 1993, discussed religion with her and said she "was one of these persons searching for some kind of god or soul but she never could stand the cages of Catholicism or any of the other religions. She was not an atheist, not at all."' Animals Highsmith was outraged at human cruelty to animals, such as battery chicken farming. Her story collection The Animal Lovers Book of Beastly Murder (1975) features mistreated animals that take revenge on humans. Skatterbol says that Highsmith saw animals as "individual personalities often better behaved, and endowed with more dignity and honesty than humans." ' She was particularly fond of cats, saying they "provide something for writers that humans cannot: companionship that makes no demands or intrusions." In 1991 Highsmith said that if she came across a starving kitten and a starving baby she would feed the kitten.' Several of her friends attested to her kindness to animals, but some visitors to Highsmith's homes in France and Switzerland said she mistreated her cats, including swinging one around in a towel to make it dizzy for her guests' amusement .'''''' She also disliked dogs and admitted to secretly kicking a neighbor's dog she thought was misbehaving. Bradford argues that her animal stories anthropomorphize them and give them the worst human characteristics. ==Major works==

Strangers on a Train Schenkar In what BBC 2's The Late Show presenter Sarah Dunant called a "literary coming out" after 38 years of denial, The Price of Salt is the only Highsmith novel in which no violent crime takes place and, according to Harrison, the only one in which sexual relations are portrayed openly and positively. The "Ripliad" Wilson calls Highsmith's first Tom Ripley novel, The Talented Mr. Ripley, "One of her most powerful and celebrated novels." She went on to write four sequels (in the series sometimes called the "Ripliad") and by 1989, according to Bradford, "Ripley had become for her the equivalent of Conan Doyle's Holmes, even Shakespeare's Hamlet, the figure who defined her as a writer." Critic Anthony Hilfer sees Ripley as an exemplar of the "protean or perpetually self-inventing man" who can transform himself into anyone by mimicking their external traits. Highsmith wrote that in her first Ripley novel she was showing, "the unequivocal triumph of evil over good and rejoicing in it. I shall make my readers rejoice in it too." Bradford argues that one of the strengths of the first Ripley novel is that it implicates its readers in an amoral world: "There was a general consensus that while the main character was vile and immoral Highsmith had somehow insulated him from the reader's inclination to judge." Tom Ripley has been variously described by commentators as "repellent and fascinating,"'''' "a cold blooded killer with a taste for the finer things in life," and "an amoral but charming psychopath." A critic for The Times Literary Supplement noted that in the second Ripley novel, Ripley Under Ground'' (1970), Ripley's new wealth had not made him more normal, but had turned him into "a contented psychopath." Ripley is a serial killer who always gets away with his crimes. Shenkar believes "Ripley becomes more successful (and less interesting) with each new Ripley novel." Critic Noel Mawer argues that in the later novels Ripley becomes less a "psychotic in his world of delusion" and more an "amoral, unfeeling sociopath who feels that murder is simply a necessity to protect what...[he] feels he has earned and deserved." == Reception of work ==

Highsmith's critical reputation was divided in her lifetime. Marghanita Laski denounced her work as immoral and lacking human decency. Other commentators, most notably Graham Greene, considered the moral ambiguity of her work a strength. == Themes, style and genre ==

Themes Highsmith's themes were influenced by Dostoevsky, Kierkegaard, Nietzsche, Kafka, and the existentialism of Sartre and Camus. According to Graham Greene, "Her characters are irrational and they leap to life in the very lack of reason; suddenly we realize how unbelievably rational most fictional characters are." Harrison argues: "the theme of an individual transforming himself or herself, of the willed construction of a personality, once again suggest[s] existentialism's emphasis on individual choice free of any hint of determinism through history or genetics." In 1966, she explained that a single point of view "increased the intensity of a story" whereas a double point of view brings a "change of pace and mood." Wilson calls Highsmith's prose style crisp, compact and near transparent. Schenkar describes her narrative tone as a "low, flat compellingly psychotic murmur." Wilson describes her tone as amoral, adding: "The mundane and the trivial are described in the same pitch as the horrific and the sinister and it is this unsettling juxtaposition that gives her work such power." Commentators have variously described the atmosphere evoked by Highsmith's work as one of suspense, apprehension or unease. Graham Greene called her "the poet of apprehension." Peters states: "Highsmith's forte is anxiety: rather than merely turning the page to discover what happens next – in other words to be held in a state of suspense – her readers are suspended in a haze of dread, anxiety and apprehension." Wilson argues that Highsmith disturbs her readers by manipulating them into identifying with unconventional psychologies: "Highsmith's world is seen through the distorted perspective of an 'abnormal' man, but the style of writing is so transparent and flat that by the end the reader aligns himself with a point of view that is clearly unbalanced and disturbed." Genre Highsmith was usually classified as a crime, suspense or mystery writer in the U.S.; in Europe she was considered a psychological or literary novelist. Peters argues that she does not fit comfortably within accepted genres. Bradford considers The Talented Mr. Ripley a precursor to gothic realism. Harrison argues that psychological realism is not prominent in her work and considers The Price of Salt one of her most social realist novels. Some of her short stories, such as "The Snail-Watcher," have been classified as horror. ==Honors==

