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Phyllis and Aristotle

The tale of Phyllis and Aristotle is a medieval cautionary tale about the triumph of a seductive woman, Phyllis, over the greatest male intellect, the ancient Greek philosopher Aristotle. It is one of several stories belonging to the Power of Women artistic and literary topos from that time. Among early versions is the French Lai d'Aristote from 1220.

Story
The tale varies in the telling, but the core of it is as follows: Aristotle advises his pupil Alexander to avoid Phyllis, the seductive mistress of his father, the king, but is himself captivated by her. She agrees to ride him, on condition that she play the role of dominatrix. Phyllis has secretly told Alexander what to expect, and he witnesses Phyllis proving that a woman's charms can overcome even the greatest philosopher's male intellect. Phyllis is also described as Alexander's mistress or possibly wife, rather than his father's. Origins The entirely invented story is said by the Louvre to derive from the German work by Jacques de Vitry in the 13th century. The French work Le (The Lay of Aristotle) is known from manuscripts dating from as early as 1220, attributed by scholars to either Henri d'Andeli or . In 1386, the English poet John Gower included a summary of the tale in his Confessio Amantis (in English, unlike his other major works), a collection of stories of immoral love told in verse. It appears in the poem on Apollonius of Tyre (Book 8, 271–2018), where Gower quips that the philosopher's logic and syllogisms do not save him: :I syh there Aristotle also, :Whom that the queene of Grece so :Hath bridled, that in thilke time :Sche made him such a Silogime, :That he foryat al his logique; :Ther was non art of his Practique, :Thurgh which it mihte ben excluded :That he ne was fully concluded :To love, and dede his obeissance Also in the 14th century, the Dominican John Herold wrote a Latin version of the story. In the 15th century, it was featured in the German comedy Ain Spil van Maister Aristotiles (A play of Master Aristotle). Analysis ==Illustrations==
Illustrations
Medieval The cautionary tale of the dominatrix who made a fool of the famous philosopher became popular across medieval Europe. Alessandro Turchi called the woman Campaspe, the mistress of Alexander. The media used include engraving, stained glass, wood, and oil painting. File:Master Of The Housebook - Aristotle and Phyllis - WGA14556.jpg|Drypoint of Aristotle ridden by Phyllis by the Housebook Master. c. 1490 File:Maestro MZ, fillide a cavalcioni di aristotele, 1500 ca, incisione.jpg|Engraving, Master MZ, c. 1500 File:Lucas van Leyden Arisztotelész és Phyllis.jpg|Engraving, Lucas van Leyden, c. 1520 File:Augusta, aristotele cavalcato da filide, 1520 ca.JPG|Stained glass, Germany, c. 1520 File:Albrecht Dürer - Phyllis and Aristotle, detail of Nuremberg Town Hall design.jpg|Detail of a Power of Women decoration meant for Nuremberg Town Hall, Albrecht Dürer, 1521 File:Meister von Ottobeuren Aristoteles und Phyllis BNM.jpg|Aristotle and Phyllis, the Master of Ottobeuren, wood, 1523 File:Lucas Cranach d.Ä. - Phyllis und Aristotle (1530).jpg|Phyllis and Aristotle, Lucas Cranach the Elder, oil on panel, 1530 File:Phyllis and Aristotle MET DP836560.jpg|Phyllis and Aristotle, Jan Sadeler after Bartholomeus Spranger, engraving, 16th century File:Turchi-AristoteIMG 1713.JPG|Aristotle and Campaspe, Alessandro Turchi (attrib.) Oil on canvas, 1713 19th and 20th centuries Artists such as Julio Ruelas continued to adapt the Phyllis and Aristotle theme. Oscar Kokoschka produced a version in 1913. File:Emile Pessard, Le Char, 002.jpg|Le Char (The Chariot), poster by for opera by Émile Pessard, 1878 File:Sokrates, (1902).jpg|Sokrates, Julio Ruelas (1870–1907), 1902. The woman wears modern stockings and shoes ==Notes==
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