On the
review aggregator website
Rotten Tomatoes,
The Talented Mr. Ripley holds an approval rating of 85% based on 142 reviews. The website's critics consensus reads, "With Matt Damon's unsettling performance offering a darkly twisted counterpoint to Anthony Minghella's glossy direction,
The Talented Mr. Ripley is a suspense thriller that lingers."
Metacritic, which uses a
weighted average, assigned the film a score of 76 out of 100, based on 35 critics, indicating "generally favorable" reviews. Audiences surveyed by
CinemaScore gave the film an average grade of "C+" on an A+ to F scale.
Roger Ebert gave the film four out of four, calling it "an intelligent thriller" that is "insidious in the way it leads us to identify with Tom Ripley ... He's a monster, but we want him to get away with it". In her review for
The New York Times,
Janet Maslin praised Law's performance: "This is a star-making role for the preternaturally talented English actor Jude Law. Beyond being devastatingly good-looking, Mr. Law gives Dickie the manic, teasing powers of manipulation that make him ardently courted by every man or woman he knows."
Entertainment Weekly gave the film an "A−" rating, and
Lisa Schwarzbaum wrote, "Damon is at once an obvious choice for the part and a hard sell to audiences soothed by his amiable boyishness ... the facade works surprisingly well when Damon holds that gleaming smile just a few seconds too long, his
Eagle Scout eyes fixed just a blink more than the calm gaze of any non-murdering young man. And in that opacity we see horror." Charlotte O'Sullivan of
Sight & Sound wrote, "A tense, troubling thriller, marred only by problems of pacing (the middle section drags) and some implausible characterisation (Meredith's obsession with Ripley never convinces), it's full of vivid, miserable life".
Time named it one of the ten best films of the year and called it a "devious twist on the Patricia Highsmith crime novel".
James Berardinelli gave the film two and a half stars out of four, calling it "a solid adaptation" that "will hold a viewer's attention", but criticized "Damon's weak performance" and "a running time that's about 15 minutes too long." Berardinelli compared the film unfavorably with the previous adaptation,
Purple Noon, which he gave four stars. He wrote, "The remake went back to the source material, Patricia Highsmith's
The Talented Mr. Ripley. The result, while arguably truer to the events of Highsmith's book, is vastly inferior. To say it suffers by comparison to
Purple Noon is an understatement. Almost every aspect of
René Clément's 1960 motion picture is superior ... from the cinematography to the acting to the screenplay. Matt Damon might make a credible Tom Ripley, but only for those who never experienced Alain Delon's portrayal." In his review for
The New York Observer,
Andrew Sarris wrote, "On balance,
The Talented Mr. Ripley is worth seeing more for its undeniably delightful journey than its final destination. Perhaps wall-to-wall
amorality and triumphant evil leave too sour an aftertaste even for the most sophisticated anti-Hollywood palate." In his review for
The Guardian, Peter Bradshaw wrote, "
The Talented Mr. Ripley begins as an ingenious exposition of the great truth about charming people having something to hide: namely, their utter reliance on others. It ends up as a dismayingly un-thrilling thriller and bafflingly unconvincing character study." In her review for
The Village Voice,
Amy Taubin criticized Minghella as a "would-be art film director who never takes his eye off the box office, doesn't allow himself to become embroiled in such complexity. He turns
The Talented Mr. Ripley into a splashy tourist trap of a movie. The effect is rather like reading the
National Enquirer in a café overlooking the
Adriatic." The director
Florian Henckel von Donnersmarck cited
The Talented Mr. Ripley as one of his favorite films.
Accolades ==Adaptations==