• 1990 : Officier de l'Ordre des Arts et des Lettres, French Ministry of Culture Awards and nominations • 1946 : O. Henry Award, Best First Story, for The Heroine (in ''Harper's Bazaar'') • 1956 : Edgar Allan Poe Scroll (special award), Mystery Writers of America, for The Talented Mr. Ripley • 1977 : for Little Tales of Misogyny (joint winner with illustrator Roland Topor) ==Novels==

The following list of Highsmith's novels is taken from Wilson. The novels featuring Tom Ripley are listed separately as the "Ripliad". • Strangers on a Train (1950) • The Price of Salt (1952) (as Claire Morgan) (republished as Carol in 1990 under Highsmith's name) • The Blunderer (1954) • Deep Water (1957) • A Game for the Living (1958) • This Sweet Sickness (1960) • The Cry of the Owl (1962) • The Two Faces of January (1964) • The Glass Cell (1964) • A Suspension of Mercy (1965) (published as The Story-Teller in the U.S.) • Those Who Walk Away (1967) • The Tremor of Forgery (1969) • ''A Dog's Ransom'' (1972) • ''Edith's Diary'' (1977) • People Who Knock on the Door (1983) • Found in the Street (1986) • Small g: a Summer Idyll (1995) ;The "Ripliad" • The Talented Mr. Ripley (1955) • Ripley Under Ground (1970) • ''Ripley's Game'' (1974) • The Boy Who Followed Ripley (1980) • Ripley Under Water (1991) ==Adaptations of Highsmith works==

