19891990: Threadbare Alibis Ketchum began recording his first album in 1985, paying for much of the process himself. Unable to afford
audio mixing, Ketchum hid the
master recordings under his bed for about eight months when he was contacted by Heinz Geissler, a record executive with German-based Line/Sawdust Records, who financed the album's completion and packaging, and released it under the title
Threadbare Alibis in 1989. Line/Sawdust distributed the album in Europe, while rights for distribution in the United States were handled by Austin-based
Watermelon Records. Peter Blackstock of the
Austin American-Statesman rated the album three out of five stars, praising its
folk instrumentation, Ketchum's
tenor voice, and "workingman's dilemmas" of his lyrics. As Ketchum wanted to write songs professionally, Alger encouraged him to travel between Austin and
Nashville, Tennessee, to "develop his contacts" with members of the latter city's music industry. Among those he came in contact with were record producers
Jim Rooney and
Allen Reynolds, the latter of whom would also go on to serve as
Garth Brooks' producer. and began working with Rooney and Reynolds to record his first album for the label soon afterward. Ketchum wrote or co-wrote seven of its ten songs. "Small Town Saturday Night" was promoted through a
music video which incorporated footage from the 1938
Western film
The Terror of Tiny Town.
Past the Point of Rescue was certified gold by the
Recording Industry Association of America for U.S. shipments of 500,000 copies; in 2024, "Small Town Saturday Night" also certified gold for the same number of
music downloads. Ketchum promoted the album throughout 1991 by serving as an opening act for
Randy Travis. For touring purposes, Ketchum established a road band called the Alibis, consisting of drummer Wes Starr, bassist Keith Carper, and guitarist Scott Neubert. Ketchum said that the album contained "social issues [he] wanted to address", including homelessness in "Daddy's Oldsmobile" and the
Trail of Tears in a song of the same name. At the same time, he considered the album "less brooding" than his debut. The album's
title track, which Ketchum wrote with Burr, charted at number three on Hot Country Songs in early 1993, followed by "
Hearts Are Gonna Roll" at number two and "
Mama Knows the Highway" at number eight. The final single was "
Someplace Far Away (Careful What You're Dreaming)" with a peak of number 24. Following this album's release, Ketchum co-headlined a tour with Kathy Mattea. An uncredited review in the
Newport News, Virginia,
Daily Press rated the album four out of five stars, praising the sounds and lyrics of the title track, "Softer Than a Whisper", and "Daddy's Oldsmobile" in particular.
19941996: Every Little Word and The Hits Ketchum 1994 album
Every Little Word accounted for five singles. He wrote both of the first two, "
(Tonight We Just Might) Fall in Love Again" and "
That's What I Get for Losin' You", with former
NRBQ member
Al Anderson. Dan DeLuca, in a review for
The Philadelphia Inquirer re-published in the
Orlando Sentinel, praised the two songs co-written with Anderson, as well as the "sadness" of "Veil of Tears" and inclusion of
Patty Loveless on "Another Day Gone". Ketchum was inducted as the 71st member of the
Grand Ole Opry in 1994. Curb Records founder
Mike Curb encouraged Ketchum in 1996 to release a greatest-hits album, as he observed that many of Ketchum's songs had continued to receive strong radio airplay. This compilation, titled
The Hits, included ten of his singles, the album track "I Miss My Mary" from
Past the Point of Rescue, and three new songs. Among these were covers of
Tony Arata's "Satisfied Mind" and
Ferlin Husky's "
Wings of a Dove". He chose to cover the latter after singing it with Husky at his own Grand Ole Opry induction. This song was released to radio as a single in March 1996. "I Miss My Mary" was also promoted as a single from
The Hits. Upon release of
The Hits, Ketchum said that he wanted to take the year 1996 off from touring so that he could focus on songwriting. While the project was initially slated for release in August 1997, Ketchum announced the same month that he would be delaying the project and a corresponding tour that would have promoted it, initially citing his entry into
drug rehabilitation. Ketchum stated in a 1998 interview with
Nashville Scene magazine that he had become addicted to alcohol and
opiates, and was convinced by his friends to undergo rehabilitation. According to Ketchum, he and Curb Records executive Chuck Howard mutually agreed not to release
Hal Yes after the initial delay, as they thought its more
rock and
blues-influenced sound would cause it to sell poorly. Howard and Ketchum selected three songs from the
Hal Yes sessions and a new batch of "upbeat love songs" recorded under Howard's production, which became his 1998 album
I Saw the Light. Thom Owens found the album "uneven" due to the contrast between the songs produced by Howard and those produced by Bruton. Despite the initial rejection of
Hal Yes, it was ultimately released in 1999 under the title
Awaiting Redemption. He and the label agreed on this release as a condition of
I Saw the Light failing to provide a hit single despite its original intent of including radio-friendly songs. Wilfred Langmaid of the
Daily Gleaner called the project his "rawest and most vital" since
Threadbare Alibis. Another track from the album was the
Lisa Brokop duet "Keep Mom and Dad in Love". Curb Records released it as a single, alongside an alternate version recorded by
Billy Dean,
Suzy Bogguss, and
Jillian Jacqueline on Dreamcatcher Records. While this version of the song charted, Ketchum and Brokop's did not. Other contributors to the album included
John Cowan,
Timothy B. Schmit, and
Ricochet. Rick Bell of
Country Standard Time praised the variety of collaborators and the "depth of songwriting", and considered "Dreams of Martina" the best-written song. Next on Curb was 2003's
The King of Love. Ketchum wrote or co-wrote all but one of fifteen songs on the album, and produced it by himself. The album included appearances by
Tim O'Brien,
Guy Clark, and
Charlie Daniels, as well as a song written by his son Graham called "On Her Own Time". Afterward, he reunited with Reynolds for a recording session in mid-2004 that included "Forever Mine", a song written by Ketchum's then-wife Gina, and a cover of the
Del McCoury Band's "My Love Will Not Change". The latter song was released as a single and reached number 60 on the country charts in 2004. In 2006, Ketchum entered Hot Country Songs for the last time with "Just This Side of Heaven (Hal-lelujah)", which peaked at number 47. Despite this, he also played a number of concerts in the United States in 2007, but chose to perform only on weekends so he could spend the rest of the week with his family. Following in 2008 was his last Curb album,
Father Time. He recorded the album in two days with no overdubbing or editing. He wrote all but one of the songs on the project, including "The Preacher and Me", the first song he ever wrote.
20092017: ''I'm the Troubadour'', retirement, and death Ketchum took a hiatus from recording in 2009 after complications of multiple sclerosis, with which he had been originally diagnosed in 1999. This severely weakened the singer and resulted in bouts of depression, which he mitigated by moving to a cabin in
Wimberley, Texas. After he felt he had regained enough strength to start performing again, he began writing song ideas down in a notebook with the intent of returning to music. He sent recordings to friends as he wanted to sign a new recording contract, which resulted in him signing with Austin-based independent label Music Road Records in 2014. This label released his next studio album, ''I'm the Troubadour'', that same year. The album included a re-recording of "I Know Where Love Lives" featuring
Tameca Jones on duet vocals. Ketchum released no more albums after ''I'm the Troubadour'', although he continued to tour and perform until 2018, when he held his last concert at Gruene Hall. Ketchum died at his home in
Fischer, Texas, due to complications of dementia, on November 23, 2020, at the age of 67. ==Musical styles==