Medieval The
cautionary tale of the dominatrix who made a fool of the famous philosopher became popular across medieval Europe.
Alessandro Turchi called the woman
Campaspe, the mistress of Alexander. The media used include engraving, stained glass, wood, and oil painting. File:Master Of The Housebook - Aristotle and Phyllis - WGA14556.jpg|
Drypoint of Aristotle ridden by Phyllis by the
Housebook Master. c. 1490 File:Maestro MZ, fillide a cavalcioni di aristotele, 1500 ca, incisione.jpg|
Engraving,
Master MZ, c. 1500 File:Lucas van Leyden Arisztotelész és Phyllis.jpg|Engraving,
Lucas van Leyden, c. 1520 File:Augusta, aristotele cavalcato da filide, 1520 ca.JPG|
Stained glass, Germany, c. 1520 File:Albrecht Dürer - Phyllis and Aristotle, detail of Nuremberg Town Hall design.jpg|Detail of a
Power of Women decoration meant for Nuremberg Town Hall,
Albrecht Dürer, 1521 File:Meister von Ottobeuren Aristoteles und Phyllis BNM.jpg|
Aristotle and Phyllis, the Master of Ottobeuren, wood, 1523 File:Lucas Cranach d.Ä. - Phyllis und Aristotle (1530).jpg|
Phyllis and Aristotle,
Lucas Cranach the Elder, oil on panel, 1530 File:Phyllis and Aristotle MET DP836560.jpg|
Phyllis and Aristotle,
Jan Sadeler after
Bartholomeus Spranger, engraving, 16th century File:Turchi-AristoteIMG 1713.JPG|
Aristotle and Campaspe,
Alessandro Turchi (attrib.) Oil on canvas, 1713
19th and 20th centuries Artists such as
Julio Ruelas continued to adapt the Phyllis and Aristotle theme.
Oscar Kokoschka produced a version in 1913. File:Emile Pessard, Le Char, 002.jpg|
Le Char (The Chariot), poster by for opera by
Émile Pessard, 1878 File:Sokrates, (1902).jpg|
Sokrates,
Julio Ruelas (1870–1907), 1902. The woman wears modern stockings and shoes ==Notes==