that show some images of what looks like a
fire hydrant,
street lights etc. Film for cameras that use the
35 mm still format is sold as a long strip of
emulsion-coated and perforated
plastic spooled in a light-tight cassette. Before each
exposure, a mechanism inside the camera is used to pull an unexposed area of the strip out of the cassette and into position behind the
camera lens. When all exposures have been made the strip is rewound into the cassette. After the film is chemically
developed, the strip shows a series of small negative images. It is usually then cut into sections for easier handling.
Medium format cameras use
120 film, which yields a strip of negatives 60 mm wide, and
large format cameras capture each image on a single sheet of film which may be as large as 20 x 25 cm (8 x 10 inches) or even larger. Each of these photographed images may be referred to as a negative and an entire strip or set of images may be collectively referred to as "the negatives". They are the master images, from which all positive prints will derive, so they are handled and stored with special care. Many photographic processes create negative images: the chemicals involved react when exposed to light, so that during development they produce deposits of microscopic dark silver particles or colored dyes in proportion to the amount of exposure. However, when a negative image is created from a negative image (just like multiplying two
negative numbers in mathematics) a positive image results. This makes most chemical-based photography a two-step process, which uses
negative film and
ordinary processing. Special films and development processes have been devised so that positive images can be created directly on the film; these are called positive, or slide, or (perhaps confusingly)
reversal films and
reversal processing. Despite the market's evolution away from film, there is still a desire and market for products which allow fine art photographers to produce negatives from digital images for their use in alternative processes such as
cyanotypes,
gum bichromate,
platinum prints, and many others. Such negative images, however, can have less permanence and less accuracy in reproduction than their digital counterparts. ==Negative images and digital processing==