Several of Highsmith's works have been adapted for other media, some more than once. Film • 1951: Strangers on a Train was adapted as a film of same name directed by Alfred Hitchcock starring Farley Granger as Guy Haines, Robert Walker as Bruno Anthony, Ruth Roman as Anne Morton, Patricia Hitchcock as Barbara Morton and Laura Elliott as Miriam Joyce Haines. • 1963: The Blunderer was adapted as French language film Le meurtrier ("The Murderer"), directed by Claude Autant-Lara starring Maurice Ronet as Walter Saccard, Yvonne Furneaux as Clara Saccard, Gert Fröbe as Melchior Kimmel, Marina Vlady as Ellie and Robert Hossein as Corbi. It is known in English as Enough Rope. • 1969: Strangers on a Train was adapted as Once You Kiss a Stranger, directed by Robert Sparr starring Paul Burke as Jerry, Carol Lynley as Diana and Martha Hyer as Lee. • 1977: This Sweet Sickness was adapted as French language film ''Dites-lui que je l'aime, directed by Claude Miller starring Gérard Depardieu as David Martineau, Miou-Miou as Juliette, Dominique Laffin as Lise, and Jacques Denis as Gérard Dutilleux. It is known in English as This Sweet Sickness''. • 1978: The Glass Cell was adapted as German language film Die gläserne Zelle, directed by Hans W. Geißendörfer starring Brigitte Fossey as Lisa Braun, Helmut Griem as Phillip Braun, Dieter Laser as David Reinelt and Walter Kohut as Robert Lasky. • 1981: Deep Water was adapted as French language film Eaux profondes, directed by Michel Deville starring Isabelle Huppert as Melanie and Jean-Louis Trintignant as Vic Allen. • 1983: ''Edith's Diary was adapted as German language film Ediths Tagebuch'', directed by Hans W. Geißendörfer starring Angela Winkler as Edith. • 1986: The Two Faces of January was adapted as German language film Die zwei Gesichter des Januars, directed by Wolfgang Storch starring Charles Brauer as Chester McFarland, Yolanda Jilot as Colette McFarland and Thomas Schücke as Rydal Keener. • 1987: The Cry of the Owl was adapted as French language film Le cri du hibou, directed by Claude Chabrol starring Christophe Malavoy as Robert, Mathilda May as Juliette, Jacques Penot as Patrick and Virginie Thévenet as Véronique. • 1987: The film version of Strangers on a Train by Alfred Hitchcock inspired the black comedy American film Throw Momma from the Train, directed by Danny DeVito. • 1989: A Suspension of Mercy (aka The Story Teller) was adapted as German language film Der Geschichtenerzähler, directed by Rainer Boldt starring Udo Schenk as Nico Thomkins and Anke Sevenich as Helen Thomkins. • 2009: The Cry of the Owl was adapted as a film of same name, directed by Jamie Thraves starring Paddy Considine as Robert Forester and Julia Stiles as Jenny Thierolf. • 2014: The Two Faces of January was adapted as a film of same name, written and directed by Hossein Amini starring Viggo Mortensen as Chester MacFarland, Kirsten Dunst as Colette MacFarland and Oscar Isaac as Rydal. It was released during the 64th Berlin International Film Festival. • 2014: A Mighty Nice Man was adapted as a short film, directed by Jonathan Dee starring Kylie McVey as Charlotte, Jacqueline Baum as Emilie, Kristen Connolly as Charlotte's Mother, and Billy Magnussen as Robbie. • 2015: A film adaptation of The Price of Salt, titled Carol, was written by Phyllis Nagy and directed by Todd Haynes, starring Cate Blanchett as Carol Aird and Rooney Mara as Therese Belivet. • 2016: The Blunderer was adapted as A Kind of Murder, directed by Andy Goddard starring Patrick Wilson as Walter Stackhouse, Jessica Biel as Clara Stackhouse, Haley Bennett as Ellie Briess, and Eddie Marsan as Mitchell "Marty" Kimmel. • 2022: Deep Water was adapted again, directed by Adrian Lyne starring Ben Affleck and Ana de Armas. "Ripliad" • 1960: The Talented Mr. Ripley was adapted as French language film Plein soleil (titled Purple Noon for English-language audiences, though it translates as "Full Sun"). Directed by René Clément starring Alain Delon as Tom Ripley, Maurice Ronet as Philippe Greenleaf, and Marie Laforêt as Marge Duval. Both Highsmith and film critic Roger Ebert criticized the screenplay for altering the ending to prevent Ripley from going unpunished as he does in the novel. • 1977: ''Ripley's Game (third novel) and a "plot fragment" of Ripley Under Ground (second novel) were adapted as German language film Der Amerikanische Freund (The American Friend''). Directed by Wim Wenders with Dennis Hopper as Ripley. Highsmith initially disliked the film but later found it stylish, although she did not like how Ripley was interpreted. • 1999: The Talented Mr. Ripley was adapted as an American production. Directed by Anthony Minghella with Matt Damon as Ripley, Jude Law as Dickie Greenleaf, and Gwyneth Paltrow as Marge Sherwood. • 2002: ''Ripley's Game'' was adapted as a film of same name for an English language Italian production. Directed by Liliana Cavani with John Malkovich as Ripley, Chiara Caselli as Luisa Harari Ripley, Ray Winstone as Reeves Minot, Dougray Scott as Jonathan Trevanny, and Lena Headey as Sarah Trevanny. Although not all reviews were favorable, Roger Ebert regarded it as the best of all the Ripley films. • 2005: Ripley Under Ground was adapted as a film of same name. Directed by Roger Spottiswoode with Barry Pepper as Ripley, Jacinda Barrett as Héloïse Plisson-Ripley, Willem Dafoe as Neil Murchison, and Tom Wilkinson as John Webster. • 2024: Ripley is an American television series originally ordered by Showtime in 2019, with Steven Zaillian directing, and Andrew Scott as Tom Ripley. Development of the limited series moved to Netflix in 2023, and premiered the following year. Television • 1958: Strangers on a Train was adapted by Warner Brothers for an episode of the TV series 77 Sunset Strip. • 1982: Scenes from the Ripley novels were dramatized in the episode A Gift for Murder of The South Bank Show, with Jonathan Kent portraying Tom Ripley. The episode included an interview with Patricia Highsmith. • 1983: Deep Water was adapted as a two-part miniseries for German television as Tiefe Wasser, directed by Franz Peter Wirth starring Peter Bongartz as Vic van Allen, Constanze Engelbrecht as Melinda van Allen, Reinhard Glemnitz as Dirk Weisberg, Raimund Harmstorf as Anton Kameter, and Sky du Mont as Charley de Lisle. • 1987: The Cry of the Owl was adapted for German television as Der Schrei der Eule, directed by Tom Toelle starring Matthias Habich as Robert Forster, Birgit Doll as Johanna Tierolf, Jacques Breuer as Karl Weick, Fritz Lichtenhahn as Inspektor Lippenholtz, and Doris Kunstmann as Vicky. • 1993: The Tremor of Forgery was adapted as German television film Trip nach Tunis, directed by Peter Goedel starring David Hunt as Howard Ingham, Karen Sillas as Ina Pallant and John Seitz as Francis J. Adams. • 1995: Little Tales of Misogyny was adapted as Spanish/Catalan television film Petits contes misògins, directed by Pere Sagristà starring Marta Pérez, Carme Pla, Mamen Duch, and Míriam Iscla. • 1996: Strangers on a Train was adapted for television as Once You Meet a Stranger, directed by Tommy Lee Wallace starring Jacqueline Bisset as Sheila Gaines ("Guy"), Theresa Russell as Margo Anthony ("Bruno") and Celeste Holm as Clara. The gender of the two lead characters was changed from male to female. • 1996: ''A Dog's Ransom was adapted as French television film La rançon du chien'', directed by Peter Kassovitz starring François Négret as César, François Perrot as Edouard Raynaud, Daniel Prévost as Max Ducasse and Charlotte Valandrey as Sophie. Theatre • 1998: The Talented Mr. Ripley was adapted for the stage as a play of same name by playwright Phyllis Nagy. It was revived in 2010. • 2013: Strangers on a Train was adapted as a play of same name by playwright Craig Warner. Radio • 2002: A four-episode radio drama of The Cry of the Owl was broadcast by BBC Radio 4, with voice acting by John Sharian as Robert Forester, Joanne McQuinn as Jenny Theirolf, Adrian Lester as Greg Wyncoop, and Matt Rippy as Jack Neilsen. • 2009: All five books of the "Ripliad" were dramatized by BBC Radio 4, with Ian Hart voicing Tom Ripley. • 2014: A five-segment dramatization of Carol (aka The Price of Salt) was broadcast by BBC Radio 4, with voice acting by Miranda Richardson as Carol Aird and Andrea Deck as Therese Belivet. • 2019: A five-episode broadcast of selected short stories (One for the Islands, A Curious Suicide, The Terrors of Basket-Weaving, The Man Who Wrote Books In His Head, The Baby Spoon) by BBC Radio 4. ==Novels, films, plays, and art about Highsmith==

