At age ten, Cates started modeling, appearing in
Seventeen and other teen-oriented magazines, and began a short, successful career as a model. She said that she disliked the industry: "It was just the same thing, over and over. After a while, I did it solely for the money." Dissatisfied with modeling, Cates decided to pursue acting. Cates was offered her first part in the movie
Paradise (1982) after a screen test in New York. She was uncertain about the nudity the role required, but her father encouraged her to take the job. In the film, Cates performed several full-frontal nude scenes and several rear scenes aged 17. The movie had a plot similar to
The Blue Lagoon. She also sang the film's theme song and recorded an album of the same name. In a 1982 interview, she recalled having trouble with the career change: As a model, she had to be conscious of the camera; but as an actress, she could not. Later that year, Cates starred in
Fast Times at Ridgemont High (1982), featuring what
Rolling Stone has described as "the most memorable bikini-drop in cinema history". She said that she had "the most fun" filming that movie. She struggled with the portrayal of a bitter movie star because, despite her character's vicious persona, she wanted the audience to sympathize with her. She did not read Conran's novel, on which the movie was based because she did not want to have a "fixed image". Her best-known line in the film, "Which one of you bitches is my mother?", was named the greatest line in television history by
TV Guide in 1993. She also starred in the sequel mini-series
Lace II. Later that same year, Cates co-starred in the box office hit
Gremlins for
executive producer Steven Spielberg, the highest-grossing film of her career. She reprised her role of Kate Beringer in the sequel
Gremlins 2: The New Batch. In June 1984, Cates made her stage debut in the
Off-Broadway play
The Nest of the Wood Grouse, a comedy by Soviet writer
Viktor Rozov, at the
Joseph Papp Public Theater. Cates said that while doing the play she "felt a certain freedom and a certain connection with acting that I had never really felt before". Cates appeared
Off-Broadway again two years later in
Rich Relations, written by
David Henry Hwang, at the
Second Stage Theatre. In December 1989, Cates made her
Broadway debut in a revival of
Paddy Chayefsky's
The Tenth Man at the
Vivian Beaumont Theater. In 1988, Cates told an interviewer, "There are simply not that many good parts in film", but that theater had "tons of good women's roles...I think of theater as what I like to do most...I've only felt happy as an actress for about two years. I rarely watch my film work." Cates continued to appear steadily in films through the early 1990s, usually in supporting roles or in ensemble casts. These include
Date with an Angel (1987),
Bright Lights, Big City (1988),
Shag (1988),
Heart of Dixie (1989),
Drop Dead Fred (1991) and
Bodies, Rest & Motion (1993). The films suffered from mixed to poor reviews and failed to make an impact at the box office. Cates was set to play
Steve Martin's daughter in the successful comedy
Father of the Bride (1991), but her pregnancy with her first child forced her to drop out. In 1994, Cates starred in the
fact-based comedy-drama
Princess Caraboo (1994) with her husband
Kevin Kline. It was Cates's last film before she shifted her focus away from acting to raising her children, Owen and Greta. In 2005, she ventured into business and opened a boutique,
Blue Tree, on New York's Madison Avenue. == Personal life ==