;Novels • ;Graphic Novels • ;Films • Highsmith: Her Secret Life (2004), made for television documentary by Hugh Thomson, BBC Four. • Loving Highsmith (2022), theatrical documentary by Eva Vitija, Ensemble Film GmbH. • In May 2023, Memento International announced that Killer Films was to produce a thriller-biopic about Patricia Highsmith titled The Murderous Miss Highsmith. Directed by Alexandra Pechman, starring Shailene Woodley, Cara Delevingne and Noémie Merlant, the scope of the film would center on her lesbian affairs and alcoholism, with Highsmith's life reimagined as a horror movie. • In January 2023, director Anton Corbijn announced his forthcoming film project, Switzerland. The screenplay by Joanna Murray-Smith, based on her 2014 play of the same name, centers on the final chapter of Highsmith's life in Switzerland, and her relationship with her literary agent, with Helen Mirren set to star as Patricia Highsmith. The film is scheduled to premiere in 2026. ;Plays • Murray-Smith, Joanna (2015). Switzerland. Dramatists Play Service. . (First presented at Sydney Theatre Company in November 2014). ;Art • (A tribute to the food and drinks mentioned in The Talented Mr. Ripley.) ==Audio interviews==

• • • • (via Ohio University Libraries Digital Archives) • ==See also==